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from Key Topics
Published online by Cambridge University Press: 22 February 2020
Dante did not read Homer but thanks to the Latin tradition valued him highly: for Dante, Homer was such a paragon of poetic achievement that, in the Divine Comedy, he stands out even amongst Limbo’s “virtuous pagans” (including Dante’s own poetic master, Virgil). That complex reception is crystallized in Dante’s depiction of Ulysses (Odysseus), a sinner who is yet a “grand shade” described in language otherwise applied only to the spur of Dante’s spiritual journey, Beatrice.
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