Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-t5tsf Total loading time: 0 Render date: 2024-11-14T16:25:15.346Z Has data issue: false hasContentIssue false

Further Reading

Published online by Cambridge University Press:  12 June 2019

Peter Boxall
Affiliation:
University of Sussex
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2019

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Acheson, J. and Ross, S. C. E. (2005). The Contemporary British Novel. Edinburgh University Press.Google Scholar
Adiseshiah, S. and Hildyard, R. (2013). Twenty-First-Century Fiction: What Happens Now? Basingstoke: Palgrave.CrossRefGoogle Scholar
Bentley, N. (2008). Contemporary British Fiction. Edinburgh University Press.Google Scholar
Bentley, N., Hubble, N. and Wilson, L. (2015). The 2000s: A Decade of Contemporary British Fiction. London: Bloomsbury.Google Scholar
Boxall, P. (2013). Twenty-First Century Fiction: A Critical Introduction. Cambridge University Press.Google Scholar
Boxall, P. and Cheyette, B. (2016). The Oxford History of the Novel in English: British and Irish Fiction since 1940. Oxford University Press.Google Scholar
Bradford, R. (2007). The Novel Now: Contemporary British Fiction. Malden, MA: Blackwell.Google Scholar
Brooker, J. (2010). Literature of the 1980s: After the Watershed. Edinburgh University Press.Google Scholar
Connor, S. (2006). The English Novel in History: 1950–1995. London: Routledge.Google Scholar
Davies, A. and Sinfield, A. (2000). British Culture of the Postwar: An Introduction to Literature and Society 1945–1999. London: Routledge.Google Scholar
Head, D. (2002). Cambridge Introduction to Modern British Fiction: 1950–2000. Cambridge University Press.Google Scholar
Horton, E., Tew, P. and Wilson, L. (2014). The 1980s: A Decade of Contemporary British Fiction. London: Bloomsbury.Google Scholar
Hubble, N., Tew, P. and Wilson, L. (2015). The 1990s: A Decade of Contemporary British Fiction. London: Bloomsbury.Google Scholar
James, D. (2015). The Cambridge Companion to British Fiction since 1945. Cambridge University Press.Google Scholar
Marks, P. (2018). Literature of the 1990s: Endings and Beginnings. Edinburgh University Press.Google Scholar
Morrison, J. (2003). Contemporary Fiction. London: Routledge.Google Scholar
Nasta, S. (2001). Home Truths: Fiction about the South Asian Diaspora in Britain. Basingstoke: Palgrave.Google Scholar
Osborne, D. (2016). British Black and Asian Literature, 1945–2010. Cambridge University Press.Google Scholar
Stein, M. (2004). Black British Literature: Novels of Transformation. Columbus, OH: Ohio State University Press.Google Scholar
Tew, P. (2007). The Contemporary British Novel, 2nd edn. New York: Continuum.Google Scholar

Secondary Sources

Attridge, D. (2004). The Singularity of Literature. London: Routledge.Google Scholar
Brouillette, S. (2007). Postcolonial Writers in the Global Literary Marketplace. Basingstoke: Palgrave.Google Scholar
Carroll, R. (2012). Rereading Heterosexuality: Feminism, Queer Theory and Contemporary Fiction. Edinburgh University Press.Google Scholar
Cooke, J. (2013). Scenes of Intimacy: Reading, Writing and Theorizing Contemporary Literature. London: Bloomsbury.Google Scholar
Currie, M. (1995). Metafiction. London: Longman.Google Scholar
Currie, M. (2010). Postmodern Narrative Theory, 2nd edn. Basingstoke: Palgrave.Google Scholar
Dawson, P. (2013). The Return of the Omniscient Narrator: Authorship and Authority in Twenty-First Century Fiction. Columbus, OH: Ohio State University Press.Google Scholar
Eagleton, T. (2004). After Theory. London: Penguin.Google Scholar
Elias, A. J. (2001). Sublime Desire: History and Post-1960s Fiction. London: Johns Hopkins University Press.Google Scholar
Elliott, J. and Attridge, D. (2011). Theory after ‘Theory’. London: Routledge.Google Scholar
Hale, D. J. (2005). The Novel: An Anthology of Criticism and Theory. Oxford: Blackwell.Google Scholar
Hutcheon, L. (1988). A Poetics of Postmodernism: History, Theory, Fiction. London: Routledge.Google Scholar
James, D. (2012). The Legacies of Modernism: Historicising Postwar and Contemporary Fiction. Cambridge University Press.Google Scholar
James, D. (2012). Modernist Futures: Innovation and Inheritance in the Contemporary Novel. Cambridge University Press.Google Scholar
McCulloch, F. (2012). Cosmopolitanism in Contemporary British Fiction. Basingstoke: Palgrave.Google Scholar
McNally, L. (2013). Reading Theories in Contemporary Fiction. London: Bloomsbury.Google Scholar
Mulhern, F. (2016). Figures of Catastrophe: The Condition of Culture Novel. London: Verso.Google Scholar
Peacock, J. and Lustig, T. (2013). Diseases and Disorders in Contemporary Fiction: The Syndrome Syndrome. London: Routledge.Google Scholar
Shields, D. (2010) Reality Hunger: A Manifesto. London: Hamish Hamilton.Google Scholar
Vermeulen, P. (2015). Contemporary Literature and the End of the Novel. London: Palgrave.Google Scholar
Waugh, P. (1984). Metafiction: The Theory and Practice of Self-Conscious Fiction. London: Methuen.Google Scholar
Butler, J. (1990). Gender Trouble: Feminism and the Subversion of Identity. London: Routledge.Google Scholar
Derrida, J. (1992). Acts of Literature. London: Routledge.Google Scholar
Derrida, J. (2003). Specters of Marx: The State of the Debt, the Work of Mourning and New International, trans. P. Kamuf. London: Routledge.Google Scholar
Gilroy, P. (2013 [1987]). There Ain’t No Black in the Union Jack. London: Routledge.Google Scholar
Gilroy, P. (1993) Small Acts: Thoughts on the Politics of Black Culture. London: Serpent’s Tail.Google Scholar
Hall, S. (2017). Selected Political Writings: The Great Moving Right Show and Other Essays. London: Duke University Press.Google Scholar
Haraway, D. (1991). Simians, Cyborgs, and Women: The Reinvention of Nature. London: Free Association Books.Google Scholar
Jameson, F. (1981). Political Unconscious: Narrative as a Socially Symbolic Act. London: Cornell University Press.Google Scholar
Jameson, F. (1991). Postmodernism, or, the Cultural Logic of Late Capitalism. London: Duke University Press.Google Scholar
Mulvey, L. (1989). Visual and Other Pleasures. Basingstoke: Palgrave.CrossRefGoogle Scholar
Rose, J. (1986). Sexuality in the Field of Vision. London: Verso.Google Scholar
Said, E. (2006). On Late Style. London: Bloomsbury.Google Scholar
Sedgwick, E. (1990). Epistemology of the Closet. London: University of California Press.Google Scholar
Carter, A. (2013). Shaking a Leg: Collected Journalism and Writing. London: Vintage.Google Scholar
McCarthy, T. (2017). Typewriters, Bombs, Jellyfish: Essays. New York Review of Books.Google Scholar
Naipaul, V. S. (2002). The Writer and the World. London: Alfred Knopf.Google Scholar
Phillips, C. (2001). A New World Order: Selected Essays. London: Secker & Warburg.Google Scholar
Rushdie, S. (1991). Imaginary Homelands. London: Granta.Google Scholar
Smith, A. (2015). Public Library and Other Stories. London: Hamish Hamilton.Google Scholar
Smith, Z. (2011). Changing My Mind: Occasional Essays. London: Penguin.Google Scholar
Smith, Z. (2018). Feel Free: Essays. London: Hamish Hamilton.Google Scholar
Winterson, J. (1995). Art Objects: Essays on Ecstasy and Effrontery. London: Jonathan Cape.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Further Reading
  • Edited by Peter Boxall, University of Sussex
  • Book: The Cambridge Companion to British Fiction: 1980–2018
  • Online publication: 12 June 2019
  • Chapter DOI: https://doi.org/10.1017/9781108649865.017
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Further Reading
  • Edited by Peter Boxall, University of Sussex
  • Book: The Cambridge Companion to British Fiction: 1980–2018
  • Online publication: 12 June 2019
  • Chapter DOI: https://doi.org/10.1017/9781108649865.017
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Further Reading
  • Edited by Peter Boxall, University of Sussex
  • Book: The Cambridge Companion to British Fiction: 1980–2018
  • Online publication: 12 June 2019
  • Chapter DOI: https://doi.org/10.1017/9781108649865.017
Available formats
×