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14 - Properties

from Part II - Theater

Published online by Cambridge University Press:  17 August 2019

By
Fran Teague
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

costumes or costumingemblems or emblematic itemsfurniture or furnishingsmasquesproduction costsprops or propertiesspectaclestool
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 101 - 105
Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Brome, Richard. The Antipodes. The Early English Books Online. http://gateway.proquest.com/openurl?ctx_ver=Z39.88-2003&res_id=xri:eebo&rft_id=xri:eebo:citation:99842424.Google Scholar
Chambers, E. K. The Elizabethan Stage. 4 vols. Oxford: Clarendon, 1923.Google Scholar
Dessen, Alan C., and Thompson, Leslie. A Dictionary of Stage Directions in English Drama, 1580–1642. Cambridge: Cambridge University Press, 1999.Google Scholar
Harris, Jonathan Gil, and Korda, Natasha. Staged Properties in Early Modern English Drama. Cambridge: Cambridge University Press, 2002.Google Scholar
Munday, Anthony. Sidero-Thriambos. London: 1618.Google Scholar
Sofer, Andrew. The Stage Life of Props. Ann Arbor: U of Michigan P, 2003.Google Scholar
Teague, Frances. Shakespeare’s Speaking Properties. Lewisburg: Bucknell UP, 1991.Google Scholar
Victoria and Albert Museum. “Stool.” V&A Search the Collections. http://collections.vam.ac.uk/. Accessed 10 June 2013.Google Scholar

Further reading

Brown, Bill. “Thing Theory.” Critical Inquiry 28 (2001): 1–22.CrossRefGoogle Scholar
Caton, Kristina. “The Joint-Stool on the Early Modern Stage: Witches, Wives, and Murderers in Macbeth and Arden of Faversham.” Staging the Superstitions of Early Modern Europe. Eds. Theile, Verena and McCarthy, Andrew. Aldershot: Ashgate, 2013. 129–46.Google Scholar
Schwyzer, Philip. “Trophies, Traces, Relics, and Props: The Untimely Objects of Richard III.” Shakespeare Quarterly 63 (2012): 297–327.CrossRefGoogle Scholar
Sofer, Andrew. “Properties.” The Oxford Handbook of Early Modern Theatre. Ed. Dutton, Richard. Oxford: Oxford UP, 2009. 560–74.Google Scholar
Williamson, Elizabeth. The Materiality of Religion in Early Modern English Drama. Aldershot: Ashgate, 2009.Google Scholar

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