Book contents
- The Cambridge History of Fifteenth-Century Music
- Series page
- The Cambridge History of Fifteenth-Century Music
- Copyright page
- Dedication
- Contents
- Figures
- Music examples
- Notes on contributors
- Acknowledgments
- Abbreviations
- Introduction
- Part I Historiography
- Part II Improvisation and composition
- Part III Humanism
- Part IV Music and other arts
- 18 Architecture and music in fifteenth-century Italy
- 19 Music and feasts in the fifteenth century
- 20 French lyrics and songs for the New Year, ca. 1380–1420
- Part V Music in churches, courts, and cities
- Part VI Religious devotion and liturgy
- Part VII Theory and practice
- Part VIII Sources
- Part IX Genres
- Part X Reception
- Index
20 - French lyrics and songs for the New Year, ca. 1380–1420
from Part IV - Music and other arts
Published online by Cambridge University Press: 05 July 2015
Book contents
- The Cambridge History of Fifteenth-Century Music
- Series page
- The Cambridge History of Fifteenth-Century Music
- Copyright page
- Dedication
- Contents
- Figures
- Music examples
- Notes on contributors
- Acknowledgments
- Abbreviations
- Introduction
- Part I Historiography
- Part II Improvisation and composition
- Part III Humanism
- Part IV Music and other arts
- 18 Architecture and music in fifteenth-century Italy
- 19 Music and feasts in the fifteenth century
- 20 French lyrics and songs for the New Year, ca. 1380–1420
- Part V Music in churches, courts, and cities
- Part VI Religious devotion and liturgy
- Part VII Theory and practice
- Part VIII Sources
- Part IX Genres
- Part X Reception
- Index
Summary
This chapter explores a lyric tradition that had flourished in France and other Francophone centers from at least 1380. It examines aspects of the sizeable corpus of lyrics with and without music that survives in sources from the late fourteenth and early fifteenth centuries. The chapter discusses how the new order of "fixed form" lyric and polyphonic chanson that crystallized in 1340 quickly became a locus for competitive demonstrations of lyric ingenuity and allusive play held at court and in urban contexts. It describes how the New Year repertory demonstrates a similarly strong sense of lyric community in its texts. Most of the lyrics and songs serve not only to transmit New Year greetings but also to present a gift. The most common kind of gift is immaterial, comprising a pledge of love, loyalty, or devotion.
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- The Cambridge History of Fifteenth-Century Music , pp. 374 - 400Publisher: Cambridge University PressPrint publication year: 2015