Book contents
- Choral Tragedy
- Classical Scholarship in Translation
- Choral Tragedy
- Copyright page
- Dedication
- Contents
- Foreword
- Preface to the English Edition
- Note on the Translations
- Methodological Prelude
- Chapter 1 The Essence of ‘The Tragic’
- Chapter 2 Tragedy, Cult and Ritual
- Chapter 3 Choral Polyphonies and Tragedy
- Chapter 4 Aeschylus’ Persians
- Chapter 5 Euripides’ Hippolytus
- Chapter 6 Sophocles’ Oedipus Tyrannus
- Chapter 7 Poets, Tragic Diction and Tragic Fiction
- Bibliography
- Index of Names
- Subject Index
Chapter 3 - Choral Polyphonies and Tragedy
Published online by Cambridge University Press: 25 April 2024
- Choral Tragedy
- Classical Scholarship in Translation
- Choral Tragedy
- Copyright page
- Dedication
- Contents
- Foreword
- Preface to the English Edition
- Note on the Translations
- Methodological Prelude
- Chapter 1 The Essence of ‘The Tragic’
- Chapter 2 Tragedy, Cult and Ritual
- Chapter 3 Choral Polyphonies and Tragedy
- Chapter 4 Aeschylus’ Persians
- Chapter 5 Euripides’ Hippolytus
- Chapter 6 Sophocles’ Oedipus Tyrannus
- Chapter 7 Poets, Tragic Diction and Tragic Fiction
- Bibliography
- Index of Names
- Subject Index
Summary
At the turn of the twenty-first century the chorus captured the attention of readers of Greek tragedy, especially anglophone scholars. In the field of cultural anthropology, the indirect influence of Victor Turner’s work on ‘theatrical performance’ was particularly significant. Inspired by Wilhelm Dilthey’s notion of experience as Erlebnis, and on the basis of ethnological field research on the initiation rites of male and female adolescents in the Ndembu tribe of present-day Zambia, Turner formulated a view of culture as a collection of individual experiences made available to society by means of expression (both verbal and physical). Theatrical performance is thus a ‘structured unit of experience’, a processual accomplishment or ritualized staging of the social drama.
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- Choral TragedyGreek Poetics and Musical Ritual, pp. 64 - 92Publisher: Cambridge University PressPrint publication year: 2024