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11 - The British Folk Revival: Mythology and the ‘Non-Figuring’ and ‘Figuring’ Woman

from Part II - Women in Popular Music

Published online by Cambridge University Press:  17 April 2021

By
Michael Brocken
Edited by
Laura Hamer
Laura Hamer
Affiliation:
The Open University, Milton Keynes
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Summary

Turning to folk music, in Chapter 11, Michael Brocken focuses upon the British folk revival to consider both the traditional marginalisation of women’s voices and the contemporary emergence of a more open folk scene in which women’s voices ‘figure’. Blending an auto-ethnographic and an ethnographic approach, Brocken considers not only his own growing awareness of gender issues within the folk scene as a male researcher, but also draws upon interview material with folk musician Emily Portman and folk and acoustic music promoter Rose Price.

Keywords

British folk revivalfolk musicfolk scenefolk clubsfolk festivalsEmily PortmanRose Price
Type
Chapter
Information
The Cambridge Companion to Women in Music since 1900 , pp. 163 - 175
Publisher: Cambridge University Press
Print publication year: 2021

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References

Further Reading

Brocken, Michael. The British Folk Revival 1944–2002 (Aldershot: Ashgate, 2003).Google Scholar
Finnegan, Ruth. The Hidden Musicians: Music-Making in an English Town (Cambridge: Cambridge University Press, 1989).Google Scholar

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