Chapter I - The Attack on the Throne
Published online by Cambridge University Press: 07 September 2010
Summary
SOME PRE-SHAKESPEAREAN STATEMENTS
Each of the four cycles of miracle plays that have come down to us in some measure of completeness opens with the presentation of the first sin. This is, of course, the original rebellion of Lucifer, and in each cycle it receives all the emphasis of which a well-developed dramatic tradition is capable. Raised on pageant or mansion stage is seated God the Father, and round him stand the angelic hierarchies.
Lord, throughe thy grace and mighte thou hast us wrought:
Nyne orders of Angelles here as you may see: …
In thie bliss full righte they be,
And I the principall lord here in thie sight.
Chester Plays: Fall of Lucifer, 11. 28 ff.When Lucifer falls from his high eminence he makes a visible descent, and his white and golden garments are changed for the black or shaggy tights and horrific mask made familiar by countless carvings and paintings.
In the Ludus Coventriae the proclamation, which serves as programme to what follows, introduces Man's principal antagonist thus:
But Lucifer that angel so gay
In such pomp then is he pite
And set in so great pride
That God's seat he ginneth to take
His Lord's peer himself to make.
Proclamation, 11. 18 ff.After his fall Lucifer tempts Eve as he had done the angels:
Of this apple if thou wilt bite
Even as God is so shall ye be.
Wise of cunning as I you plight
Like unto God in all degree.
Sun and moon and stars bright
Fish and fowl both sound and sea
At your bidding both day and night
All things shall be in your power.
Ye shall be God's peer.
Fall of Man, 11. 182 ff.- Type
- Chapter
- Information
- Character and Symbol in Shakespeare's PlaysA Study of Certain Christian and Pre-Christian Elements in Their Structure and Imagery, pp. 7 - 43Publisher: Cambridge University PressPrint publication year: 2009First published in: 1962