Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-q99xh Total loading time: 0 Render date: 2024-12-26T16:08:47.108Z Has data issue: false hasContentIssue false

Chapter 9 - Life Writing in Comics

from Part II - Readings

Published online by Cambridge University Press:  17 August 2023

Maaheen Ahmed
Affiliation:
Universiteit Gent, Belgium
Get access

Summary

This chapter examines life writing in comics through the influential zine King-Cat Comics and Stories, created and independently self-published by John Porcellino since 1989. The various forms of expression employed in King-Cat generate a kind of unmediated directness between Porcellino and the reader, where the mode of address, tone, and style is constantly modulating. King-Cat is a form of life writing that uses the zine format and, in this case, comics featured within the zine, to foreground its aporetic nature. Constantly making the reader switch gears between different kinds of information in different forms, King-Cat makes the aporetic experience almost second nature for the reader. The intra- and intertextual dynamics created by Porcellino’s life writing practice implicate the reader in an animistic medium of uncertainty, where what the text “asks” of the reader shifts in register even in sections of the same page. This kind of reading process challenges traditional linear notions of time and suspends the location of identity within a text, thus suggesting a dynamic communal vision for life writing and, perhaps, for viewing life itself.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Porcellino, John. King-Cat Classix. Drawn & Quarterly, 2021.Google Scholar
Porcellino, John. Map of My Heart: The Best of King-Cat Comics & Stories 1996–2002. Drawn & Quarterly, 2009.Google Scholar
Porcellino, John. Perfect Example. Drawn & Quarterly, 2005.Google Scholar

Secondary Sources

Baggerman, Arianne, Rudolf, Dekker, and Mascuch, Michael. Controlling Time and Shaping the Self: Developments in Autobiographical Writing since the Sixteenth Century. Brill, 2011.Google Scholar
Blake, William. The Complete Poetry and Prose of William Blake. Edited by Erdman, David V.. University of California Press, 1982.Google Scholar
Currie, Mark. About Time: Narrative, Fiction and the Philosophy of Time. Edinburgh University Press, 2007.Google Scholar
de Certeau, Michel. The Practice of Everyday Life. University of California Press, 1984.Google Scholar
de Man, Paul. “Autobiography as De-Facement.” MLN, vol. 94, no. 5, 1979, pp. 919930.Google Scholar
Groensteen, Thierry. Comics and Narration. Translated by Ann Miller. University of Mississippi Press, 2013.Google Scholar
Herbrechter, Stefan. “Narrating(−)Life – In Lieu of an Introduction.” Narrating Life – Experiments with Human and Animal Bodies in Literature, Science and Art, edited by Herbrechter, Stefan and Friis, Elisabeth. Brill, 2016, pp. 113.CrossRefGoogle Scholar
Hescher, Achim. Reading Graphic Novels: Genre and Narration. De Gruyter, 2016.Google Scholar
Mikkonen, Kai. The Narratology of Comic Art. Routledge Advances in Comics Studies. Routledge, 2017.CrossRefGoogle Scholar
Kermode, Frank. The Sense of an Ending: Studies in the Theory of Fiction. Oxford University Press, 2000.Google Scholar
Kofman, Sarah. “Beyond Aporia?Post-Structuralist Classics, edited by Benjamin, Andrew. Routledge, 1988, pp. 744.Google Scholar
Kwa, Shiamin. Regarding Frames: Thinking with Comics in the Twenty-First Century. RIT Press, 2020.Google Scholar
Laurier, Eric. “The Graphic Transcript: Poaching Comic Book Grammar for Inscribing the Visual, Spatial and Temporal Aspects of Action.” Geography Compass, vol. 8, no. 4, 2014, pp. 235248.Google Scholar
McGuire, Richard. Here. Pantheon, 2014.Google Scholar
Miodrag, Hannah. Comics and Language: Reimagining Critical Discourse on the Form. University Press of Mississippi, 2013.Google Scholar
Nelson, Deborah. “Panel: Comics and Autobiography Phoebe Gloeckner, Justin Green, Aline Kominsky-Crumb, Carol Tyler.” Critical Inquiry, vol. 40, no. 3, 2014, pp. 86103.Google Scholar
Pier, John. “Metalepsis.” Handbook of Narratology, edited by Hùhn, Peter. De Gruyter, 2009, pp. 190203.Google Scholar
Schneider, Ralf and Hartner, Marcus, eds. Blending and the Study of Narrative: Approaches and Applications. De Gruyter, 2012.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×