Published online by Cambridge University Press: 28 May 2006
What does give the classic Russian novel its power over the imagination? There have been many attempts to define its unique features and to account for its rise to pre-eminence in such unpromising soil. Underlying most analyses is the perception that Russian literature achieved its stature in a dialectic (or dialogue) with Western European literary traditions. Bakhtin has provided a theoretical model for this process in a shift from regarding the Western tradition as “authoritative discourse” to regarding it as “inwardly persuasive discourse”; in other words from a mental attitude which saw Western traditions as providing unsurpassable achievements which could only be imitated or rejected, to one which assimilated them to native Russian experience as part of a process of growth-in-dialogue: a complex dance in which the partners now lightly touch, now embrace and now draw apart, at times melting into a common movement and at times loudly asserting their difference.
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