irony and responsibility
Published online by Cambridge University Press: 28 May 2006
In an uncollected poem of 1995, ʿMacNeiceʾs Londonʾ, Derek Mahon imagines Louis MacNeice in wartime, in ʿA bunker of civilised sound, / A BBC studioʾ:
Thirty years dead
I see your ghost, as the Blitz carooms overhead,
Dissolve into a smoke-ring, meditative,
Classic, outside time and space,
Alone with itself, in the presence of the nations,
Well-bred, dry, the voice
Of London, speaking of lost illusions.
These lines capture, in a brilliant miniature, much of the complexity of Louis MacNeiceʾs cultural and historical situations. While the adjectives here - ʿmeditativeʾ, ʿclassicʾ, ʿaloneʾ, ʿwell-bredʾ, ʿdryʾ - seem to map out the distinctive qualities of the poetʾs voice, that voice is also working as ʿthe voice/ Of Londonʾ while it speaks from the wartime BBC to the world. Mahonʾs final line-break allows the reader to sense the distance between the intimacy and solitude of the poet and the prepared voice of the public writer: as ʿthe voiceʾ turns into ʿthe voice/ Of Londonʾ, we feel a mild and complicating shock of something ʿoutside time and spaceʾ that suddenly locates itself in a specific moment and situation.
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