from Part III - Intersections: National(ist) Synergies and Tensions with Other Social, Economic, Political, and Cultural Categories, Identities, and Practices
Published online by Cambridge University Press: 08 November 2023
In 1877 George F. Keller (1846–1927?) commented on America’s ethnic melting pot and exclusionism by drawing “Uncle Sam’s Thanksgiving Dinner,” showing a chaotic dining scene (see Figure 34.1).1 Uncle Sam is served (uncooked) turkey by an African-American domestic and is accompanied by nine male diners. All have food in front of them: the Frenchman has frogs and wine, the German sauerkraut and sausages, the Russian holds a bottle with a label saying “Acid,” and, to the disgust of the Irish (having potatoes and whisky) and the Englishman (having pie and tea), the Chinese is eating a rat.2 This was not the first time that nations and peoples were pictured by means of foodways.3 In 1803, for example, English cartoonist James Gillray (1757–1815) drew a party of five German men who ferociously devoured sauerkraut and sausages (with beer jugs pell-mell on the floor).4 Later, typecasting nations through food occurred regularly.
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