Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-dh8gc Total loading time: 0 Render date: 2024-11-12T22:52:05.990Z Has data issue: false hasContentIssue false

5 - They Don’t Make ’Em Like They Used To: Electric Guitar Design 1950–2022

from Part II - Technology and Timbre

Published online by Cambridge University Press:  08 November 2024

Jan-Peter Herbst
Affiliation:
University of Huddersfield
Steve Waksman
Affiliation:
Smith College, Massachusetts
Get access

Summary

Guitar shop showrooms are museums of design. As visitors walk by rows of instruments, they encounter a tactile history of popular music. However, shoppers may notice that the majority of electric guitars available in the modern marketplace are strikingly similar. While there are certainly instances of radically new styles, they are outnumbered by instruments that resemble mid-twentieth century designs, such as the Fender Stratocaster and the Gibson Les Paul. This chapter explores moments in electric guitar design history that speak to marketplace tensions between historical consciousness and innovation. There is a widespread belief that the electric guitar was perfected half a century ago. Therefore, new design choices must be in conversation with the past. Success stories—such as Fender’s Custom Shop series—rely upon such historical nods. Design flops—such as Gibson’s “G-Force” automatic tuner—fail because they innovate beyond what buyers are willing to accept. So, is the electric guitar dead, as some commentators have proclaimed? I argue that the instrument is in a persistent state of rebirth as new models move forwards by looking backwards.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2024

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Selected Bibliography

Atkinson, Paul, Amplified: A Design History of the Electric Guitar (Reaktion Books, 2021).Google Scholar
Dudley, Kathryn Marie, Guitar Makers: The Endurance of Artisanal Values in North America (University of Chicago Press, 2014).CrossRefGoogle Scholar
Edgers, Geoff, “Why My Guitar Gently Weeps: The Slow Secret Death of the Electric Guitar,” The Washington Post (2017). Available at www.washingtonpost.com/graphics/2017/lifestyle/the-slow-secret-death-of-the-electric-guitar (accessed May 3, 2023).Google Scholar
Gartman, David, Auto-Opium: A Social History of American Automobile Design (Routledge, 1994).Google Scholar
Millard, André, The Electric Guitar: A History of an American Icon (Johns Hopkins University Press, 2004).CrossRefGoogle Scholar
Tolinski, Brad and di Perna, Alan, Play It Loud: An Epic History of the Style, Sound, & Revolution of the Electric Guitar (Penguin Random House, 2017).Google Scholar
Waksman, Steve, “California Noise: Tinkering with Hardcore and Heavy Metal in Southern California,” Social Studies of Science 34/5 (2004): 675702.CrossRefGoogle Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×