Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Introduction
- 10 European Theater Scene
- 11 Players and the Playing Business
- 12 Playhouses
- 13 Audiences and Playgoing
- 14 Properties
- 15 Costumes
- 16 Cosmetics
- 17 Playwriting
- 18 Production Processes
- 19 Stage Directions and the Stage Space
- 20 Music
- 21 The Prehistory of Shakespearean Theater
- 22 Entertainments: Baiting, Dances, Contests
- 23 Court Masques
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
13 - Audiences and Playgoing
from Part II - Theater
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Introduction
- 10 European Theater Scene
- 11 Players and the Playing Business
- 12 Playhouses
- 13 Audiences and Playgoing
- 14 Properties
- 15 Costumes
- 16 Cosmetics
- 17 Playwriting
- 18 Production Processes
- 19 Stage Directions and the Stage Space
- 20 Music
- 21 The Prehistory of Shakespearean Theater
- 22 Entertainments: Baiting, Dances, Contests
- 23 Court Masques
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
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- The Cambridge Guide to the Worlds of Shakespeare , pp. 95 - 101Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
Chambers, Edmund Kerchever. William Shakespeare: A Study of Facts and Problems. 2 vols. Oxford: Clarendon, 1930.Google Scholar
Evans, G. Blakemore, ed. The Riverside Shakespeare. 2nd ed. Boston: Houghton Mifflin, 1997.Google Scholar
Foakes, Reginald A., ed. Henslowe’s Diary. 2nd ed. Cambridge: Cambridge University Press, 2002.Google Scholar
Gurr, Andrew. Playgoing in Shakespeare’s London. 3rd ed. Cambridge: Cambridge University Press, 2004.Google Scholar
Further reading
Astington, John H. English Court Theatre, 1558–1642. Cambridge: Cambridge University Press, 1999.Google Scholar
Butler, Martin. Theatre and Crisis, 1632–1642. Cambridge: Cambridge University Press, 1984.Google Scholar
Cook, Ann Jennalie. The Privileged Playgoers of Shakespeare’s London, 1576–1642. Princeton: Princeton UP, 1981.Google Scholar
Dawson, Anthony B., and Yachnin, Paul. The Culture of Playgoing in Shakespeare’s England: A Collaborative Debate. Cambridge: Cambridge University Press, 2001.Google Scholar
Finlay, Roger. Population and Metropolis: The Demography of London, 1580–1650. Cambridge: Cambridge University Press, 1981.CrossRefGoogle Scholar
Gurr, Andrew. The Shakespearean Stage, 1574–1642. 4th ed. Cambridge: Cambridge University Press, 2009.Google Scholar
Kidnie, Margaret Jane. “Shakespeare’s Audiences.” Shakespeare: An Oxford Guide. Ed. Wells, Stanley and Orlin, Lena Cowen. Oxford: Oxford UP, 2003. 32–43.CrossRefGoogle Scholar
Manley, Lawrence. Literature and Culture in Early Modern London. Cambridge: Cambridge University Press, 1995.Google Scholar