Book contents
- The Cambridge Companion to the Rolling Stones
- Cambridge Companions to Music
- The Cambridge Companion to the Rolling Stones
- Copyright page
- Dedication
- Contents
- Illustrations
- Tables
- Notes on Contributors
- Preface
- Abbreviations
- Part I Albums, Songs, Players, and the Core Repertory of the Rolling Stones
- Part II Sound, Roots, and Brian Jones
- Part III Stones on Film, Revival, and Fans
- 9 Shine a Light: The Rolling Stones on Film
- 10 Second Life and the Dynamics of Revival: The Stones after 1989
- Postlude: Being a Rolling Stones Fan is Not a Choice But a State of Mind
- Bibliography
- Index of Songs, Albums, and Visual Media Cited in the Text
- General Index
10 - Second Life and the Dynamics of Revival: The Stones after 1989
from Part III - Stones on Film, Revival, and Fans
Published online by Cambridge University Press: 23 August 2019
- The Cambridge Companion to the Rolling Stones
- Cambridge Companions to Music
- The Cambridge Companion to the Rolling Stones
- Copyright page
- Dedication
- Contents
- Illustrations
- Tables
- Notes on Contributors
- Preface
- Abbreviations
- Part I Albums, Songs, Players, and the Core Repertory of the Rolling Stones
- Part II Sound, Roots, and Brian Jones
- Part III Stones on Film, Revival, and Fans
- 9 Shine a Light: The Rolling Stones on Film
- 10 Second Life and the Dynamics of Revival: The Stones after 1989
- Postlude: Being a Rolling Stones Fan is Not a Choice But a State of Mind
- Bibliography
- Index of Songs, Albums, and Visual Media Cited in the Text
- General Index
Summary
1989 marked the end of one career and the beginning of another for the Rolling Stones. The year capped almost a decade of disharmony and uneven musical production – “Giants Enter a Deep Sleep” is how Elliott describes this period1 – and witnesses the most acrimonious chapter in the venerable Jagger/Richards partnership, one of the most creative collaborative musical relationships in popular music history. Although the decade began with a successful tour in 1981–82 to promote the album Tattoo You, memorialized in the pastel-heavy Hal Ashby-produced film Let’s Spend the Night Together, the animosity within the entire band continued into the mid-1980s. With Richards’ addictions and resultant legal troubles reaching a critical stage, control of the group tilted decisively (and understandably) in the direction of Jagger, who remained resolutely in charge.
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- The Cambridge Companion to the Rolling Stones , pp. 184 - 193Publisher: Cambridge University PressPrint publication year: 2019