Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-m6dg7 Total loading time: 0 Render date: 2024-11-15T04:52:15.690Z Has data issue: false hasContentIssue false

35 - Religious Music: A Mirror and Shaper of American Christianity

from SECTION VI - RELIGION AND DIVERSE AREAS

Published online by Cambridge University Press:  28 July 2012

Edith Blumhofer
Affiliation:
Wheaton College
Stephen J. Stein
Affiliation:
Indiana University, Bloomington
Get access

Summary

Music offers an often-neglected lens on the beliefs and practices of American religion. The popular religious music of a majority of Americans for most of American history was Christian hymns. They are the most widely shared ritual texts, and their lyrics express formal and popular theology more effectively than any other body of literature. Rich in all biblical metaphors, Protestant hymns popularized the phraseology of the Authorized (King James) Version. They have influenced both the texts and musical style of American secular music, and some (like “Amazing Grace”) have found a place in popular culture. Hymn singing helps immigrants preserve identity, but also eases adaptation to new surroundings. The slave experience gave a particular character to African American religious music. Participants in homegrown American religions like Shakers, Latter-day Saints, or Christian Scientists, meanwhile, produced hymnals that set their own convictions and aspirations to music that mirrored the style of established Christian hymnody. Catholics brought vernacular hymns and the rich musical content associated with the Latin Mass. Jews carried along their own accumulated musical traditions to the United States. American-lived religion features religious music, and disagreements about what to sing and how to sing it have historically provoked some of religious communities' most bitter controversies.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2000

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Blumhofer, Edith L.Her Heart Can See: The Life and Hymns of Fanny J. Crosby. Grand Rapids, 2003.
Bohlman, Philip, Blumhofer, Edith, and Chow, Maria. Music in American Religion. New York, 2005.
Harris, Michael. The Rise of Gospel Blues: The Music of Thomas Andrew Dorsey in the Urban Church. New York, 1994.
Marini, Stephen A.Sacred Song in America. Urbana, 2003.
Noll, Mark A., and Blumhofer, Edith L.. Sing Them Over Again to Me: Hymns and Hymnbooks in America. Tuscaloosa, AL, 2006.
Stowe, David. How Sweet the Sound: Music in the Spiritual Lives of Americans. Cambridge, MA, 2004.
Watson, J. R.The English Hymn. Oxford, 1997.

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×