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from Part III - Technologies of the Essay
Published online by Cambridge University Press: 27 October 2022
This chapter traces the history of the essay film from its origins in D. W. Griffith and Sergei Eisenstein (and theorizations by writers such as Hans Richter and Alexandre Astruc) to its manifestations in contemporary experimental cinema and video art installations such as John Akomfrah’s Vertigo Sea. The author argues that the essay film is uniquely positioned to incorporate and respond to political and social crisis.
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