Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-cd9895bd7-jn8rn Total loading time: 0 Render date: 2024-12-27T22:54:34.659Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  16 December 2020

Edited by
Ronald Cummings  and
Alison Donnell
Ronald Cummings
Affiliation:
Brock University, Ontario
Alison Donnell
Affiliation:
University of East Anglia
Get access

Summary

A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Caribbean Literature in Transition, 1970–2020 , pp. 426 - 451
Publisher: Cambridge University Press
Print publication year: 2021

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Aching, Gerard. Masking and Power: Carnival and Popular Culture in the Caribbean. Minneapolis: University of Minnesota Press, 2002.Google Scholar
Agard, John. We Brits. Newcastle: Bloodaxe, 2006.Google Scholar
Agnant, Marie-Celie. ‘Balafres’. Trans. Siobhan Marie Mei. Asymptote. www.asymptotejournal.com/special-feature/marie-celie-agnant-balafres/.Google Scholar
Ahmed, Sara. ‘Affective Economies’. Social Text, 22.2 (2004), 117–39.Google Scholar
Alexander, M. Jacqui. ‘Not Just (Any) Body Can Be a Citizen: The Politics of Law, Sexuality and Postcoloniality in Trinidad and Tobago and the Bahamas’. Feminist Review, 48 (Autumn 1994), 5–23.CrossRefGoogle Scholar
Alexander, M. Jacqui. Pedagogies of Crossing: Meditations on Feminism, Sexual Politics, Memory, and the Sacred. Durham, NC: Duke University Press, 2005.Google Scholar
Alexander, Simone A. James. African Diasporic Women: Narratives of Resistance, Survival, and Citizenship. Gainesville: University of Florida Press, 2014.Google Scholar
Alexander, Simone A. James. Mother Imagery in the Novels of Afro-Caribbean Women. Columbia: University of Missouri Press, 2001.Google Scholar
Alexis, André. Fifteen Dogs. London: Serpent’s Tail, 2015.Google Scholar
Alison, Rebecca. ‘Novelist Quits “Imperial” Contest’. The Guardian, 22 March 2001. www.theguardian.com/uk/2001/mar/22/books.booksnews.Google Scholar
Allahar, Anton. ‘Identity and Erasure: Finding the Elusive Caribbean’. European Review of Latin American and Caribbean Studies / Revista Europea de Estudios Latinoamericanos y del Caribe, 79 (2005), 124–34.Google Scholar
Allahar, Anton, ed. Ethnicity, Class, and Nationalism: Caribbean and Extra-Caribbean Dimensions. Lanham, MD: Lexington Books, 2005.Google Scholar
Allen, Graham. Intertextuality. London: Routledge, 2011.Google Scholar
Allen, Jafari S. Venceremos? The Erotics of Black Self-Making in Cuba. Durham, NC: Duke University Press, 2011.Google Scholar
Allen, Lillian. Women Do This Every Day. Toronto: Women’s Press, 1993.Google Scholar
Allen-Agostini, Lisa. ‘A Black, Female Writer’s Story’. Trinidad and Tobago Newsday, 4 May 2018. http://newsday.co.tt/2018/05/04/a-black-female-writers-story/.Google Scholar
Alleyne, Lauren K. ‘Jamaica Kincaid: Does Truth Have a Tone?’. Guernica, 17 (June 2013). www.guernicamag.com/does-truth-have-a-tone/.Google Scholar
Allsopp, Richard. Dictionary of Caribbean English Usage. Oxford, UK: Oxford University Press, 1996.Google Scholar
Alvarez, Julia. Something to Declare: Essays. London and New York: Penguin, 1998.Google Scholar
Álvarez Tabío-Albo, Emma. Invención de La Habana. Barcelona: Casiopea, 2000.Google Scholar
Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of Nationalism. London: Verso, 1991.Google Scholar
anitafrika, d’bi.young (see also ‘young anitafrika, d’bi’). blood.claat = sangre. Bilingual. Trans. queen nzinga maxwell edwards. Toronto: Playwrights Canada Press, 2006.Google Scholar
anitafrika, d’bi.young dubbin poetry: the collected poems of d’bi.young anitafrika. Toronto: Spolrusie Publishing, 2019.Google Scholar
anitafrika, d’bi.young ‘Children of a Lesser God’. Vimeo video (2010). https://vimeo.com/331581846.Google Scholar
anitafrika, d’bi.young ‘gendah bendah’, featuring ngozi paul and lesedi moche. Vimeo video (2011). vimeo.com/331581577.Google Scholar
anitafrika, d’bi.young ‘r/evolution begins within’. Canadian Theatre Review, 150 (Spring 2012), 26–9.Google Scholar
Anonymous. ‘Bard of Brixton’. Brixton Blog, 4 October 2012 www.brixtonblog.com/2012/10/brixton-people-alex-wheatle-the-bard-of-brixton/7274/?cn-reloaded=1.Google Scholar
Antoni, Robert. Carnival. New York: Black Cat, 2005.Google Scholar
Antoni, Robert. ‘Claiming a Hybrid Language, Seeking a Hybrid Form: From the Vernacular to Digital Media in Robert Antoni’s As Flies to Whatless Boys (2013)’. Journal of Postcolonial Writing, 54.1 (2018), 108–28.CrossRefGoogle Scholar
Antrobus, Raymond. ‘Award-winning Poet Raymond Antrobus on Hearing, Seeing and Grieving through Verse’. Writers and Company, CBC Radio, 14 June 2019, updated 28 June 2019. www.cbc.ca/radio/writersandcompany/award-winning-poet-raymond-antrobus-on-hearing-seeing-and-grieving-through-verse-1.5175904.Google Scholar
Antrobus, Raymond. ‘The Father of Dub Poetry – Linton Kwesi-Johnson’. Shapes and Disfigurements of Raymond Antrobus, blog post (11 May 2012). raymondantrobus.blogspot.com/2012/05/.Google Scholar
Antrobus, Raymond. ‘Maybe I Could Love a Man’. Moko, Caribbean Arts & Letters (2018). http://mokomagazine.org/wordpress/poems-by-raymond-antrobus/.Google Scholar
Antrobus, Raymond. The Perseverance. London: Penned in the Margins, 2018.Google Scholar
Antwi, Phanuel. ‘Dub Poetry as a Black Atlantic Body-Archive’. Small Axe, 19 (2015), 65–83.Google Scholar
Arana, R. Victoria, and Ramey, Lauri, eds. Black British Writing. Basingstoke: Macmillan, 2004.Google Scholar
Arenas, Reinaldo. Before Night Falls, 1993. Trans. Koch, Dolores M.. New York: Penguin, 1994.Google Scholar
Arnold, A. James. A History of Literature in the Caribbean, vol. 2: English- and Dutch-Speaking Regions. Amsterdam and Philadelphia: John Benjamins, 2001.Google Scholar
Arnold, A. James. ‘The Novelist as Critic’. World Literature Today: A Literary Quarterly of the University of Oklahoma, 67.4 (1993), 711–16.Google Scholar
Arthur, Kevyn Alan. The View from Belmont. Leeds: Peepal Tree Press, 1997.Google Scholar
Ashcroft, Bill, Griffiths, Gareth and Tiffin, Helen. The Empire Writes Back. 2nd ed. London: Routledge, 2002.Google Scholar
Atta, Dean. I Am Nobody’s Nigger. London: Westbourne Press, 2013.Google Scholar
Bagoo, Andre. Pitch Lake. Leeds: Peepal Tree Press, 2017.Google Scholar
Bahadur, Gaiutra. Coolie Woman: The Odyssey of Indenture. Chicago: University of Chicago Press, 2013.Google Scholar
Bakhtin, Mikhail M., and Iswolsky, Helene. Rabelais and His World. Cambridge, MA: MIT Press, 1971.Google Scholar
Baksh, Anita. ‘“Compelled to Write”: An Interview with Lakshmi Persaud’. sx salon, 4 (April 2011). http://smallaxe.net/sxsalon/interviews/compelled-write-interview-lakshmi-persaud.Google Scholar
Baldas, Tresa. ‘Jamaica Resorts Covered Up Sexual Assaults, Silenced Victims for Years’. Detroit Free Press, 10 December 2018. www.freep.com/story/news/local/michigan /2018/11/30/jamaica-resort-sexual-assault-sandals/2048055002.Google Scholar
Balme, Christopher B. Decolonizing the Stage: Theatrical Syncretism and Post-Colonial Drama. Oxford, UK: Oxford University Press, 1999.Google Scholar
Balutansky, Kathleen M., and Sourieau, Marie-Angès, eds. Caribbean Creolization. Gainesville: University Press of Florida, 1998.Google Scholar
Barry, Angela. Gorée: Point of Departure. Leeds: Peepal Tree Press, 2010.Google Scholar
Baugh, Edward. ‘The West Indian Writer and His Quarrel with History’. Tapia, 7.8 (1977), 6–7; 7.9 (1977), 6–7.Google Scholar
Baugh, Edward. ‘The West Indian Writer and His Quarrel with History’, Small Axe, 38 (2012), 59–74.Google Scholar
Beckford, George. Persistent Poverty: Underdevelopment in Plantation Economies of the Third World. New York: Oxford University Press, 1972.Google Scholar
Beckles, Hilary. Centering Woman. Kingston: Ian Randle Publishers, 1999.Google Scholar
Beliso-De Jesús, Aisha. Electric Santeria. New York: Columbia University Press, 2015.Google Scholar
Benítez-Rojo, Antonio. The Repeating Island: The Caribbean and the Postmodern Perspective. 1989. Trans. Maraniss, James E.. 2nd ed. Durham, NC: Duke University Press, 1992.Google Scholar
Bennett, Wycliffe, and Bennett, Hazel. Jamaican Theatre: Highlights of the Performing Arts in the Twentieth Century. Kingston: University of the West Indies Press, 2011.Google Scholar
Bérard, Stéphanie. ‘From the Greek Stage to the Martinican Shores: A Caribbean Antigone’. Theatre Research International, 33.1 (2008), 40–51.CrossRefGoogle Scholar
Bérard, Stéphanie. Theater of the French Caribbean: Traditions and Contemporary Stages. Trans. Thiery, Tessa and Skinner, Jonathan S.. Pompano Beach: Caribbean Studies Press, 2014.Google Scholar
Bérard, Stéphanie. Théâtres des Antilles: traditions et scenes contemporaines. Paris: L’Harmattan, 2009.Google Scholar
Bernard, Jay. Surge. London: Chatto & Windus, 2019.Google Scholar
Bersani, Leo. Is the Rectum a Grave? And Other Essays. Chicago and London: University of Chicago Press, 2010.Google Scholar
Best, Lloyd, and Levitt, Kari Polanyi. Essays on the Theory of Plantation Economy. Kingston: UWI Press, 2009.CrossRefGoogle Scholar
Beushausen, Wiebke. ‘“Making Eden a Reality”: Caribbean Eco-Poetics and Ethnic Environment in Andrea Gunraj’s The Sudden Disappearance of Seetha’. Forum for Inter-American Research, 8.3 (2015), 91–110.Google Scholar
Bharath, Rhoda. The Ten Days Executive. Leeds: Peepal Tree Press, 2015.Google Scholar
Bhattacharya, Rahul. The Sly Company of People Who Care. London: Picador, 2011.Google Scholar
Birbalsingh, Frank, ed. Jahaji Bhai: An Anthology of Indo-Caribbean Literature. Toronto: Mawenzi House, 1988.Google Scholar
Bishop, Jacqueline. Snapshots from Istanbul. Leeds: Peepal Tree Press, 2009.Google Scholar
Bishop, Jacqueline. ‘Travels with Jacqueline Bishop’. Jamaica Observer, 14 July 2019. www.jamaicaobserver.com/style/travels-with-jacqueline-bishop_168709?profile=1240.Google Scholar
Bishop, Jacqueline, ed. Writers Who Paint, Painters Who Write: 3 Jamaican Artists. Leeds: Peepal Tree Press, 2007.Google Scholar
Bone, Robert. ‘Review of The Chosen Place, The Timeless People’. The New York Times. 30 November 1969.Google Scholar
Bonetti, Kay. ‘An Interview with Jamaica Kincaid’. Missouri Review, 15.2 (1992), 124–42.Google Scholar
Bonilla, Yarimar. Non-Sovereign Futures: French Caribbean Politics in the Wake of Disenchantment. Chicago and London: University of Chicago Press, 2015.Google Scholar
Booker, Keith M., ed. Encyclopedia of Literature and Politics: Censorship, Revolution, and Writing, vol. 1. Westport, CT: Greenwood Press, 2005.Google Scholar
Boyce Davies, Carole. Black Women, Writing and Identity: Migration of the Subject. New York: Routledge, 1994.Google Scholar
Boyce Davies, Carol, ed. Decolonizing the Academy: African Diaspora Studies. Trenton, NJ: Africa World Press, 2003.Google Scholar
Boyce Davies, Carole, and Savory-Fido, Elaine, eds. Out of the Kumbla: Caribbean Women and Literature. Trenton, NJ: Africa World Press, 1990.Google Scholar
Branche, Jerome C., ed. Black Writing, Culture, and the State in Latin America. Nashville: Vanderbilt University Press, 2015.Google Scholar
Brand, Dionne. At the Full and Change of the Moon. New York: Grove Press, 1999.Google Scholar
Brand, Dionne. Bread Out of Stone: Recollections Sex, Recognitions Race, Dreaming Politics. Toronto: Coach House Press, 1994.Google Scholar
Brand, Dionne. In Another Place, Not Here. Toronto: Alfred A. Knopf, 1996.Google Scholar
Brand, Dionne. A Map to the Door of No Return: Notes to Belonging. Toronto: Doubleday Canada, 2001.Google Scholar
Brand, Dionne. No Language Is Neutral. Toronto: McClelland & Stewart, 1998.Google Scholar
Brand, Dionne. Thirsty. Toronto: McClelland & Stewart, 2002.Google Scholar
Brathwaite, Kamau. Barabajan Poems. New York: Savacou North, 1994.Google Scholar
Brathwaite, Kamau. Black + Blues. New York: New Directions, 1995.Google Scholar
Brathwaite, Kamau. (= Brathwaite, Edward). ‘Caribbean Man in Space and Time’. SAVACOU, 11/12 (1975), 1–11.Google Scholar
Brathwaite, Kamau. Contradictory Omens: Cultural Diversity and Integration in the Caribbean. Mona: Savacou Publications, 1974.Google Scholar
Brathwaite, Kamau. (= Brathwaite, Edward). ‘Gordon Rohlehr’s “Sparrow and the Language of the Calypso”’. Caribbean Quarterly, 14.1 (1968), 91–6.Google Scholar
Brathwaite, Kamau. (= Brathwaite, Edward Kamau). History of the Voice: The Development of Nation Language in Anglophone Caribbean Poetry. London: New Beacon Books, 1984.Google Scholar
Brathwaite, Kamau. ‘Jazz and the West Indian Novel’, Bim, No. 44 (1967), 275–84; No. 45. (1967), 39–51; No. 46 (1968), 115–25.Google Scholar
Brathwaite, Kamau. ‘Note(s) on Caribbean Cosmology’. River City, 16.2 (1996), 1–17.Google Scholar
Brathwaite, Kamau. (= Brathwaite, Edward Kamau). ‘A Poem for Walter Rodney’. Index on Censorship, 10.6 (1981), 26–30.Google Scholar
Brathwaite, Kamau. ‘A Post-Cautionary Tale of the Helen of Our Wars’. Wasafiri, 11.22 (1995), 69–78.Google Scholar
Brathwaite, Kamau. Trench Town Rock. Providence, RI: Lost Roads, 1994.Google Scholar
Brathwaite, Kamau. ‘Days & Nights of Jean Rhys & Cynthia Wilson’. Wasafiri, 11.22 (1995), 79–81.Google Scholar
Breiner, Laurence. ‘How to Behave on Paper’. Journal of West Indian Literature, 6.1 (1993), 1–10.Google Scholar
Breiner, Laurence. ‘Too Much History, or Not Enough’. Small Axe, 38 (2012), 86–98.Google Scholar
Broder, Erna. Myal. London: New Beacon Books, 1988.Google Scholar
Broneman, Alejandra. On the Move: The Caribbean Since 1989. London: Zed Books, 2007.Google Scholar
Brontë, Charlotte. Jane Eyre. 1847. London: Penguin, 1996.Google Scholar
Broom, Sarah. Contemporary British and Irish Poetry. Basingstoke: Palgrave Macmillan, 2006.Google Scholar
Broox, Klyde. ‘Metanarrating Dubpoetry as WorldWideWordsounds of Global Communal Soul’. Hamilton Arts and Letters, 10.2 (2017–18).Google Scholar
Broox, Klyde. My Best Friend Is White. Toronto: McGilligan Books, 2005.Google Scholar
Brown, J. Dillon. Migrant Modernism: Postwar London and the West Indian Novel. Charlottesville and London: University of Virginia Press, 2013.Google Scholar
Brown, J. Dillon, and Rosenberg, Leah Reade, eds. Beyond Windrush: Rethinking Postwar Anglophone Caribbean Literature. Jackson: University Press of Mississippi, 2015.Google Scholar
Brown, Stewart, ed. The Art of Derek Walcott. Bridgend: Seren Books, 1991.Google Scholar
Browne, Kevin Adonis. High Mas: Carnival and the Poetics of Caribbean Culture. Jackson: University Press of Mississippi, 2018.Google Scholar
Bryce, Jane, ed. Caribbean Dispatches: Beyond the Tourist Dream. Oxford, UK: Macmillan, 2006.Google Scholar
Bucknor, Michael A. ‘Dangerous Crossings: Caribbean Masculinities and the Politics of Challenging Gendered Borderlines’. Journal of West Indian Literature, 21.1/2 (2012/13), vii–xxx.Google Scholar
Bucknor, Michael A., and Coleman, Daniel. ‘Introduction: Rooting and Routing Caribbean-Canadian Writing’. Journal of West Indian Literature, 14.1/2 (2005), i–xliii.Google Scholar
Bucknor, Michael A., and Donnell, Alison, eds. The Routledge Companion to Anglophone Literature. London and New York: Routledge, 2011.Google Scholar
Burrell, Joycelyn, ed. Word: On Being a (Woman) Writer. New York: The Feminist Press, 2004.Google Scholar
Cabiya, Pedro. Wicked Weeds: A Zombie Novel. 2011. Trans. Powell, Jessica. Simsbury, CT: Mandel Vilar Press, 2016.Google Scholar
Campbell, Hazel D. ed. Tek Mi! Noh Tek Mi! ingston: Carlong Publishers (Caribbean) Ltd, 2008.Google Scholar
Capildeo, Vahni. ‘On Not Writing as a West Indian Woman’. E-Verse Radio. www.everseradio.com/not-writing-west-indian-woman-vahni-capildeo/.Google Scholar
Capildeo, Vahni. ‘Punishable Bodies: Poetry on the Offensive’. Poetry (2018). www.poetryfoundation.org/poetrymagazine/articles/146495/punishable-bodies-poetry-on-the-offensiveGoogle Scholar
Caple, Natalee, and Cummings, Ronald, eds. Harriet’s Legacies: Race Historical Memory and Futures in Canada. Montréal and Kingston: McGill–Queens University Press, forthcoming.Google Scholar
Carrigan, Anthony. Postcolonial Tourism: Literature, Culture, and Environment. New York: Routledge, 2011.Google Scholar
Carter, Martin. Poems by Martin Carter. Eds. Brown, Stewart and McDonald, Ian. Oxford, UK: Macmillan Caribbean, 2006.Google Scholar
Carter, Martin. Selected Poems. Georgetown, Guyana: Red Thread Women’s Press, 1997.Google Scholar
Casid, Jill H. Sowing Empire: Landscape and Colonization. Minneapolis: University of Minnesota Press, 2005.Google Scholar
Casteel, Sarah Phillips. ‘Reterritorializing Caribbean Diaspora Literature’. American Literary History, 28.3 (2016), 624–33.Google Scholar
Castor, Suzy, and Garafola, Lynn. ‘The American Occupation of Haiti (1915–34) and the Dominican Republic (1916–24)’. The Massachusetts Review, 1.2 (1974), 253–75.Google Scholar
Celis, Nadia V., and Rivera, Juan Pablo, eds. Lección Errante: Mayra Santos Febres y El Caribe Contemporáneo. San Juan: Isla Negra, 2011.Google Scholar
Césaire, Aimé. Discourse on Colonialism. 1950. Trans. Pinkham, Joan. New York: Monthly Review, 1972.Google Scholar
Césaire, Aimé. Solar Throats Slashed: The Unexpurgated 1948 Edition. Trans. and eds. Arnold, A. James and Eshelman, Clayton. Middletown, CT: Wesleyan University Press, 2011.Google Scholar
Césaire, Aimé. A Tempest. 1969. Trans. Miller, Richard. New York: Ubu Repertory Theatre Publications, 1992.Google Scholar
Chamoiseau, Patrick. Biblique des derniers gestes. Paris: Gallimard, 2002.Google Scholar
Chamoiseau, Patrick. Une manière d’Antigone. Unpublished, 1975.Google Scholar
Chancy, Myriam. Searching for Safe Spaces: Afro-Caribbean Women Writers in Exile. Philadelphia: Temple University Press, 1997.Google Scholar
Chancy, Myriam. ‘Subversive Sexualities: Revolutionizing Gendered Identities’. Frontiers: A Journal of Women’s Studies, 29.1 (2008), 51–74.Google Scholar
Chapman, Dasha, Durban-Albrecht, Eric, and LaMothe, Mario, ‘Nou Mache Ansamn (We Walk Together): Queer Haitian Performance and Affiliation’. Women & Performance: A Journal of Feminist Theory, 27.2 (2017), 143–59.Google Scholar
Chaviano, Daína. ‘Science Fiction and Fantastic Literature as Realms of Freedom’. Journal of the Fantastic in the Arts, 15.1 (2004), 4–19.Google Scholar
Cheddie, Janice. ‘Windrush Notes to My Younger Self’. sx salon, 29 (October 2018). http://smallaxe.net/sxsalon/discussions/windrush-notes-my-younger-self.Google Scholar
Chin, Staceyann. The Other Side of Paradise. New York: Scribner, 2009.Google Scholar
Christian, Barbara. Black Feminist Criticism: Perspectives on Black Women Writers. New York: Pergamon Press, 1985.Google Scholar
Christian, Barbara. ‘The Race for Theory’. Cultural Critique, 6 (Spring 1987), 51–63.CrossRefGoogle Scholar
Clarke, Austin. Pig Tails and Breadfruit: A Culinary Memoir. Toronto: Random House of Canada Ltd, 1999.Google Scholar
Clarke, George Elliott. Directions Home: Approaches to African-Canadian Literature. Toronto: University of Toronto Press, 2012.Google Scholar
Cobham, Rhonda. ‘“A Wha Kind a Pen Dis?”: The Function of Ritual Frameworks in Sistren’s Bellywoman Bangarang’. Theatre Research International, 15.3 (1990), 233–49.Google Scholar
Collins, Loretta. ‘The Harder They Come: Rougher Version’. Small Axe, 13 (2003), 46–71.Google Scholar
Collins, Merle. The Colour of Forgetting. London: Virago, 1995.Google Scholar
Compton, Wayde. Performance Bond. Vancouver: Arsenal Pulp Press, 2004.Google Scholar
Condé, Maryse. Moi, Tituba sorcière… Paris: Mercure de France, 1986.Google Scholar
Coombs, Orde, ed. Is Massa Day Dead? Black Moods in the Caribbean. New York: Anchor Press/Doubleday, 1974.Google Scholar
Cooper, Carolyn. ‘Bob Marley’s Literary Legacy’. The Sunday Gleaner. 8 February 2015. http://jamaica-gleaner.com/gleaner/20150208/cleisure/cleisure3.html.Google Scholar
Cooper, Carolyn. Noises in the Blood: Orality, Gender, and the ‘Vulgar’ Body of Jamaican Popular Culture. 1993. London: Macmillan Caribbean, 1995.Google Scholar
Cooper, Carolyn. Sound Clash. London and New York: Palgrave Macmillan, 2004.Google Scholar
Courtman, Sandra, ed. Beyond the Blood, the Beach and the Banana. Kingston: Ian Randle, 2004.Google Scholar
Cliff, Michelle. If I Could Write This in Fire. 1992. Minneapolis: University of Minnesota Press, 2008.Google Scholar
Cliff, Michelle. No Telephone to Heaven. New York: Plume, 1987.Google Scholar
Crichlow, Wesley. Buller Men and Batty Bwoys. Toronto: University of Toronto Press, 2004.Google Scholar
Crick, Malcolm. ‘Representations of International Tourism in the Social Sciences: Sun, Sex, Sights, Savings, and Servility’. Annual Review of Anthropology, 18 (1989), 307–44.Google Scholar
Crown, Sarah. ‘New Poets Society’. The Guardian Review, 16 February 2019, www.theguardian.com/books/2019/feb/16/rise-new-poets.Google Scholar
Cudjoe, Selwyn, ed. Caribbean Women Writers: Essays from the First International Conference. Wellesley, MA: Calaloux Publications, 1990.Google Scholar
Cummings, Ronald. ‘Between Here and “Not Here”: Queer Desires and Postcolonial Longings in the Writings of Dionne Brand and José Esteban Muñoz’. Journal of Postcolonial Writing, 55.3 (2019), 308–22.Google Scholar
Cummings, Ronald. ‘Johnnie’s Letters’. sx salon, 29 (2018). http://smallaxe.net/sxsalon/discussions/johnnies-lettersGoogle Scholar
Cumper, Patricia. Inner Yardie: Three Plays. Leeds: Peepal Tree Press, 2014.Google Scholar
D’Aguiar, Fred. British Subjects. Newcastle: Bloodaxe, 1993.Google Scholar
Dalleo, Raphael. American Imperialism’s Undead: The Occupation of Haiti and the Rise of Caribbean Anticolonialism. Charlottesville: University of Virginia Press, 2016.Google Scholar
Dalleo, Raphael. ‘Post-Grenada, Post-Cuba, Postcolonial: Rethinking Revolutionary Discourse in Dionne Brand’s In Another Place, Not Here’. Interventions: International Journal of Postcolonial Studies, 12.1 (1998), 63–74.Google Scholar
Dambury, Gerty. The Restless. Trans. Miller, Judith G.. New York: Feminist Press, 2018.Google Scholar
Dance, Daryl Cumber, and Pollard, Velma. ‘A Conversation with Velma Pollard’. CLA Journal, 47.3 (2004), 259–98.Google Scholar
Danticat, Edwidge. Brother, I’m Dying. New York: Vintage, 2008.Google Scholar
Danticat, Edwidge, ed. The Butterfly’s Way: Voices from the Haitian Dyaspora in the United States. New York: Soho Press, 2001.Google Scholar
Das, Mahadai. A Leaf in His Ear: Selected Poems. Leeds: Peepal Tree Press, 2008.Google Scholar
Dash, Michael J. The Other America: Caribbean Literature in a New World Context. Charlottesville: The University of Virginia Press, 1998.Google Scholar
Davis, Andrea. ‘Diaspora, Citizenship and Gender: Challenging the Myth of the Nation in African Canadian Women’s Literature’. Canadian Woman Studies, 23.2 (2004), 64–9.Google Scholar
Davis, Mike. Planet of Slums. London and New York: Verso, 2007.Google Scholar
Dawes, Kwame. ‘Finding a Home: Peepal Tree and Caribbean Literature’. sx salon, 5 (June 2001). http://smallaxe.net/sxsalon/discussions/finding-home-peepal-tree-and-caribbean-literature.Google Scholar
Dawes, Kwame. Natural Mysticism: Towards a New Reggae Aesthetic. Leeds: Peepal Tree Press, 1999.Google Scholar
Dawes, Kwame, ed. Talk Yuh Talk: Interviews with Anglophone Caribbean Poets. Charlottesville: University Press of Virginia, 2001.Google Scholar
Dawes, Kwame, and Shenoda, Mathew, eds. Bearden’s Odyssey: Poets Respond to the Art of Romare Bearden. Evanston, IL: TriQuarterly Books and Northwestern University Press, 2017.Google Scholar
D’Costa, Jean. Escape to Last Man Peak. 1969. Trinidad: Longman Caribbean, 1975.Google Scholar
deCaires Narain, Denise. ‘English Gardens and West Indian Yards: The Politics of Location (One More Time)’. Wasafiri, 14.28 (1998), 37–8.Google Scholar
De La Torre, Miguel A. ‘Ochun: (N)either the (M)other of All Cubans (N)or the Bleached Virgin’. Journal of the American Academy of Religion, 69.4 (2001), 837–61.Google Scholar
DeCosta-Willis, Miriam, ed. Daughters of the Diaspora: Afra-Hispanic Writers. Kingston: Ian Randle Publishers, 2003.Google Scholar
DeLoughrey, Elizabeth, Renée, Gosson, and George, Handley, eds. Caribbean Literature and the Environment: Between Nature and Culture. Charlottesville: University of Virginia Press, 2005.Google Scholar
DeLoughrey, Elizabeth, and Handley, George, eds. Postcolonial Ecologies: Literatures of the Environment. Oxford, UK: Oxford University Press, 2011.Google Scholar
Dennis, Ferdinand. ‘The Prince and I’. Granta, 65, special issue ‘London: The Lives of the City’ (Spring 1999), 311–23.Google Scholar
Dennis-Benn, Nicole. Here Comes the Sun. New York: Liveright, 2016.Google Scholar
Derrida, Jacques. ‘The Law of Genre’, Critical Inquiry, 7 (1980), 55–81.Google Scholar
Díaz, Junot. The Brief Wondrous Life of Oscar Wao. New York: Riverhead, 2007.Google Scholar
Donnell, Alison. ‘All Friends Now? Critical Conversations, West Indian Literature, and the “Quarrel with History”’. Small Axe, 38 (2012), 75–85.Google Scholar
Donnell, Alison. Twentieth-Century Caribbean Literature: Critical Moments in Anglophone Literary History. New York: Routledge, 2006.Google Scholar
Drucker, Johanna. ‘Pixel Dust: Illusions of Innovation in Scholarly Publishing’. Los Angeles Review of Books, 16 January 2014. https://lareviewofbooks.org/article/pixel-dust-illusions-innovation-scholarly-publishing/.Google Scholar
Durán-Almarza, Emilia María, and Álvarez-López, Esther, eds. Diasporic Women’s Writing of the Black Atlantic: (En)Gendering Literature and Performance. New York: Routledge, 2014.Google Scholar
Edmondson, Belinda. Making Men: Gender, Literary Authority and Women’s Writing in Caribbean Narrative. Durham, NC: Duke University Press, 1999.Google Scholar
Edmondson, Belinda. ‘The Myth of Black Immigrant Privilege’. Anthurium: A Caribbean Studies Journal, 4.1 (2006), Article 16.Google Scholar
Edward, Summer. ‘On the Imperialist “Charity” of Rebuilding Caribbean Children’s Libraries with Eurocentric Books’. The Millions (2018). https://themillions.com/2018/07/imperialist-charity-of-rebuilding-caribbean-childrens-libraries-with-eurocentric-books.html.Google Scholar
Edwards, Nadi. ‘Contexts, Criticism, and Quarrels: A Reflection on Edward Baugh’s “The West Indian Writer and His Quarrel with History”’. Small Axe, 38 (2012), 99–107.Google Scholar
Ellis, David. ‘Playing Fiona and Being Happy with Dick’. Journal of Postcolonial Writing, 49.2 (2013), 222–33.Google Scholar
Ellis, Nadia. ‘Black Migrants, White Queers and the Archive of Inclusion in Postwar London’. Interventions: International Journal of Postcolonial Studies, 17.6 (2015), 893–915.Google Scholar
Ellis, Nadia. Territories of the Soul: Queered Belonging in the Black Diaspora. Durham, NC: Duke University Press, 2015.Google Scholar
Emery, Mary Lou. Modernism, the Visual and Caribbean Literature. Cambridge, UK: Cambridge University Press, 2007.Google Scholar
Espinet, Ramabai. The Swinging Bridge. Toronto: HarperCollins, 2003.Google Scholar
Estévez, Abilio. Los Palacios distantes. Barcelona: Tusquets Editores, 2002.Google Scholar
Fanon, Frantz. Black Skin, White Masks. Trans. Markmann, Charles Lam. New York: Grove Weidenfeld, 1967.Google Scholar
Fanon, Frantz. The Wretched of the Earth. Trans. Farrington, Constance. Middlesex, Harmondsworth: Penguin, 1967.Google Scholar
Fernandez Retamar, Roberto. ‘Caliban: Notes towards a Discussion of Culture in Our America’, Massachusetts Review, 15.1/2 (1974), 24.Google Scholar
Figueroa, Esther. Limbo: A Novel about Jamaica. New York: Arcade, 2014.Google Scholar
Ford, Katherine. The Theater of Revisions in the Hispanic Caribbean. New York: Palgrave Macmillan, 2017.Google Scholar
Ford-Smith, Honor. ‘The Ghost of Mikey Smith: Space, Performance and Justice’. Caribbean Quarterly, 63.2–3 (2017), 271–90.Google Scholar
Ford-Smith, Honor. My Mother’s Last Dance. Toronto: Sister Vision Press, 1997.Google Scholar
Ford-Smith, Honor. ‘Notes toward a New Aesthetic’. MELUS, 16.3 (1989–90), 27–34.Google Scholar
Ford-Smith, Honor, ed. 3 Jamaican Plays: A Postcolonial Anthology (1977–1987). Kingston: Paul Issa Publications, 2011.Google Scholar
Foster, Thomas A. ‘The Sexual Abuse of Black Men under Slavery’. Journal of the History of Sexuality, 20.3 (2011), 445–64.Google Scholar
Francis, Donette. Fictions of Feminine Citizenship: Sexuality and the Nation in Contemporary Caribbean Literature. New York: Palgrave, 2010.Google Scholar
Francis, Donette. ‘Paule Marshall: New Accents on Immigrant America’. The Black Scholar, 30.2 (2000), 21–5.Google Scholar
Francis, Donette. ‘The Last Stitch’. Small Axe, 32 (2010), 160–7.Google Scholar
Frankétienne, . Ready to Burst. Brooklyn, NY: Archipelago Books, 2014.Google Scholar
Fulani, Ifeona. ‘Caribbean Women Writers and the Politics of Style: A Case for Literary Anancyism’. Small Axe, 17 (2005), 64–79.Google Scholar
Gagnon, Monika. Other Conundrums: Race, Culture, and Canadian Art. Vancouver: Arsenal Pulp Press, 2000.Google Scholar
Garcia, Cristina. Dreaming in Cuban. New York: Alfred A. Knopf, 1992.Google Scholar
Garrido Castellano, Carlos. ‘La elocuencia que su entrenamiento como artista plástico le permitía.’ Subalternidad, cultura e instituciones en La mucama de Omicunlé de Rita Indiana Hernández’. Hispanic Research Journal, 18.4 (2017), 352–64.Google Scholar
Gates, Henry Louis. The Signifying Monkey: A Theory of Afro-American Literary Criticism. New York: Oxford University Press, 1988.Google Scholar
Gerrard, Greg, ed. The Oxford Handbook of Ecocriticism. Oxford, UK: Oxford University Press, 2014.Google Scholar
Gikandi, Simon. Slavery and the Culture of Taste. Princeton: Princeton University Press, 2011.Google Scholar
Gil, Alex. Aimé Césaire and the Broken Record, http://record.elotroalex.com/.Google Scholar
Gilbert, Helen, ed. Postcolonial Plays: An Anthology. Oxford, UK: Routledge, 2001.Google Scholar
Gilbert, Helen, and Tompkins, Joanne. Post-Colonial Drama: Theory, Practice, Politics. London and New York: Routledge, 1996.Google Scholar
Gill, Lyndon K. ‘Chatting Back an Epidemic: Caribbean Gay Men, HIV/AIDS, and the Uses of Erotic Subjectivity’. GLQ: A Journal of Lesbian & Gay Studies, 18.2/3 (2012), 277–95.Google Scholar
Gill, Lyndon K. Erotic Islands. Durham, NC: Duke University Press, 2018.Google Scholar
Gilroy, Paul. Darker than Blue: On the Moral Economies of Black Atlantic Culture. Cambridge, MA: Belknap Press, 2011.Google Scholar
Gingell, Susan. ‘“Always a Poem, Once a Book”: Motivations and Strategies for Print Textualizing of Caribbean-Canadian Dub and Performance Poetry’. Journal of West Indian Literature, 14.1/2 (2005), 220–59.Google Scholar
Gingell, Susan, and Roy, Wendy, eds. Listening Up, Writing Down, and Looking Beyond: Interfaces of the Oral, Written and Visual. Waterloo: Wilfrid Laurier University Press, 2012.Google Scholar
Glave, Thomas. Among the Blood People: Politics and Flesh. New York: Akashic Books, 2013.Google Scholar
Glave, Thomas. Words To Our Now: Imagination and Dissent. Minneapolis: University of Minnesota Press, 2005.Google Scholar
Glave, Thomas, ed. Our Caribbean: A Gathering of Lesbian and Gay Writing from The Antilles. Durham, NC: Duke University Press, 2008.Google Scholar
Glissant, Édouard. Caribbean Discourse. Trans. Dash, J. Michael. Charlottesville: University of Virginia Press, 1992.Google Scholar
Glissant, Édouard. Le discours antillais. Paris: Gallimard, 1997.Google Scholar
Glissant, Édouard. La Cohée du Lamentin: Poétique V. Paris: Gallimard, 2005.Google Scholar
Glissant, Édouard. Poetics of Relation. Ann Arbor: University of Michigan Press, 1997.Google Scholar
Glover, Kaiama L. Haiti Unbound: A Spiralist Challenge to the Postcolonial Canon. Liverpool: Liverpool University Press, 2017.Google Scholar
Gmelch, George. Behind the Smile: The Working Lives of Caribbean Tourism. Bloomington: Indiana University Press, 2003.Google Scholar
Goff, Barbara, and Simpson, Michael. Crossroads in the Black Aegean: Oedipus, Antigone, and Dramas of the African Diaspora. Oxford, UK: Oxford University Press, 2007.Google Scholar
González, Flora M. ‘Mirta Yáñez’s Dystopic Vision of Havana’. Hispania, 100.3 (2017), 410–20.Google Scholar
Goodison, Lorna. Collected Poems. Manchester: Carcanet, 2017.Google Scholar
Goodison, Lorna. Controlling the Silver. Champaign: University of Illinois Press, 2005.Google Scholar
Goodison, Lorna. To Us, All Flowers Are Roses. Champaign: University of Illinois Press, 1995.Google Scholar
Graulich, Melody, and Sisco, Lisa. ‘Meditations on Language and the Self: A Conversation with Paule Marshall’. NWSA Journal, 4.3 (1992), 282–302.Google Scholar
Guattari, Félix, and Deleuze, Gilles. A Thousand Plateaus. Trans. Massumi, Brian. Minneapolis: University of Minnesota Press, 1987.Google Scholar
Gunst, Laurie. Born Fi’ Dead: A Journey through the Jamaican Posse Underworld. New York: Henry Holt & Co., 1996.Google Scholar
Habekost, Christian. Verbal Riddim: The Politics and Aesthetics of African-Caribbean Dub Poetry. Amsterdam: Rodopi, 1993.Google Scholar
Halberstam, J. In a Queer Time and Place: Transgendered Bodies, Subcultural Lives. New York and London: New York University Press, 2005.Google Scholar
Hall, Stuart. Essential Essays, Volume 1: Foundations of Cultural Studies. Ed. Morley, David. Durham: Duke University Press, 2019.Google Scholar
Hamilton, Njelle W. ‘Jamaican String Theory: Quantum Sounds and Postcolonial Spacetime in Marcia Douglas’s The Marvellous Equations of the Dread’. Journal of West Indian Literature, 27.1 (2019), 89–101.Google Scholar
Hamner, Robert D., ed. Critical Perspectives on Derek Walcott. Boulder, CO: Lynne Rienner Publishers, 1997.Google Scholar
Haraway, Donna. ‘Anthropocene, Capitalocene, Plantationocene, Chthulucene: Making Kin’. Environmental Humanities, 6 (2015), 159–65.Google Scholar
Harris, Claire. The Conception of Winter. Fredericton, NB: Goose Lane Editions, 1995.Google Scholar
Harris, Sophie Megan. ‘An Interview with Earl Lovelace’. sx salon, 9 (2012). http://smallaxe.net/sxsalon/interviews/interview-earl-lovelace.Google Scholar
Harris, Wilson. Palace of the Peacock. 1960. London: Faber and Faber, 1998.Google Scholar
Harris, Wilson. Selected Essays of Wilson Harris: The Unfinished Genesis of the Imagination. Ed. Bundy, A. J. M.. London: Routledge, 1999.Google Scholar
Hartman, Saidiya. ‘On Working with Archives: An Interview with Thora Siemsen’. 18 April 2018. https://thecreativeindependent.com/people/saidiya-hartman-on-working-with-archives/.Google Scholar
Hartman, Saidiya. ‘Venus in Two Acts’. Small Axe, 26 (2008), 1–14.Google Scholar
Hawley, John Charles, ed. Post-Colonial, Queer: Theoretical Intersections. Albany: State University of New York Press, 2001.Google Scholar
Hawthorne, Evelyn. ‘Paule Marshall’s Personal and Literary Legacy’. The Black Scholar, 30.2 (2000), 2–6.Google Scholar
Hill, Errol. ‘The Emergence of a National Drama in the West Indies’. Caribbean Quarterly, 18.4 (1972), 9–40.Google Scholar
Hill, Errol. Jestina’s Calypso and Other Plays. London: Heinemann, 1984.Google Scholar
Hill, Errol. The Trinidad Carnival: Mandate for a National Theatre. Austin: University of Texas Press, 1972.Google Scholar
Hogle, Jerrold E., ed. The Cambridge Companion to Gothic Fiction. Cambridge, UK: Cambridge University Press, 2002.Google Scholar
Hope, Donna P. Inna di Dancehall: Popular Culture and the Politics of Identity in Jamaica. Kingston: University of the West Indies Press, 2006.Google Scholar
Hopkinson, Nalo. Brown Girl in the Ring. New York: Grand Central Publishing, 1998.Google Scholar
Hopkinson, Nalo. ‘FAQ, with Some Snark’. nalohopkinson.com. http://nalohopkinson.com/faq-with-some-snark.html.Google Scholar
Hopkinson, Nalo. Midnight Robber. New York: Warner Books, 2000.Google Scholar
Hopkinson, Nalo, ed. Whispers from the Cotton Tree Root: Caribbean Fabulist Fiction. Montpellier: Invisible Cities Press, 2000.Google Scholar
Hosein, Gabrielle, and Outar, Lisa, ed. Indo-Caribbean Feminist Thoughts: Genealogies, Theories, Enactments. New York: Palgrave Macmillan, 2016.Google Scholar
Houlden, Kate. ‘Andrew Salkey, the British Home and the Intimacies In-Between’. Interventions, 15.1 (2013), 95–109.Google Scholar
Householder, Johanna, and Mars, Tanya, eds. More Caught in the Act: An Anthology of Performance Art by Canadian Women. Montréal: Artexte Editions, 2016.Google Scholar
Huggan, Graham. The Postcolonial Exotic: Marketing the Margins. New York and London: Routledge, 2001.Google Scholar
Huggan, Graham, and Tiffin, Helen. Postcolonial Ecocriticism: Literature, Animals, Environment. London and New York: Routledge, 2010.Google Scholar
Hulme, Peter. ‘The Place of Wide Sargasso Sea’. Wasafiri, 10.20 (1994), 5–11.Google Scholar
Hunt, Peter, ed. Understanding Children’s Literature, 2nd ed. Oxford, UK: Routledge, 2005.Google Scholar
Hutcheon, Linda. A Theory of Adaptation. New York and Abingdon: Routledge, 2006.Google Scholar
Indiana, Rita. Tentacle. Trans. Obejas, Achy. Sheffield: And Other Stories, 2018.Google Scholar
Indiana, Rita. (= Indiana Hernández, Rita). La Estrategía de Chochueca. 2003. San Juan and Santo Domingo: Isla Negra Editores, 2008.Google Scholar
Jackson, Naomi. ‘The Perfect Covergirl: How a Painting Ends Up on a Book Cover’. Literary Hub, 29 June 2015. https://lithub.com/the-perfect-covergirl/.Google Scholar
Jaffe, Rivke. ‘From Maroons to Dons: Sovereignty, Violence and Law in Jamaica’. Critique of Anthropology, 35.1 (2015), 47–63.Google Scholar
Jaffe, Rivke, ed. The Caribbean City. Kingston and Miami: Ian Randle Publishers / Leiden: KITLV Press, 2008.Google Scholar
Jain, Ravindra K. ‘The East Indian Culture in a Caribbean Context: Crisis and Creativity’. India International Centre Quarterly, 13 (1986), 153–64.Google Scholar
James, C. L. R. The Black Jacobins: Toussaint L’Ouverture and the San Domingo Revolution. 1938. London: Penguin, 2001.Google Scholar
James, Conrad. ‘Spanish Caribbean Women Writers: Introduction’. Bulletin of Latin American Research, 22.4 (2003), 420–2.Google Scholar
James, Marlon. The Book of Night Women. New York: Riverhead Books, 2009.Google Scholar
James, Marlon. A Brief History of Seven Killings. New York: Riverhead, 2014.Google Scholar
Jarrett-Macauley, Delia, ed. Shakespeare, Race and Performance: The Diverse Bard. Abingdon: Routledge, 2017.Google Scholar
Jauss, Hans Robert. Towards an Aesthetic of Reception. Trans. Bahti, Timothy. Minneapolis: University of Minnesota Press, 1982.Google Scholar
Johnson, E. Patrick, ed. No Tea, No Shade: New Writings in Black Queer Studies. Durham, NC: Duke University Press, 2016.Google Scholar
Johnson, E. Patrick, and Henderson, M. G., eds. Black Queer Studies. Durham, NC: Duke University Press, 2005.Google Scholar
Johnson, Erica L. ‘Auto-Ghostwriting Smile, Please: An Unfinished Autobiography’. Biography, 29.4 (2006), 563–83.Google Scholar
Johnson, Erica L. ‘Building the Neo-Archive in Dionne Brand’s A Map to the Door of No Return’. Meridians, 2.1 (2014), 149–71.Google Scholar
Johnson, Linton Kwesi. Dread Beat an’ Blood. London: Bogle L’Ouverture Press Ltd, 1975.Google Scholar
Johnson, Linton Kwesi. Mi Revalueshanary Fren: Selected Poems. London: Penguin, 2002.Google Scholar
Johnson, Newtona. ‘Challenging Internal Colonialism: Edwidge Danticat’s Feminist Emancipatory Enterprise’. Obsidian III, 6–7.1–2 (2006), 147–66.Google Scholar
Jolly, Margaretta. ‘Introduction: Life Writing as Intimate Publics’. Biography, 34.1 (2011), v–xi.Google Scholar
Jonassaint, Jean. ‘French and Francophone: The Challenge of Expanding Horizons’. Yale French Studies, 103 (2003), 55–63.Google Scholar
Joseph, Anthony. The African Origins of UFOs. Cambridge, UK: Salt Publishing, 2006.Google Scholar
Joseph, Anthony. Kitch. Leeds: Peepal Tree Press, 2018.Google Scholar
Josephs, Kelly Baker. ‘Digital Publishing: A Roundtable Conversation from the 2016 West Indian Literature Conference’. sx salon, 24 (2017). http://smallaxe.net/sxsalon/discussions/digital-publishing.Google Scholar
Josephs, Kelly Baker, and Reid, Teanu. ‘The Kamau Brathwaite Bibliography’. sx salon, 27 (February 2018). http://smallaxe.net/sxsalon/discussions/kamau-brathwaite-bibliography.Google Scholar
Kalliney, Peter J. Commonwealth of Letters: British Literary Culture and the Emergence of Postcolonial Aesthetics. New York: Oxford University Press, 2013.Google Scholar
Kamugisha, Aaron. ‘“That Area of Experience that We Term the New World”: Introducing Sylvia Wynter’s “Black Metamorphosis”’. Small Axe, 20 (2016), 37–46.Google Scholar
Kellough, Kaie. Maple Leaf Rag. Winnipeg: Arbiter Ring, 2010.Google Scholar
Kemedjio, Cilas. ‘Founding-Ancestors and Intertextuality in Francophone Caribbean Literature and Criticism’. Research in African Literatures, 33.2 (2002), 210–29.Google Scholar
Kempadoo, Kamala, ed. Sun, Sex, and Gold: Tourism and Sex Work in the Caribbean. Lanham, MD: Rowman & Littlefield, 1999.Google Scholar
Kempadoo, Oonya. Buxton Spice. New York: Dutton, 1999.Google Scholar
Kempadoo, Oonya. Tide Running. Boston, MA: Beacon, 2003.Google Scholar
Khan, Aisha. ‘Material and Immaterial Bodies: Diaspora Studies and the Problem of Culture, Identity, and Race’. Small Axe, 48 (2015), 29–49.Google Scholar
Kiefer, Barbara Z., with Helper, Susan and Hickman, Janet. Charlotte Huck’s Children’s Literature, 9th ed. New York: McGraw-Hill, 2007.Google Scholar
Kincaid, Jamaica. Among Flowers: A Walk in the Himalaya. Washington, DC: National Geographic Society, 2005.Google Scholar
Kincaid, Jamaica. At the Bottom of the River. New York: Farrar, Straus & Giroux, 1983.Google Scholar
Kincaid, Jamaica. Lucy. New York: Picador, 1990.Google Scholar
Kincaid, Jamaica. My Brother. New York: Farrar, Straus & Giroux, 1997.Google Scholar
Kincaid, Jamaica. My Garden (Book). New York: Farrar, Straus & Giroux, 1999.Google Scholar
Kincaid, Jamaica. ‘On Seeing England for the First Time’. Transition, 51 (1991), 32–40.Google Scholar
Kincaid, Jamaica. See Now Then. New York: Farrar, Straus & Giroux, 2013.Google Scholar
Kincaid, Jamaica. A Small Place. New York: Plume, 1988.Google Scholar
King, Rosamond S. Island Bodies: Transgressive Sexualities in the Caribbean Imagination. Gainesville: University Press of Florida, 2014.Google Scholar
King, Rosamond S. ‘Sex and Sexuality in the English Caribbean Novels – A Survey from 1950’. Journal of West Indian Literature, 11.1 (2002), 24–38.Google Scholar
Knowles, Ric. Performing the Intercultural City. Ann Arbor: University of Michigan Press, 2017.Google Scholar
Konsett, Delia Caparoso. Ethnic Modernisms: Anzia Yezierska, Zora Neale Hurston, Jean Rhys, and the Aesthetics of Dislocation. New York: Palgrave Macmillan, 2002.Google Scholar
Kristeva, Julia. ‘“Nous Deux” or a (Hi)Story of Intertextuality’. Romantic Review, 93.1–2 (2002), 7–13.Google Scholar
Laferrière, Dany. Heading South. Trans. Grady, Wayne. Vancouver: Douglas & McIntyre, 2009.Google Scholar
Lai, Larissa. ‘Other Democracies: Writing Thru Race at the 20 Year Crossroad’. Write Magazine, 42.2 (2014), 15–19.Google Scholar
Lamming, George. The Pleasures of Exile. London: Michael Joseph, 1960.Google Scholar
LaMothe, Mario. ‘Our Love on Fire: Gay Men’s Stories of Violence and Hope in Haiti’. Women & Performance: A Journal of Feminist Theory, 27.2 (2017), 259–70.Google Scholar
Laughlin, Karen Louise, and Schuler, Catherine, eds. Theatre and Feminist Aesthetics. Madison: Fairleigh Dickinson University Press, 1995.Google Scholar
Laughlin, Nicholas. ‘Douen Islands and the Art of Collaboration’. Caribbean Review of Books, 4 (2013). http://caribbeanreviewofbooks.com/2013/11/04/douen-islands-and-the-art-of-collaboration/.Google Scholar
Laughlin, Nicholas. Little Gestures: From the Tropical Night Series. Dartmouth, NH: Capital Offset Company, 2007.Google Scholar
Laughlin, Nicholas. ‘Notebook’. The Caribbean Review of Books, 9 (2006), 21–6.Google Scholar
Laughlin, Nicholas. ‘Talking to Guyanese Litblogger Charmaine Valere’. Global Voices, 24 October 2008. https://globalvoices.org/2008/10/24/talking-to-guyanese-litblogger-charmaine-valere/.Google Scholar
Laughlin, Nicholas. ‘Talking to Jamaican Litblogger Geoffrey Philp’. Global Voices, 14 May 2007. https://globalvoices.org/2007/05/14/talking-to-jamaican-litblogger-geoffrey-philp/.Google Scholar
Laughlin, Nicholas. ‘Talking to Jamaican Writer and Blogger Marlon James’. Global Voices, 8 May 2009. https://globalvoices.org/2009/05/08/talking-to-jamaican-writer-and-blogger-marlon-james/.Google Scholar
Laughlin, Nicholas. ‘11 Key Moments in [Anglo-]Caribbean Blog History’. Global Voices, 13 January 2006. https://globalvoices.org/2006/01/13/11-key-moments-in-anglo-caribbean-blog-history/.Google Scholar
Laurette, Pierre, and Ruprecht, Hans-George, eds. Poétiques et imaginaires. Francopolyphonie littéraire des Amériques. Paris: L’Harmattan, 1995.Google Scholar
League of Canadian Poets, Measures of Astonishment: Poets on Poetry. Regina: University of Regina Press, 2016.Google Scholar
Ledent, Bénédicte, and Maes-Jelinek, Hena, eds. Theatre of the Arts: Wilson Harris and the Caribbean. Amsterdam and New York: Editions Rodopi, 2002.Google Scholar
Ledent, Bénédicte, O’Callaghan, Evelyn and Tunca, Daria, eds. Madness in Anglophone Caribbean Literature. Basingstoke: Palgrave, 2018.Google Scholar
Lee, Erika. ‘Orientalisms in the Americas: A Hemispheric Approach to Asian American History’. Journal of Asian American Studies, 8.3 (2005), 235–56.Google Scholar
Lee, Felicia. ‘Voyage of a Girl Moored in Brooklyn’. The New York Times, 11 March 2009. www.nytimes.com/2009/03/12/books/12paul.html.Google Scholar
Lee-Loy, Anne-Marie. ‘Identifying a Chinese Caribbean Literature: Pitfalls and Possibilities’. sx salon, 15 (February 2014). http://smallaxe.net/sxsalon/discussions/identifying-chinese-caribbean-literature.Google Scholar
Lemelle, Sidney J., and Kelly, Robin D. G., eds. Imagining Home: Class, Culture and Nationalism in the African Diaspora. London: Verso, 1994.Google Scholar
Leonin, Mia. ‘Chance Born – El Ekphrasis como excavación’. Nagari Magazine, 12 January 2016. www.nagarimagazine.com/chance-born-el-ekphrasis-como-excavacion-mia-leonin/.Google Scholar
Levy, Andrea. The Long Song. New York: Farrar, Straus & Giroux, 2010.Google Scholar
Lewis, Barbara. ‘No Silence: An Interview with Maryse Condé’. Callaloo, 18.3 (1995), 543–50.Google Scholar
Lewis, Maureen, and Lewis, Rupert. ‘Tributes’. Race and Class, 43.3, special issue ‘The Gentle Revolutionary: Essays in Honour of Jan Carew’ (2012), 77.Google Scholar
Lima, Maria Helena. ‘Revolutionary Developments: Michelle Cliff’s “No Telephone to Heaven” and Merle Collins’s “Angel”’. ARIEL: A Review of International English Literature, 24.1 (1993), 35–56.Google Scholar
Linnaeus, Carl. Linnaeus’ Philosophia Botanica. Trans. Freer, Stephen. Oxford, UK: Oxford University Press, 2005.Google Scholar
Lloyd, Ayanna Gillian. ‘Funny as Hell’. The Caribbean Review of Books, August 2016. http://caribbeanreviewofbooks.com/crb-archive/reviews/funny-as-hell/.Google Scholar
Lord, Karen, ed. New Worlds, Old Ways: Speculative Tales from the Caribbean. Leeds: Peekash Press, 2016.Google Scholar
Lorde, Audre. Sister Outsider: Essays and Speeches by Audre Lorde. Berkeley: Crossing Press, 1984.Google Scholar
Lorde, Audre. Zami: A New Spelling of My Name. Berkeley: Crossing Press, 1982.Google Scholar
Lovelace, Earl. The Dragon Can’t Dance. London: Faber and Faber, 1998.Google Scholar
Lowe, Hannah. Chick. Hexham: Bloodaxe Books, 2013.Google Scholar
Lucien, Vladimir. ‘Monique Roffey’s Discovery of Caribbean Literature’. Caribbean Lit Lime blog, 23 July 2014. https://caribbeanlitlime.wordpress.com/2014/07/23/monique-roffeys-discovery-of-caribbean-literature/.Google Scholar
Luzuriaga, Gerardo, ed. Popular Theater for Social Change in Latin America: Essays in Spanish and English. Los Angeles: UCLA Latin American Center Publications, 1978.Google Scholar
McCrum, Robert. ‘Sun, Sand and a Booker Winner as Jamaica Revels in Its Literary Festival’. The Guardian (US edition), 4 June 2016. www.theguardian.com/books/2016/jun/04/calabash-literary-festival-marlon-james-jamaica?CMP=share_btn_link.Google Scholar
McDowell, Edwin. ‘Publishing: Paule Marshall’s Success’. The New York Times, 30 October 1981. www.nytimes.com/1981/10/30/books/publishing-paule-marshall-s-success.html.Google Scholar
Machado Sáez, Elena. Market Aesthetics: The Purchase of the Past in Caribbean Diasporic Fiction. Charlottesville: University of Virginia Press, 2015.Google Scholar
Mackay, Elizabeth A., and Spencer, Andrew. ‘The Future of Caribbean Tourism: Competition and Climate Change Implications’. Worldwide Hospitality and Tourism Themes, 9.1 (2017), 44–59.Google Scholar
McKenzie, Alecia, ‘A Conversation with Marlon James’, Jamaica Observer, 18 October 2015. www.jamaicaobserver.com/news/A-Conversation-with-Marlon-James_19234263.Google Scholar
McKenzie, Earl. Against Linearity. Leeds: Peepal Tree Press, 1992.Google Scholar
McKittrick, Katherine. ‘Austin Clarke’s Books’. The Puritan, special issue ‘’Membering Austin Clarke’. http://puritan-magazine.com/Austin-clarkes-books/.Google Scholar
McKittrick, Katherine. ‘Plantation Futures’. Small Axe, 42 (2013), 1–15.Google Scholar
McWatt, Tessa. Shame On Me: An Anatomy of Race and Belonging. London: Scribe UK, 2019.Google Scholar
McWatt, Tessa, Maharaj, Rabindranath and Brand, Dionne. Luminous Ink: Writers on Writing in Canada. Toronto: Cormorant Books, 2018.Google Scholar
Mahabir, Joy, and Pirbhai, Mariam. Critical Perspectives on Indo-Caribbean Women’s Literature. London: Routledge, 2013.Google Scholar
Makward, Christiane, and Cazenave, Odile. ‘The Others’ Others: Francophone Women and Writing’. Yale French Studies, 75 (1988), 190–207.Google Scholar
Manley, Rachel. Drumblair. Kingston: Ian Randle Publishers, 1996.Google Scholar
Marshall, Paule. Praisesong for the Widow. New York: Penguin, 1983.Google Scholar
Marshall, Paule. Triangular Road: A Memoir. New York: Basic Civitas Books, 2009.Google Scholar
Marson, Una. Pocomania. 1938. Kingston: Blouse and Skirt Books, 2016.Google Scholar
Marson, Una. ‘Wanted: Writers and Publishers’. Public Opinion (12 June 1937), 6.Google Scholar
Marson, Una. ‘We Want Books – But Do We Encourage Our Writers?’ Daily Gleaner (23 October 1949), 7. Republished in Donnell, , Alison, and Lawson, Sarah, eds. The Routledge Reader in Caribbean Literature. Abingdon: Routledge, 1996, 185–6.Google Scholar
Martindale, Charles. Redeeming the Text: Latin Poetry and the Hermeneutics of Reception. Cambridge, UK: Cambridge University Press, 1993.Google Scholar
Martínez-San Miguel, Yolanda, and Tobias, Sarah, eds. Trans Studies: The Challenge to Hetero/Homo Normativities. New Brunswick, NJ and London: Rutgers University Press, 2016.Google Scholar
Martini, Jürgen, ed. Missile and Capsule. Bremen: No publisher, 1983.Google Scholar
Mbembé, J.-A. ‘Necropolitics’. Trans. Meintjes, Libby. Public Culture, 15.1, (2003), 11–40.Google Scholar
Mee, Erin B., and Foley, Helene P.. Antigone on the Contemporary World Stage. Oxford, UK: Oxford University Press, 2011.Google Scholar
Meeks, Brian. Radical Caribbean: From Black Power to Abu Bakr (Kingston: University of the West Indies Press, 1996).Google Scholar
Meeks, Brian. ‘Reading the Seventies in a Different Stylie: Dub, Poetry, and the Urgency of Message’. Small Axe, 23 (2019), 112–33.Google Scholar
Meeks, Brian, and Girvan, Norman. The Thought of New World, The Quest for Decolonization. Kingston: Ian Randle Publishers, 2010.Google Scholar
Mehta, Brinda. Diasporic (Dis)Locations: Indo-Caribbean Women Writers Negotiate the ‘Kala Pani’. Kingston: University of the West Indies, 2004.Google Scholar
Melville, Edwina. ‘The Girl in Green’. Blackwood’s Magazine, Edinburgh 297.1791 (1965), 1–8.Google Scholar
Menéndez, Anna. The Last War. New York: Harper Collins, 2009.Google Scholar
Menéndez, Anna. Loving Che. London: Hodder Headline, 2004.Google Scholar
Mercer, Kobena. ‘Aubrey Williams: Abstraction in Diaspora’. British Art Studies, 8 (2008). www.britishartstudies.ac.uk/issues/issue-index/issue-8/aubrey-williams.Google Scholar
Miller, Errol. Men at Risk. Kingston: Jamaica Publishing House, 1991.Google Scholar
Miller, Kei. Augustown. London: Weidenfeld & Nicholson, 2016.Google Scholar
Miller, Kei. The Cartographer Maps a Way to Zion. Manchester: Carcanet, 2014.Google Scholar
Miller, Kei. In Nearby Bushes. Manchester: Carcanet, 2019.Google Scholar
Miller, Kei. ‘The White Women and the Language of Bees’. Pree, 3 (2018). https://preelit.com/2018/04/13/the-white-women-and-the-language-of-bees/.Google Scholar
Miller, Kei. Writing Down the Vision: Essays and Prophecies. Leeds: Peepal Tree Press, 2013.Google Scholar
Mohammed, Patricia, ed. Gendered Realities: Essays in Caribbean Feminist Thoughts. Kingston: University of the West Indies, 2002.Google Scholar
Mohammed, Patricia, and Shepherd, Catherine, eds. Gender in Caribbean Development. 1988. Kingston: Canoe Press, 1991.Google Scholar
Mohan, Neki. ‘Alicia Keys Recreates Iconic Jamaica Tourism Poster Cover’. Local10.com, 18 August 2015. www.local10.com/news/alicia-keys-recreates-iconic-jamaica-tourism-poster-cover.Google Scholar
Montero, Mayra. The Messenger. New York: Harper Flamingo, 1998.Google Scholar
Moore, Donald. S., Kosek, Jake and Pandian, Anand, eds. Race, Nature, and the Politics of Difference. Durham, NC: Duke University Press, 2003.Google Scholar
Moore-Gilbert, Bart. Postcolonial Theory: Context, Practices, Politics. London and New York: Verso, 1997.Google Scholar
Mootoo, Shani. Cereus Blooms at Night. New York: Grove Press, 1996.Google Scholar
Mordecai, Pamela, and Wilson, Betty, ed. Her True-True Name: An Anthology of Women’s Writing from the Caribbean. Oxford, NH: Heinemann Publishers, 1989.Google Scholar
Morely, David, and Chen, Kuan-Hsing, eds. Stuart Hall: Critical Dialogues in Cultural Studies. New York: Routledge, 1996.Google Scholar
Morgan, Paula. ‘Homecomings without Home: Reading Rhys and Cliff Intertextually’. Journal of Caribbean Literatures, 3.3 (2003), 161–70.Google Scholar
Morrell, Carol, ed. Grammar of Dissent: Poetry and Prose by Claire Harris, M. Nourbese Philip, Dionne Brand. Fredericton, NB: Goose Lane, 1994.Google Scholar
Morris, Mervyn. ‘On Reading Louise Bennett, Seriously’. Jamaica Journal, 1.1 (1967), 69–74. Reprinted from Sunday Gleaner serialization. 7, 14, 21, 28 June 1964.Google Scholar
Morris, Mervyn, and Allen, Carolyn, eds. Writing Life: Reflections by West Indian Writers. Kingston: Ian Randle Publishers, 2007.Google Scholar
Mowforth, Martin, Charlton, Clive and Munt, Ian. Tourism and Responsibility: Perspectives from Latin America and the Caribbean. London: Routledge, 2008.Google Scholar
José, Esteban Muñoz. Cruising Utopia: The Then and There of Queer Futurity. New York: New York University Press, 2009.Google Scholar
Naipaul, Shiva. The Chip Chip Gatherers. Harmondsworth: Penguin Books, 1973.Google Scholar
Naipaul, V. S. Between Father and Son: Family Letters. Ed. Aitken, Gillon. New York: Alfred Knopf, 1999.Google Scholar
Naipaul, V. S. Literary Occasions. New York: Alfred Knopf, 2004.Google Scholar
Naipaul, V. S. The Middle Passage: Impressions of Five Societies–British, French and Dutch–in the West Indies and South America. 1962. New York: Vintage, 1981.Google Scholar
Nair, Supriya, ed. Teaching Anglophone Caribbean Literature. New York: Modern Language Association, 2012.Google Scholar
Nasta, Susheila. ‘Beyond the Millennium: Black Women’s Writing’. Women: A Cultural Review, 11.1/2 (2000), 71–6.Google Scholar
Natov, Roni. The Poetics of Childhood. Oxford, UK: Routledge, 2003.Google Scholar
Natural, Cherry. The Lyrical Contortionist. Kingston: Self-published, 2018.Google Scholar
Nehru, Meesha. ‘A Literary Culture in Common: The Movement of Talleres Literarios in Cuba, 1960s–2000s’. PhD thesis, University of Nottingham, 2010.Google Scholar
Ness, Immanuel, ed. The Encyclopedia of Global Human Migration. Hoboken, NJ: Blackwell Publishing Ltd., 2013.Google Scholar
Nevitt, Tia. ‘Interview and Comment Chat with Karen Lord’. In Tia Nevitt: Anywhere but Here, Anwhen but Now. 2010. http://tianevitt.com/2010/07/07/interview-and-comment-chat-with-karen-lord/.Google Scholar
Newland, Courttia, and Sesay, Kadija eds. IC3: The Penguin Book of New Black Writing in Britain. Harmondsworth: Penguin, 2000.Google Scholar
Nichols, Grace. Picasso, I Want My Face Back. Tarset, UK: Bloodaxe, 2013.Google Scholar
Nichols, Grace. Startling the Flying Fish. London: Virago, 2005.Google Scholar
Nixon, Angelique V. Resisting Paradise: Tourism, Diaspora, and Sexuality in Caribbean Culture. Jackson: University Press of Mississippi, 2015.Google Scholar
Nixon, Angelique V. ‘Searching for the Erotic: Boundaries of Male Same-Sex Desire in Caribbean Film’. Black Camera: An International Film Journal (The New Series), 6.2 (2015), 168–86.Google Scholar
Nunez, Elizabeth. Anna In-Between. New York: Akashic Books, 2009.Google Scholar
Nunez, Elizabeth. ‘How I Came to America’. Changing English, 12.3 (2005), 373–6.Google Scholar
Nunez, Elizabeth. Prospero’s Daughter. New York: Ballantine, 2006.Google Scholar
O’Brien, Sean P. ‘Some Assembly Required: Intertextuality, Marginalization, and The Brief Wondrous Life of Oscar Wao’. Journal of the Midwest Modern Language Association, 45.1 (2012), 75–94.Google Scholar
O’Callaghan, Evelyn. ‘“Jumping into the Big Ups’ Quarrels”: The Hulme/Brathwaite Exchange’. Wasafiri, 14.28 (1998), 34–6.Google Scholar
O’Callaghan, Evelyn. Woman Version: Theoretical Approaches to West Indian Fiction by Women. New York: St Martin’s Press, 1993.Google Scholar
O’Regan, Derek. Postcolonial Echoes and Evocations: The Intertextual Appeal of Maryse Condé. New York: Peter Lang, 2006.Google Scholar
Olaniyan, Tejumola. Scars of Conquest/Masks of Resistance: The Invention of Cultural Identities in African, African-American, and Caribbean Drama. New York and Oxford, UK: Oxford University Press, 1995.Google Scholar
Omotoso, Kole. The Theatrical into Theatre: A Study of the Drama and Theatre of the English-Speaking Caribbean. London and Port of Spain: New Beacon Books, 1982.Google Scholar
Panton, George. ‘C. Everard Palmer: The Boys’ Ideal Story-Teller’. The Gleaner (3 November 1974). https://nlj.gov.jm/wp-content/uploads/2017/04/hn_palmer_ce_008.pdf.Google Scholar
Paquet, Sandra Pouchet. Caribbean Autobiography: Cultural Identity and Self-Representation. Madison: University of Wisconsin Press, 2003.Google Scholar
Patterson, Orlando. An Absence of Ruins. London: Hutchinson, 1967.Google Scholar
Patullo, Polly. Last Resorts: The Cost of Tourism in the Caribbean. London: Cassell, 1996.Google Scholar
Paul, Annie. ‘“Bad Words” at Calabash 09’. Active Voice, 24 April 2009. https://anniepaul.net/2009/05/24/bad-words-at-calabash-09/.Google Scholar
Paul, Annie. ‘Christopher Cozier’. BOMB, 82 (2003). https://bombmagazine.org/articles/christopher-cozier/.Google Scholar
Paul, Annie. ‘A Coolie Woman’s Work Is Never Done’. The Margins: Asian American Writers Workshop, 31 March 2014. https://aaww.org/coolie-womans-work-gaiutra-bahadur/.Google Scholar
Paul, Annie. ‘The Marlon James Effect, the Current and _Space Jamaica’. Active Voice, 27 December 2015. https://anniepaul.net/2015/12/27/the-marlon-james-effect-the-current-and-_space-jamaica/.Google Scholar
Pereira, Joseph R. ‘The Influence of the Casa de las Americas on English Caribbean Literature’. Caribbean Quarterly, 31.1 (1985), 93–103.Google Scholar
Pérez-Rosario, Vanessa. ‘On the Hispanophone Caribbean Question’. Small Axe, 51 (2016), 21–31.Google Scholar
Persaud, Lakshmi. Butterfly in the Wind. Leeds: Peepal Tree Press, 1990.Google Scholar
Pettis, Joyce. ‘Qualities of Endurance: Paule Marshall’s Brown Girl, Brownstones’. The Black Scholar, 30.2 (2000), 15–20.Google Scholar
Philip, M. NourbeSe. Frontiers: Selected Essays and Writings on Racism and Culture, 1984–1992. Stratford, ON: Mercury Press, 1992.Google Scholar
Philip, M. NourbeSe. A Genealogy of Resistance. Toronto: The Mercury Press, 1997.Google Scholar
Philip, M. NourbeSe. Looking for Livingstone: An Odyssey of Silence. Stratford, ON: Mercury Press, 1991.Google Scholar
Philip, M. NourbeSe. She Tries Her Tongue, Her Silence Softly Breaks. Ottawa: Gynergy Books/Ragweed Press, 1989.Google Scholar
Philip, M. NourbeSe. Zong! Middletown, CT: Wesleyan University Press, 2008.Google Scholar
Phillips, Caryl. The European Tribe. New York: Farrar, Straus & Giroux, 1987.Google Scholar
Pineau, Gisèle. Morne Câpresse. Paris: Mercure de France, 2008.Google Scholar
Poddar, Namrata. ‘Race, Power and Storytelling: An Interview with Tiphanie Yanique’. Kweli, 31 January 2018. www.kwelijournal.org/interviews-1/2018/1/31/an-interview-with-tiphanie-yanique.Google Scholar
Ponte, Antonio José. La fiesta vigilada. Barcelona: Editorial Anagrama, 2007.Google Scholar
Powell, Patricia. A Small Gathering of Bones. 1994. Boston, MA: Beacon Books, 2003.Google Scholar
Prince, Mary. The History of Mary Prince. 1831. Ed. Salih, Sara. London and New York: Penguin Classics, 2000.Google Scholar
Prosser, Jay. ‘Life Writing and Intimate Publics: A Conversation with Lauren Berlant’. Biography, 34.1 (2011), 180–7.Google Scholar
Puar, Jasbir. Terrorist Assemblages: Homonationalism in Queer Times. Durham, NC: Duke University Press, 2008.Google Scholar
Puri, Shalini. The Caribbean Postcolonial: Social Equality, Post-Nationalism, and Cultural Hybridity. New York: Palgrave Macmillan, 2004.Google Scholar
Puri, Shalini. Grenada Revolution in the Caribbean Present: Operation Urgent Memory. Basingstoke: Palgrave Macmillan, 2014.Google Scholar
Quijano, Anibal. ‘Coloniality of Power, Eurocentrism and Latin America’. Neplantla: Views from the South, 1.3 (2000), 533–80.Google Scholar
Rahim, Jennifer. ‘The Operations of the Closet and the Discourse of Unspeakable Contents in Black Fauns and My Brother’. Small Axe, 10.2 (2006), 1–18.Google Scholar
Ramchand, Kenneth. The West Indian Novel and its Background. London: Faber and Faber, 1970.Google Scholar
Ramlochan, Shivanee. Everyone Knows I Am a Haunting. Leeds: Peepal Tree Press, 2017.Google Scholar
Ramlochan, Shivanee. ‘How I Did It: Forward First Collection – Shivanee Ramlochan on “All the Dead, All the Living” from Everyone Knows I Am a Haunting’. The Poetry School. https://poetryschool.com/how-i-did-it/how-i-did-it-forward-first-collection-shivanee-ramlochan-on-all-the-dead-all-the-living-from-everyone-knows-i-am-a-haunting/.Google Scholar
Rampaul, Giselle, and Skeete, Geraldine, eds. The Child and the Caribbean Imagination. Kingston: University of the West Indies Press, 2012.Google Scholar
Reddock, Rhoda E., ed. Interrogating Caribbean Masculinities: Theoretical and Empirical Analyses. Kingston: University of the West Indies Press, 2004.Google Scholar
Reiss, Timothy J., ed. Sisyphus and Eldorado: Magical and Other Realisms in Caribbean Literature. Trenton: Africa World Press, 2002.Google Scholar
Rhone, Trevor D. Old Story Time and Smile Orange. 1981. New York: Longman Caribbean, 1987.Google Scholar
Rhys, Jean. Smile Please: An Unfinished Autobiography. 1979. London and New York: Penguin, 1984.Google Scholar
Rhys, Jean. Wide Sargasso Sea: A Norton Critical Edition. 1966. New York: W.W. Norton, 1999.Google Scholar
Riggio, Milla, Vignolo, Paolo, Bowditch, Rachel and Gibbons, Rawle, eds. Festive Devils of the Americas. Kolkata: Seagull Books, 2015.Google Scholar
Risam, Roopika. New Digital Worlds: Postcolonial Digital Humanities in Theory, Praxis, and Pedagogy. Evanston, IL: Northwestern University Press, 2019.Google Scholar
Roberts, Brian Russell, and Stephens, Michelle Ann. Archipelagic American Studies. Durham, NC: Duke University Press, 2017.Google Scholar
Robertson, Glory. ‘The Rose Hall Legend’. Jamaica Journal, 2.4 (1968), 6–12.Google Scholar
Robinson, Colin. You Have You Father Hard Head. Leeds: Peepal Tree Press, 2016.Google Scholar
Rodman, Selden. Tongues of Fallen Angels: Conversations with Jorge Luis Borges et al. New York: New Directions, 1970.Google Scholar
Roffey, Monique. Archipelago. London: Simon and Schuster, 2012.Google Scholar
Roffey, MoniqueThe White Woman on the Green Bicycle. New York: Simon and Schuster, 2009.Google Scholar
Rohlehr, Gordon. ‘The Problem of the Problem of Form: The Idea of an Aesthetic Continuum and Aesthetic Code-Switching in West Indian Literature’. Caribbean Quarterly, 31.1 (1985), 1–52.Google Scholar
Rohlehr, Gordon. The Shape of that Hurt. Port of Spain: Longman Trinidad Limited, 1992.Google Scholar
Rohlehr, Gordon. ‘Trophy and Catastrophe’. Caribbean Quarterly, 37.4 (1991), 1–8.Google Scholar
Romdhani, Rebecca. ‘Zombies Go to Toronto: Shame in Nalo Hopkinson’s Brown Girl in the Ring’. Research in African Literatures, 46.4 (2015), 72–89.Google Scholar
Rosario, Nelly. Song of the Water Saints. 2002. New York: Vintage Books, 2005.Google Scholar
Rosenberg, Leah Reade. Nationalism and the Formation of Caribbean Literature. New York: Palgrave Macmillan, 2007.Google Scholar
Ross, Jacob. Song for Simone and Other Stories. London: Karia Press, 1986.Google Scholar
Rudakoff, Judith. ‘R/Evolutionary Theatre in Contemporary Cuba: Grupo Teatro Escambray’. TDR, 40.1 (1996), 77–97.Google Scholar
Rushdie, Salman. Imaginary Homelands. New York: Penguin, 1991.Google Scholar
Rutledge, Gregory E. ‘An Interview with Science Fiction Writer Nalo Hopkinson’. African American Review, 33.4 (1999), 589–601.Google Scholar
Sahakian, Emily. Staging Creolization: Women’s Theater and Performance from the French Caribbean. Charlottesville and London: University of Virginia Press, 2017.Google Scholar
Said, Edward. Culture and Imperialism. 1993. London: Vintage, 1994.Google Scholar
Saint, Assotto. Spells of a Voodoo Doll: The Poems, Fiction, Essays and Plays of Assotto Saint. New York: Masquerade Books, 1996.Google Scholar
Samuel, Petal. ‘A “Right to Quiet”: Noise Control, M. NourbeSe Philip and a Critique of Sound as Property’. Journal of West Indian Literature, 27.1 (2019), 70–87.Google Scholar
Sandiford, Robert Edison. ‘Karen Lord: Author of a Very Barbadian Book’. Caribbean Beat, 107 (January/February 2011), www.caribbean-beat.com/issue-107/karen-lord-author-very-barbadian-book#ixzz6BkurGwNO.Google Scholar
Santiago, Esmeralda. Conquistadora. New York: Alfred A. Knopf, 2011.Google Scholar
Santos-Febres, Mayra. Nuestra señora de la noche. Madrid: Espasa, 2006.Google Scholar
Santos-Febres, Mayra. Sirena Selena. Trans. Lytle, Stephen. New York: Picador, 2000.Google Scholar
Sarduy, Severo. Cobra and Matreiya. 1972 and 1970, respectively. Trans. Suzanne Jill Levine. Normal, IL: Dalkey Archive Press, 1995.Google Scholar
Salkey, Andrew. Escape to An Autumn Pavement. London: Hutchinson, 1960.Google Scholar
Salkey, Andrew. Georgetown Journal. London: New Beacon Books, 1972.Google Scholar
Sarduy, Severo. Havana Journal. Harmondsworth: Penguin, 1971.Google Scholar
Saunders, Patricia. ‘Gardening in the Garrisons, You Never Know What You Will Find: (Un)Visibility in the Works of Ebony G. Patterson’. Feminist Studies, 42.1 (2016), 98–137.Google Scholar
Savory, Elaine. ‘Jean Rhys, Race and Caribbean/English Criticism’. Wasafiri, 14.28 (1998), 33–4.Google Scholar
Scazi, John. ‘The Big Idea: Karen Lord’. In Whatever: This Machine Mocks Fascists. 2010. https://whatever.scalzi.com/2010/07/08/the-big-idea-karen-lord/.Google Scholar
Schwarz-Bart, Simone. Ton beau capitaine. Paris: Éditions du Seuil, 1987.Google Scholar
Schwarz-Bart, Simone. Your Handsome Captain. Trans. Harris, Jessica and Temerson, Catherine. Callaloo, 12 (Summer 1989), 531–43.Google Scholar
Scott, David. Conscripts of Modernity: The Tragedy of Colonial Enlightenment. Durham, NC: Duke University Press, 2004.Google Scholar
Scott, David. Omens of Adversity: Tragedy, Time, Memory, Justice. Durham, NC: Duke University Press, 2014.Google Scholar
Scott, David. ‘Preface’. Small Axe, 8.1 (2004), vi–vii.Google Scholar
Scott, Lawrence. Light Falling on Bamboo. London: Tindal Street, 2012.Google Scholar
Selden, Raman, Widdowson, Peter and Brooker, Peter. A Reader’s Guide to Contemporary Literary Theory, 6th ed. London and New York: Routledge, 2017.Google Scholar
Semaj-Hall, Isis. ‘Re-membering our Caribbean through Dub Aesthetic’. sx salon, 21 (February 2016). http://smallaxe.net/sxsalon/discussions/re-membering-our-caribbean-through-dub-aesthetic.Google Scholar
Senior, Olive. Gardening in the Tropics. Toronto: McClelland & Stewart, 1994.Google Scholar
Senior, Olive. Over the Roofs of the World. Ontario: Insomnia Press, 2005.Google Scholar
Shakespeare, William. Richard II. London: Methuen and Co. Ltd., 1983.Google Scholar
Sharpe, Jenny. ‘Dub and Difference: A Conversation with Jean “Binta” Breeze’. Callaloo, 26.3 (2003), 607–13.Google Scholar
Shepherd, Sheldon. In the Morning Yah. Kingston: Pelican Publishers, 2015.Google Scholar
Sheller, Mimi. Consuming the Caribbean. London: Routledge, 2003.Google Scholar
Sheller, Mimi. Island Futures: Caribbean Survival in the Anthropocene. Durham: Duke University Press, 2020.Google Scholar
Sheller, Mimi, and Urry, John, eds. Tourism Mobilities: Places to Play, Places in Play. London: Routledge, 2004.Google Scholar
Shields, Tanya L. Bodies and Bones: Feminist Rehearsal and Caribbean Belonging. Charlottesville: University of Virginia Press, 2014.Google Scholar
Shirley, Tanya. The Merchant of Feathers. Leeds: Peepal Tree Press, 2014.Google Scholar
Silva, Hannah. ‘A Bit of Talk with Anthony Joseph’. Interview with Hannah de Silva. 30 April 2018. http://hannahsilva.co.uk/a-bit-of-talk-with-anthony-joseph/.Google Scholar
Silvera, Makeda, eds. The Other Woman: Women of Colour in Contemporary Canadian Literature. Toronto: Sister Vision Press, 1995.Google Scholar
Silvera, Makeda, Silenced: Talks with Working Class Caribbean Women about Their Lives and Struggles as Domestic Workers in Canada. Toronto: Williams-Wallace Publishers, 1983.Google Scholar
Silvera, Makeda, ed. The Other Woman: Women of Colour in Contemporary Canadian Literature. Toronto: Sister Vision Press, 1995.Google Scholar
Silvera, Makeda, ed. Piece of My Heart. Toronto: Sister Vision Press, 1991.Google Scholar
Silvera, Makeda, and Fatona, Andrea. ‘The Vision of Sister Vision Press’. Kinesis (March 1990), 15.Google Scholar
Sistren with Ford-Smith, Honor. Lionheart Gal: Life Stories of Jamaican Women. 1986. Mona: University of the West Indies Press, 2005.Google Scholar
Smartt, Dorothea. Reader I Married Him and Other Queer Goings On. Leeds: Peepal Tree Press, 2014.Google Scholar
Smith, Karina. ‘Narratives of Success, Narratives of Failure: The Creation and Collapse of Sistren’s “Aesthetic Space”’. Modern Drama, 51.2 (2008), 234–58.Google Scholar
Smith, Michael. It a Come. Ed. Morris, Mervyn. San Francisco: City Lights, 1989.Google Scholar
Smith, Sidone, and Watson, Julia. Reading Autobiography: A Guide for Interpreting Life Narratives, 2nd ed. Minneapolis: University of Minnesota Press, 2010.Google Scholar
Smorkaloff, Pamela Maria. Readers and Writers in Cuba: A Social History of Print Culture, 1830s–1990s. Abingdon: Routledge, 1997.Google Scholar
Sommer, Roy. ‘“Black” British Literary Studies and the Emergence of a New Canon’. Orbis Litterarum, 66.3 (2011), 238–48.Google Scholar
Springfield, Consuelo López, ed. Daughters of Caliban: Caribbean Women in the Twentieth Century. Indianapolis: Indiana University Press, 1997.Google Scholar
Srikanth, Rajini, and Song, Min Hyoung, eds. The Cambridge History of Asian American Literature. Cambridge, MA: Cambridge University Press, 2015.Google Scholar
Stecher, Lucía. ‘Afiliaciones electivas: Familia y relaciones de amistad interracial en Abeng de Michelle Cliff’. Revista de Crítica Literaria Latinoamericana, 38.75 (2012), 465–79.Google Scholar
Steiner, George. Antigones. Oxford, UK: Clarendon Press, 1984.Google Scholar
Stephens, John, et al., eds. The Routledge Companion to International Children’s Literature. Oxford, UK: Routledge, 2018.Google Scholar
Stitt, Jocelyn. ‘Gendered Legacies of Romantic Nationalism in the Works of Michelle Cliff’. Small Axe, 24 (2007), 52–72.Google Scholar
Stone, Judy S. J. Theatre. London: Palgrave Macmillan, 1994.Google Scholar
Stone, Judy S. J., ed. You Can Lead a Horse to Water and Other Plays. Oxford, UK: MacMillan Caribbean, 2005.Google Scholar
Strachan, Ian Gregory. Paradise and Plantation: Tourism and Culture in the Anglophone Caribbean. Charlottesville: University of Virginia Press, 2002.Google Scholar
Surtees, Joshua, and Flood, Alison. ‘Kei Miller Essay about White Women Sparks Tensions among Caribbean Writers’. The Guardian, 2 May 2018. www.theguardian.com/books/2018/may/02/kei-miller-essay-about-white-women-sparks-tensions-among-caribbean-writers?CMP=share_btn_fb.Google Scholar
Taleb-Khyar, Mohamed B. ‘An Interview with Maryse Condé and Rita Dove’. Callaloo, 14.2 (1991), 347–66.Google Scholar
Taylor, Frank Fonda. To Hell with Paradise: A History of the Jamaican Tourist Industry. Pittsburgh: University of Pittsburgh Press, 1993.Google Scholar
Thomas, H. Nigel. Spirits in the Dark. Oxford, NH: Heinemann, 1993.Google Scholar
Thompson, Krista A. An Eye for the Tropics: Tourism, Photography, and Framing the Caribbean Picturesque. Durham, NC: Duke University Press, 2006.Google Scholar
Tiffin, Helen. ‘Post-Colonial Literatures and Counter-Discourse’. Kunapipi, 9.3 (1987), 17–33.Google Scholar
Tinsley, Omise’eke Natasha. Thiefing Sugar: Eroticism between Women in Caribbean Literature. Durham, NC: Duke University Press, 2010Google Scholar
Unerman, Eloise, and Hive Young Writers at Arvon Lumb Bank. ‘Interview with Hannah Lowe’, Hive South Yorkshire, April 2017. www.hivesouthyorkshire.com/interview-writer-hannah-lowe.html.Google Scholar
Valdés, Zoe. I Gave You All I Had. 1996. Trans. Benabid, Nadia. New York: Arcade Publishing, 1999.Google Scholar
Vicioso, Sherezada. Un extraño ulular traía el viento. Santo Domingo: Alfa y Omega, 1985.Google Scholar
Victor, Gary. Á l’angle des rues parallèles. Châteauneuf-le-Rouge: Vents d’ailleurs, 2003.Google Scholar
Villegas, Alma. ‘Grupo Teatro Escambray: Theater in Revolutionary Cuba’. Trans. Kuster, Ted. The Black Scholar 20.5/6 (1989), 25–9.Google Scholar
Vreeland, Elizabeth. ‘Jean Rhys: The Art of Fiction LXIV’. Paris Review, 76 (1979), 218–34.Google Scholar
Walcott, Derek. Dream on Monkey Mountain and Other Plays. New York: Farrar, Straus & Giroux, 1970.Google Scholar
Walcott, Derek. The Fortunate Traveller. New York: Farrar, Straus & Giroux, 1980.Google Scholar
Walcott, Derek. ‘Nobel Lecture’, nobelprize.org. 7 December 1992. www.nobelprize.org/prizes/literature/1992/walcott/lecture/.Google Scholar
Walcott, Derek. Omeros. New Yok: Farrar, Straus & Giroux, 1990.Google Scholar
Walcott, Derek. Pantomime. New York: Farrar, Straus & Giroux, 1980.Google Scholar
Walcott, Derek. The Poetry of Derek Walcott 1948–2013. Ed. Maxwell, Glyn. New York: Farrar, Straus & Giroux, 2014.Google Scholar
Walcott, Derek. The Prodigal. 2004. New York: Faber and Faber, 2005.Google Scholar
Walcott, Derek. What the Twilight Says. London: Faber and Faber, 1998.Google Scholar
Walcott, Derek, Scott, Dennis and Hill, Errol, eds. Plays for Today. Harlow: Longman, 1985.Google Scholar
Walcott, Rinaldo. Queer Returns: Essays on Multiculturalism, Diaspora and Black Studies. Toronto: Insomniac Press, 2016.Google Scholar
Walmsley, Anne. The Caribbean Artists Movement 1966–1972: A Literary and Cultural History. London and Port of Spain: New Beacon Books, 1992.Google Scholar
Warner-Lewis, Maureen. ‘Samuel Selvon’s Linguistic Extravaganza: Moses Ascending’. Caribbean Quarterly, 28.4 (1982), 60–9.Google Scholar
Waters, Erika J., and Edgecombe, David, eds. Contemporary Drama of the Caribbean. St Croix: University of the Virgin Islands, 2001.Google Scholar
Waters, Mary. Black Identities: West Indian Dreams and American Realities. Cambridge, MA: Harvard University Press, 2000.Google Scholar
Weisgerber, Jean. Le réalisme magique: roman, peinture et cinéma. Lausanne: L’age d’homme, 1987.Google Scholar
Wekker, Gloria. The Politics of Passion: Women’s Sexual Culture in the Afro-Surinamese Diaspora. New York: Columbia University Press, 2006.Google Scholar
Whitlock, Gillian. Postcolonial Life Narratives: Testimonial Transactions. Oxford, UK: Oxford University Press, 2015.Google Scholar
Williams, Aubrey. ‘The Predicament of the Artist in the Caribbean’. Caribbean Quarterly, 4.1/2 (1968), 60–2.Google Scholar
Williams, N. D. Ikael torass. Havana: Casa de las Américas, 1976.Google Scholar
Williams, Patrick, and Chrisman, Laura, eds. Colonial Discourse and Post-Colonial Theory: A Reader. London: Harvester Wheatsheaf, 1994.Google Scholar
Wilson, Sheri-D, ed. The Spoken Word Workbook: Inspiration from Poets Who Teach. Banff: The Banff-Centre Press, 2011.Google Scholar
Woubshet, Dagmawi. The Calendar of Loss: Race, Sexuality and Mourning in the Early Era of AIDS. Baltimore: Johns Hopkins University Press, 2015.Google Scholar
Wynter, Sylvia. ‘Novel and History, Plot and Plantation’. SAVACOU, 5 (1971), 95–102.Google Scholar
Wynter, Sylvia. Sylvia Wynter: On Being Human as Praxis. Ed. McKittrick, Katherine. Durham, NC: Duke University Press, 2015.Google Scholar
Wynter, Sylvia. ‘Unsettling the Coloniality of Being/Power/Truth/Freedom: Towards the Human, After Man, its Overrepresentation – An Argument’. The New Centennial Review, 3.3 (2003), 257–337.Google Scholar
Wynter, Sylvia. ‘We Must Learn to Sit Down Together and Talk about a Little Culture: Reflections on West Indian Writing and Criticism’. Jamaica Journal, 2.4 (1968), 23–32.Google Scholar
Yáñez, Mirta. Bleeding Wound/Sangra por la Herida. Trans. Cooper, Sara E.. Chico, CA: Cubanabooks, 2014.Google Scholar
Yanique, Tiphanie. Land of Love and Drowning. New York: Riverhead, 2014.Google Scholar
Yelvington, Kevin. Producing Power. Philadelphia: Temple University Press, 1995.Google Scholar
young anitafrika, d’bi (see also ‘anitafrika, d’bi.young’). Blood.claat. Toronto: Playwrights Canada Press, 2005.Google Scholar
young anitafrika, d’bi ‘r/evolution begins within 2012’, Canadian Theatre Review, 150 (2012), 26–9.Google Scholar
young anitafrika, d’bi Oya. Toronto: Sorplusi publishing, 2015.Google Scholar
Young, John. Black Writers, White Publishers: Marketplace Politics in Twentieth-Century African American Literature. Jackson: University Press of Mississippi, 2006.Google Scholar
Younge, Gary. ‘Interview with Andrea Levy.’ The Guardian, 29 January 2010. www.theguardian.com/books/2010/jan/30/andrea-levy-long-song-interview.Google Scholar
Yusoff, Kathryn. A Billion Black Anthropocenes or None. Minneapolis: University of Minnesota Press, 2018.Google Scholar
Zong, Jie, and Batalova, Jeanne. ‘Caribbean Immigrants in the United States’. Immigration Policy Institute, 13 February 2019. www.migrationpolicy.org/article/caribbean-immigrants-united-states.Google Scholar
Zephaniah, Benjamin. The Little Book of Vegan Poems. Chico, CA: AK Press, 2001.Google Scholar
Zephaniah, Benjamin. Talking Turkeys. London: Puffin, 1995.Google Scholar
Zephaniah, Benjamin. Wicked World! London: Puffin, 2000.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Edited by Ronald Cummings, Brock University, Ontario, Alison Donnell, University of East Anglia
  • Book: Caribbean Literature in Transition, 1970–2020
  • Online publication: 16 December 2020
  • Chapter DOI: https://doi.org/10.1017/9781108564274.030
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Edited by Ronald Cummings, Brock University, Ontario, Alison Donnell, University of East Anglia
  • Book: Caribbean Literature in Transition, 1970–2020
  • Online publication: 16 December 2020
  • Chapter DOI: https://doi.org/10.1017/9781108564274.030
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Edited by Ronald Cummings, Brock University, Ontario, Alison Donnell, University of East Anglia
  • Book: Caribbean Literature in Transition, 1970–2020
  • Online publication: 16 December 2020
  • Chapter DOI: https://doi.org/10.1017/9781108564274.030
Available formats
×