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4 - Still Exceptional? Women in Composition Approaching the Twenty-First Century

from Part I - The Classical Tradition

Published online by Cambridge University Press:  17 April 2021

Laura Hamer
Affiliation:
The Open University, Milton Keynes
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Summary

Chapter 4 discusses the situation of contemporary female composers and poses the question of the extent to which they are ‘still exceptional’. Ranging across a wide range of figures, Astrid Kvalbein considers how contemporary women, such as Kaija Saariaho, Jennifer Walsh, and Lotta Wennäkoski, explore feminist themes and provide gender critiques through their works; the tendency for women, including Judith Weir, Olga Neuwirth, and Du Yun, to engage with wider societal issues; the strategies women, such as Unsuk Chin, Gabriela Lena Frank, and Liza Lim have adopted to respond to an increasingly globalised world; and how composers such as Natasha Barrett and Jana Winderen have explored environmental issues through their music.

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Chapter
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Publisher: Cambridge University Press
Print publication year: 2021

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References

Further Reading

Kelly, Jennifer. In Her Own Words: Conversations with Composers in the United States (Urbana: University of Illinois Press, 2013).Google Scholar
Macarthur, Sally. ‘The Woman Composer, New Music and Neoliberalism.’ Musicology Australia, vol. 36, no. 1 (2014), 3652.CrossRefGoogle Scholar
Moisala, Pirkko. Kaija Saariaho (Urbana: University of Illinois Press, 2009).Google Scholar
Rutherford-Johnson, Tim. Music After the Fall: Modern Composition and Culture since 1989 (Oakland: University of California Press, 2017).Google Scholar

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