Book contents
- Chekhov in Context
- Chekhov in Context
- Copyright page
- Contents
- Figures
- Contributors
- Foreword
- Note on Texts, Dates, and Transliteration
- Chronology
- Introduction
- Part I Life
- Part II Society
- Part III Culture
- Part IV Literature
- Chapter 21 Print Culture
- Chapter 22 Embarrassment
- Chapter 23 Tolstoy
- Chapter 24 French Literature
- Chapter 25 Modernism and Symbolism
- Chapter 26 Theatrical Traditions
- Chapter 27 Modern Theater
- Chapter 28 Chekhov’s Moscow Art Theater (1897–1904)
- Part V Afterlives
- Notes
- Further Reading
- Index
Chapter 26 - Theatrical Traditions
from Part IV - Literature
Published online by Cambridge University Press: 16 February 2023
- Chekhov in Context
- Chekhov in Context
- Copyright page
- Contents
- Figures
- Contributors
- Foreword
- Note on Texts, Dates, and Transliteration
- Chronology
- Introduction
- Part I Life
- Part II Society
- Part III Culture
- Part IV Literature
- Chapter 21 Print Culture
- Chapter 22 Embarrassment
- Chapter 23 Tolstoy
- Chapter 24 French Literature
- Chapter 25 Modernism and Symbolism
- Chapter 26 Theatrical Traditions
- Chapter 27 Modern Theater
- Chapter 28 Chekhov’s Moscow Art Theater (1897–1904)
- Part V Afterlives
- Notes
- Further Reading
- Index
Summary
Anna Muza surveys the theatrical traditions that Chekhov inherited at the end of the nineteenth century. Muza examines the influence of the “old forms” on Chekhov: the works of Shakespeare and Molière, of such nineteenth-century Russian playwrights as Griboyedov and Ostrovsky – and possibly most important of all – the lower-end fare that Chekhov enjoyed as a young reviewer, the vaudeville and farcical devices that he eventually raised to the level of high art.
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- Chekhov in Context , pp. 198 - 204Publisher: Cambridge University PressPrint publication year: 2023