Book contents
- The Cambridge Companion to Women in Music since 1900
- Cambridge Companions to Music
- The Cambridge Companion to Women in Music since 1900
- Copyright page
- Dedication
- Contents
- Figures
- Boxes
- Notes on Contributors
- Preface
- Abbreviations
- Part I The Classical Tradition
- 1 Women in Composition before the Second World War
- 2 Women in Composition during the Cold War in Music
- 3 Behind the Iron Curtain: Female Composers in the Soviet Bloc
- 4 Still Exceptional? Women in Composition Approaching the Twenty-First Century
- 5 On the Podium: Women Conductors
- 6 Soloists and Divas: Evolving Opportunities, Identity, and Reception
- In Her Own Words: Practitioner Contribution 1
- Part II Women in Popular Music
- Part III Women and Music Technology
- Part IV Women’s Wider Work in Music
- Appendix: Survey Questions for Chapter 14, The Star-Eaters: A 2019 Survey of Female and Gender-Non-Conforming Individuals Using Electronics for Music
- Select Bibliography
- Index
In Her Own Words: Practitioner Contribution 1
from Part I - The Classical Tradition
Published online by Cambridge University Press: 17 April 2021
- The Cambridge Companion to Women in Music since 1900
- Cambridge Companions to Music
- The Cambridge Companion to Women in Music since 1900
- Copyright page
- Dedication
- Contents
- Figures
- Boxes
- Notes on Contributors
- Preface
- Abbreviations
- Part I The Classical Tradition
- 1 Women in Composition before the Second World War
- 2 Women in Composition during the Cold War in Music
- 3 Behind the Iron Curtain: Female Composers in the Soviet Bloc
- 4 Still Exceptional? Women in Composition Approaching the Twenty-First Century
- 5 On the Podium: Women Conductors
- 6 Soloists and Divas: Evolving Opportunities, Identity, and Reception
- In Her Own Words: Practitioner Contribution 1
- Part II Women in Popular Music
- Part III Women and Music Technology
- Part IV Women’s Wider Work in Music
- Appendix: Survey Questions for Chapter 14, The Star-Eaters: A 2019 Survey of Female and Gender-Non-Conforming Individuals Using Electronics for Music
- Select Bibliography
- Index
Summary
In her practitioner contribution, composer Elizabeth Hoffman concludes Part I (‘The Classical Tradition’) with a searching consideration of how gender has affected her own career and how it continues to affect women within the academy.
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- The Cambridge Companion to Women in Music since 1900 , pp. 95 - 100Publisher: Cambridge University PressPrint publication year: 2021