Book contents
- The Cambridge Companion to World Crime Fiction
- The Cambridge Companion to World Crime Fiction
- Copyright page
- Contents
- Notes on Contributors
- Preface
- Chronology
- Chapter 1 What Is World Crime Fiction?
- Chapter 2 Crime Fiction and the International Publishing Industry
- Chapter 3 The Translation and Circulation of Crime Fiction
- Chapter 4 The International Crime Fiction Collection
- Chapter 5 Regional Crime Fiction
- Chapter 6 Women in World Crime Fiction
- Chapter 7 East Asian Crime Fiction
- Chapter 8 Crime Fiction in South Asia
- Chapter 9 Arab Crime Fiction
- Chapter 10 The Crime Fiction of Sub-Saharan Africa
- Chapter 11 European Crime Fiction
- Chapter 12 Scandinavian Crime Fiction
- Chapter 13 Iberian and Latin American Crime Fiction
- Chapter 14 World Crime Fiction in French
- Further Reading
- Index
- Cambridge Companions To …
Chapter 2 - Crime Fiction and the International Publishing Industry
Published online by Cambridge University Press: 14 April 2022
- The Cambridge Companion to World Crime Fiction
- The Cambridge Companion to World Crime Fiction
- Copyright page
- Contents
- Notes on Contributors
- Preface
- Chronology
- Chapter 1 What Is World Crime Fiction?
- Chapter 2 Crime Fiction and the International Publishing Industry
- Chapter 3 The Translation and Circulation of Crime Fiction
- Chapter 4 The International Crime Fiction Collection
- Chapter 5 Regional Crime Fiction
- Chapter 6 Women in World Crime Fiction
- Chapter 7 East Asian Crime Fiction
- Chapter 8 Crime Fiction in South Asia
- Chapter 9 Arab Crime Fiction
- Chapter 10 The Crime Fiction of Sub-Saharan Africa
- Chapter 11 European Crime Fiction
- Chapter 12 Scandinavian Crime Fiction
- Chapter 13 Iberian and Latin American Crime Fiction
- Chapter 14 World Crime Fiction in French
- Further Reading
- Index
- Cambridge Companions To …
Summary
This chapter analyses the position of crime fiction in the global publishing industry. Drawing on bestseller data from nine countries across all continents, it confirms that crime fiction is prominent in the commercial top segment everywhere, but to varying degrees. The genre is most dominant in countries with strong domestic crime fiction traditions, such as the UK and the USA, and least visible in non-Western markets (e.g. Brazil and India). Data from the UK and the USA show very few bestselling crime novels in translation, unlike other book markets where bestselling translations are more common – primarily translations from English, but to a notable extent also from the Scandinavian languages. Discussion focusses on the power dynamics of global publishing, the increasingly important sector of rights sales and adaptations, author branding and serialization, and the rapid structural changes that are currently taking place in the book trade, including the increased interest in digital formats like streamed audiobooks.
Keywords
- Type
- Chapter
- Information
- The Cambridge Companion to World Crime Fiction , pp. 25 - 45Publisher: Cambridge University PressPrint publication year: 2022
- 1
- Cited by