Book contents
- The Cambridge Companion to Margaret Atwood
- The Cambridge Companion to Margaret Atwood
- Copyright page
- Dedication
- Contents
- Notes on Contributors
- Preface
- Acknowledgments
- Note on Editions Used
- Abbreviations
- Margaret Atwood Chronology
- Introduction
- Chapter 1 Margaret Atwood in Her Canadian Context
- Chapter 2 Margaret Atwood on Questions of Power
- Chapter 3 Home and Nation in Margaret Atwood’s Later Fiction
- Chapter 4 Margaret Atwood’s Female Bodies
- Chapter 5 Margaret Atwood and Environmentalism
- Chapter 6 Margaret Atwood and History
- Chapter 7 Margaret Atwood’s Revisions of Classic Texts
- Chapter 8 Margaret Atwood’s Humor
- Chapter 9 Margaret Atwood’s Poetry and Poetics
- Chapter 10 Margaret Atwood’s Later Short Fiction
- Chapter 11 Margaret Atwood’s Recent Dystopias
- Chapter 12 The Hulu and MGM Television Adaptation of The Handmaid’s Tale
- Further Reading
- Index
- Cambridge Companions To …
Chapter 2 - Margaret Atwood on Questions of Power
Published online by Cambridge University Press: 19 March 2021
- The Cambridge Companion to Margaret Atwood
- The Cambridge Companion to Margaret Atwood
- Copyright page
- Dedication
- Contents
- Notes on Contributors
- Preface
- Acknowledgments
- Note on Editions Used
- Abbreviations
- Margaret Atwood Chronology
- Introduction
- Chapter 1 Margaret Atwood in Her Canadian Context
- Chapter 2 Margaret Atwood on Questions of Power
- Chapter 3 Home and Nation in Margaret Atwood’s Later Fiction
- Chapter 4 Margaret Atwood’s Female Bodies
- Chapter 5 Margaret Atwood and Environmentalism
- Chapter 6 Margaret Atwood and History
- Chapter 7 Margaret Atwood’s Revisions of Classic Texts
- Chapter 8 Margaret Atwood’s Humor
- Chapter 9 Margaret Atwood’s Poetry and Poetics
- Chapter 10 Margaret Atwood’s Later Short Fiction
- Chapter 11 Margaret Atwood’s Recent Dystopias
- Chapter 12 The Hulu and MGM Television Adaptation of The Handmaid’s Tale
- Further Reading
- Index
- Cambridge Companions To …
Summary
The central focus of this chapter is on variations in Atwood’s perennial theme of sexual power politics, with extensive analysis of early poems in The Circle Game, Power Politics, and Bodily Harm, developing into an extended exploration of the interface between power politics in the personal and public worlds in The Handmaid’s Tale with its current sociopolitical relevance for women’s rights and human rights. This chapter concludes with an interpretation of The Heart Goes Last, reading it through Ahmed’s theory of affectivity, eliding personal and wider political resonances.
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- The Cambridge Companion to Margaret Atwood , pp. 32 - 46Publisher: Cambridge University PressPrint publication year: 2021