Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-78c5997874-v9fdk Total loading time: 0 Render date: 2024-11-10T00:23:54.532Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  10 August 2018

Mark Everist
Mark Everist
Affiliation:
University of Southampton
Get access
Type
Chapter
Information
Discovering Medieval Song
Latin Poetry and Music in the <I>Conductus</I>
 , pp. 338 - 374
Publisher: Cambridge University Press
Print publication year: 2018

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Secondary Sources

Adolfsson, Herbert (ed.), Liber epistularum Guidonis de Basochis, Acta universitatis stockholmiensis: Studia latina Stockholmiensis 18 (Stockholm: Almqvist & Wiksell, 1969)Google Scholar
Anderson, Gordon A., ‘Mode and Change of Mode in Notre Dame Conductus’, Acta musicologica 40 (1968) 92–114Google Scholar
Anderson, Gordon A., ‘Notre-Dame and Related Conductus: A Catalogue Raisonné’, Miscellanea musicologica 6 (1972) 153–229; 7 (1975) 1–81Google Scholar
Anderson, Gordon A., (ed.), Notre-Dame and Related Conductus: Opera omnia, 11 vols. [Institute of Mediaeval Music], Collected Works 10 (Henryville, Ottawa and Binningen: Institute of Mediaeval Music, 1979–) [all but vols. 7 and 11 have appeared]Google Scholar
Anderson, Gordon A., ‘A Troped Offertorium Conductus of the Thirteenth Century’, Journal of the American Musicological Society 24 (1971) 96–100Google Scholar
Anderson, R. D., Parsons, P. J. and Nisbet, R. G. M., ‘Elegiacs by Gallus from Qasr Ibrim’, Journal of Roman Studies 69 (1979) 125–55CrossRefGoogle Scholar
Apel, Willi, Gregorian Chant (London: Burns and Oates, [1958])Google Scholar
Apel, Willi, Die Notationen der polyphonen Musik: 900–1600 (Wiesbaden: Breitkopf and Härtel, 1981)Google Scholar
Arlt, Wulf, ‘Denken in Tönen und Strukturen: Komponieren im Kontext Perotins,’ Perotinus Magnus, Musik-Konzepte: die Reihe über Komponisten 107 (Munich: text + kritik, 2000) 53–100Google Scholar
Arlt, Wulf, (ed.), Ein Festoffizium des Mittelalters aus Beauvais in seiner liturgischen und musikalischen Bedeutung, 2 vols. (Cologne: Arno Volk Verlag, 1970)Google Scholar
Arlt, Wulf, ‘The Office for the Feast of the Circumcision from Le Puy’, The Divine Office in the Latin Middle Ages, ed. Fassler, Margot and Baltzer, Rebecca (Oxford: Oxford University Press, 2000) 324–43Google Scholar
Arlt, Wulf, and Stauffacher, Mathias (eds.), Engelberg Stiftsbibliotehk Codex 314, Schweizerische Musikdenkmäler 11 (Winterthur: Amadeus, 1986)Google Scholar
Arrighi, Gino (ed.), Piero della Francesca: Trattato d'abaco dal codice ashburnhamiano 280 (359*–291*) della Biblioteca medicea laurenziana di Firenze, Testimonianze di storia della scienza 6 (Pisa: Galilaeana, 1970)Google Scholar
Aubry, Pierre, ‘La philologie musicale des trouvères’, Positions de thèses soutenues à l’École nationale des chartes (Paris: École des Chartes, 1898) 5–13Google Scholar
Aubrey, Elizabeth, The Music of the Troubadours (Bloomington: Indiana University Press, 1996)Google Scholar
Baltzer, Rebecca A., ‘Aspects of Trope in the Earliest Motets for the Assumption of the Virgin’, Festschrift for Ernest Sanders, ed. Seirup, Brian and Lefferts, Peter M (New York: Trustees of Columbia University, 1991) 7–42; R in Ars antiqua: Organum, Conductus, Motet, Music in Medieval Europe (Farnham: Ashgate, 2009) 375–412Google Scholar
Baltzer, Rebecca A., Les clausules à deux voix du manuscrit de Florence, Biblioteca Medicea-Laurenziana, Pluteus 29.1, fascicule V, Le Magnus liber organi de Notre-Dame de Paris 5 (Monaco: Éditions de l'Oiseau-Lyre, 1995)Google Scholar
Baltzer, Rebecca A., ‘The Manuscript Makers of W1: Further Evidence for an Early Date’, Quomodo cantabimus canticum? Studies in Honor of Edward H. Roesner, ed. Cannata, David, Mueller, Rena and Currie, Gabriela, Miscellanea 7 (Middleton, WI: American Institute of Musicology, 2008) 103–20Google Scholar
Baltzer, Rebecca A., ‘Mater patris et filia or Veri solis presentia?’, paper read at Ars Antiqua 2013 conference, Southampton, September 2013Google Scholar
Baltzer, Rebecca A., ‘Notation, Rhythm, and Style in the Two Voice Notre Dame Clausula’, 2 vols. (PhD diss., Boston University, 1974)Google Scholar
Baltzer, Rebecca A., ‘Notre Dame Manuscripts and Their Owners: Lost and Found’, Journal of Musicology 5 (1987) 380–99Google Scholar
Baltzer, Rebecca A., ‘Performance Practice, the Notre-Dame Calendar, and the Earliest Latin Liturgical Motets’, paper presented at conference, Das musikgeschichtliche Ereignis ‘Notre-Dame’, Herzog August Bibliothek, Wolfenbüttel, April 1985; online in Archivum de Musica Medii Aevi (Musicologie Médiévale – Centre de médiévistique Jean Schneider, CNRS / Université de Lorraine) (2013), consulted 10 October 2016; www.musmed.fr/AdMMAe/Baltzer,%20Performance%20Practice.pdfGoogle Scholar
Baltzer, Rebecca A., ‘Thirteenth-Century Illuminated Miniatures and the Date of the Florence Manuscript’, Journal of the American Musicological Society 25 (1972) 1–18Google Scholar
Barclay, Barbara Marian, ‘The Medieval Repertory of Untroped Polyphonic Benedicamus Dominos’ (PhD diss., University of California at Los Angeles, 1977)Google Scholar
Barrett, Sam, The Melodic Tradition of Boethius ‘De consolatione philosophiae’ in the Middle Ages, 2 vols., Monumenta Monodica Subsidia 7 (Bärenreiter, Kassel, 2013)Google Scholar
Bassi, Francesca, ‘Museo internazionale e biblioteca della music di Bologna: manoscritti liturgici’ (2007), consulted 10 October 2016; www.bibliotecamusica.it/cmbm/tools/liturgici.pdfGoogle Scholar
Baxandall, Michael, Painting and Experience in Fifteenth-Century Italy: A Primer in the Social History of Pictorial Style, 2nd edn. (Oxford and New York: Oxford University Press, 1988)Google Scholar
Bayart, Paul (ed.), Adam de la Bassée (d.1286): Ludus super Anticlaudianum d'après le manuscrit original conservé à la Bibliothèque Municipale de Lille publié avec une introduction et des notes (Tourcoing: Georges Frère Imprimeur, 1930)Google Scholar
Baybank, Michael, Delaney, Paul and Hieatt, A. Kent, ‘Placement ‘in the middest’, in The Faerie Queen’, Silent Poetry: Essays in Numerological Analysis, ed. Fowler, Alistair (London: Routledge and Kegan Paul, 1970) 141–152Google Scholar
Becker, Philip August, ‘Die Kreuzzugslieder von Conon de Béthune und Huon d'Oisi’, Zeitschrift für französische Sprache und Literatur 64 (1942) 305–312Google Scholar
Bent, Ian, ‘A New Polyphonic ‘Verbum bonum et suave’’, Music and Letters 51 (1970) 227–243CrossRefGoogle Scholar
Bent, Margaret, ‘Deception, Exegesis and Sounding number in Machaut's motet 15’ Early Music History 10 (1991) 15–27Google Scholar
Bent, Margaret, Magister Jacobus de Ispania, Author of the ‘Speculum musicae’, Royal Musical Association Monographs 28 (Farnham: Ashgate, 2015)Google Scholar
Bent, Margaret, ‘Polyphony of Texts and Music in the Fourteenth-Century Motet: Tribum que non abhorruit/Quoniam secta latronum/Merito hec patimur and its Quotations’, Hearing the Motet: Essays on the Motet of the Middle Ages and Renaissance, ed. Pesce, Dolores (New York: Oxford University Press, 1997) 82–103Google Scholar
Bergsagel, John, ‘The Transmission of Notre-Dame Organa in Some Newly-Discovered ‘Magnus liber organi’ Fragments in Copenhagen’, Atti del XIV Congresso della Società Internazionale di Musicologia: Trasmissione e recezione delle forme di cultura musicale, 3 vols., ed. Pompilio, Angelo et al. (Turin: EDT, 1990) 3:629–636Google Scholar
Bevilacqua, Gregorio, ‘A New Source of Notre-Dame Polyphony?: A New Conductus Fragment from the Early Thirteenth Century’, Music & Letters 97 (2016) 1–41Google Scholar
Bevilacqua, Gregorio, ‘Conductus or Motet? A New Source and a Question of Genre’, Proceedings of Conference: The Gothic Revolution in Music, 1100–1300, Musica disciplina 58 (2013) 9–28Google Scholar
Bieler, Ludwig, Anicii Manlii Severini Boethii Philosophiae consolatio, Corpus Christianorum Series latina 94 (Turnhoult: Brepols, 1957)Google Scholar
Birnbaum, Stanley H., Johannes de Garlandia: Concerning Measured Music (De mensurabili musica), Colorado College Music Press Translations 9 (Colorado Springs: Colorado College Music Press, 1978)Google Scholar
Bischoff, Bernard, Paläographie des römischen Altertums und des abendlandischen Mittlealters (Berlin: Schmidt, 1979; 2nd edn., 1986), trans. Dáibhí Ó Cróinín and David Ganz as Latin Paleography: Antiquity and the Middle Ages (Cambridge: Cambridge University Press, 1990; R 1995)Google Scholar
Björkvall, Gunilla, Brunius, Jan and Wolodarski, Anna, ‘Flerstämmig musik från medeltiden: två nya fragmentfynd I Riksarkivet’, Nordisk Tidskrift för Bok- och Biblioteksväsen 83 (1996) 129–155Google Scholar
Blum, Owen J., ‘Alberic of Monte Cassino and the Hymns and Rhythms Ascribed to Saint Peter Damian’, Traditio 12 (1956) 87–148CrossRefGoogle Scholar
Boas, Marcus (ed.), Disticha Catonis, rev. Botschuyver, Heinrich Johann (Amsterdam: North-Holland Publishing, 1952)Google Scholar
Bower, Calvin M. (trans.) and Palisca, Claude V. (ed.), Anicius Manlius Severinus Boethius: Fundmentals of Music, Music Theory Translation Series (New Haven and London: Yale University Press, 1989)Google Scholar
Bradley, Catherine, ‘Comparing Compositional Process in two Thirteenth-Century Motets: Pre-Existent Materials in Deus omnium/REGNAT and Ne m'oubliez mie/DOMINO’, Music Analysis 33 (2014) 263–290Google Scholar
Bradley, Catherine, ‘The Earliest Motets: Musical Borrowing and Re-Use’ (PhD diss., University of Cambridge, 2010)Google Scholar
Bradley, Catherine, ‘New Texts for Old: Three Early Thirteenth-Century Motets’, Music and Letters 93 (2012) 149–169Google Scholar
Bradley, Catherine, ‘Re-Workings and Chronological Dynamics in a Thirteenth-Century Latin Motet Family’, Journal of Musicology 32 (2015) 153–197Google Scholar
Bragard, Robert (ed.), Jacobi Leodiensis Speculum Musicae, 7 vols., Corpus scriptorum de musica 3 (n.p.: American Institute of Musicology, 1955–73)Google Scholar
Brainerd Slocum, Kay, Liturgies in Honour of Thomas Becket (Toronto: University of Toronto Press, 2004)Google Scholar
Branner, Robert, ‘The Johannes Grusch Atelier and the Continental Origins of the William of Devon Painter’, Art Bulletin 54 (1972) 24–30CrossRefGoogle Scholar
Brewer, Charles E., ‘The Songs of Johannes Decanus’, Plainsong and Medieval Music 20 (2011) 31–49Google Scholar
Brooke, C. N. L., ‘Map, Walter (d. 1209/10)’, Oxford Dictionary of National Biography, Oxford University Press, 2004, consulted 10 October 2016; www.oxforddnb.com/view/article/18015Google Scholar
Brotherton, Elizabeth Anne, ‘Poetry, Notation, Harmony and the Question of Rhythm in the Three-Voice Syllabic Conductus’ (MMus diss., University of Texas at Austin, 1989)Google Scholar
Brown, Julian, Patterson, Sonia and Hiley, David, ‘Further Observations on W1’, Journal of the Plainsong and Mediæval Music Society 4 (1981) 53–80Google Scholar
Bukofzer, Manfred, ‘Interrelations between Conductus and Clausula’, Annales musicologiques 1 (1953) 65–103Google Scholar
Bukofzer, Manfred, ‘Rhythm and Meter in the Notre-Dame Conductus’, Bulletin of the American Musicological Society 11–12 (1946–48) 63–65Google Scholar
Bukofzer, Manfred, ‘The Rhythm of the Conductus: Notre Dame’ (Berkeley, CA: Typescript with manuscript appendices [June 1946]); Box 2: Conduchus [sic], Manfred F. Bukofzer papers, ARCHIVES BUKOFZER 1, The Music Library, University of California, BerkeleyGoogle Scholar
Burnett, Charles (ed.), Adelard of Bath: An English Scientist and Arabist of the Early Twelfth Century, Warburg Institute Surveys and Texts 14 (London: Warburg Institute, 1987)Google Scholar
Burnett, Charles et al. (eds.), Conversations with His Nephew: On the Same and the Different, Questions on Natural Science, and On Birds (Cambridge: Cambridge University Press, 1998)Google Scholar
Burnett, Charles ‘The Use of Geometrical Terms in Medieval Music: ‘elmuahim’ and ‘elmuarifa’ and the Anonymous IV’, Sudhoffs Archiv [Zeitschrift für Wissenschaftsgeschichte] 80 (1986) 198–205Google Scholar
Burney, Charles, A General History of Music, ed. Mercer, Frank, 4 vols. (New York: Harcourt, Brace, 1935)Google Scholar
Busse-Berger, Anna-Maria, ‘Musical Proportions and Arithmetic in the Late Middle Ages and Renaissance’, Musica disciplina 44 (1990) 89–118Google Scholar
Caldwell, Mary Channen, ‘Singing, Dancing and Rejoicing in the Round: Latin Sacred Songs with Refrains, circa 1000–1582’ (PhD diss., University of Chicago, 2013)Google Scholar
Caldwell, Mary Channen, ‘A Medieval Patchwork Song: Poetry, Prayer and Music in a Thirteenth-Century Conductus’ Plainsong and Medieval Music 25 (2016) 139–165Google Scholar
Caldwell, Mary Channen, ‘Seeking Song: Locating the Conductus between Orality and Literacy’, paper read at the annual meeting of the American Musicological Society, Rochester New York, 9–12 November 2017.Google Scholar
Carmondy, Francis J., ‘De bestiis et aliis rebus and the Latin Physiologus’, Speculum, 13 (1938) 153–159Google Scholar
Catalunya, David, ‘Music, Space and Ritual in Medieval Castile, 1221–1350’ (PhD diss., Julius-Maximilians-Universität Würzburg, 2016)Google Scholar
Cattin, Giulio, ‘La tradizione liturgica aquileiese e le polifonie primitive di Cividale’, Le polifonie primitive in Friuli e in Europa, ed. Corsi, Cesare and Petrobelli, Pierluigi (Rome: Torre d'Orfeo, 1989) 117–130Google Scholar
Chadd, David, Review of Knapp, Janet (ed.), Thirty-Five Conductus for Two and Three Voices, Collegium Musicum 6 ([New Haven]: Yale University Department of Music Graduate School, 1965), Musical Times 107 (1966) 521Google Scholar
Chailley, Jacques (ed.), Les chansons à la Vierge de Gautier de Coinci 1177 [78]-1236): édition musicale critique avec introduction et commentaires, Publications de la Société Française de Musicologie 1:15 (Paris: Heugel et Cie, 1959)Google Scholar
Chailley, Jacques ‘Fragments d'un nouveau manuscrit d'Ars Antiqua à Châlons sur Marne’, In memoriam Jacques Handschin, ed. Anglès, Higinio et al. (Strasbourg: P. H. Heitz, 1962) 140–150Google Scholar
Coleman, Joyce, Public Reading and the Reading Public in Late Medieval England and France, Cambridge Studies in Medieval Literature 26 (Cambridge: Cambridge University Press, 1996)Google Scholar
Corrigan III, Vincent J., ‘The Style of the Notre-Dame Conductus’, 2 vols. (PhD diss., Indiana University, 1980)Google Scholar
Courcelle, Pierre, La Consolation de Philosophie dans la tradition littéraire: antécédents et postérité de Boèce (Paris: Études Augustiennes, 1967)Google Scholar
Coussemaker, Charles-Edmond-Henri de, L'art harmonique aux xiie et xiiie siècles (Paris: A. Durand Libraire; V. Didron Libraire, 1865; R New York: Broude Brothers, 1964)Google Scholar
Coussemaker, Charles-Edmond-Henri de, Histoire de l'harmonie au moyen age (Paris: V. Didron libraire, 1852; R Hildesheim: Georg Olms, 1966)Google Scholar
Coussemaker, Charles-Edmond-Henri de, (ed.), Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols. (Milan: Bolletino bibliografico musicale; Paris: A. Durand, 1864–76; R Hildesheim: Georg Olms, 1963)Google Scholar
Crabbe, Anna, ‘Literary Design in the De Consolatione Philosophiae’, Boethius: His Life, Thought and Influence, ed. Gibson, Margaret (Oxford: Blackwell, 1981) 237–274Google Scholar
Curley III, Thomas F. ‘How to Read the Consolation of Philosophy’, Interpretation 14 (1986) 212–214Google Scholar
Curran, Sean, ‘Vernacular Book Production, Vernacular Polyphony and the Motets of the ‘La Clayette’ Manuscript (Paris, Bibliothèque nationale de France, nouvelles acquisitions françaises 13521)’ (PhD diss., University of California at Berkeley, 2013)Google Scholar
Curtius, Ernst Robert, Europäische Literatur und lateinische Mittelalter (Bern: A. Francke Verlag, 1948) trans. Willard R. Trask as European Literature and the Latin Middle Ages (London and Henley: Routledge and Kegan Paul, 1953; R 1979)Google Scholar
Dahnk, Emilie, L'hérésie de Fauvel, Leipziger romanistische Studien, Literaturwissenschaftliche Reihe 4 (Leipzig and Paris: Vogel, 1935)Google Scholar
Davis, Hugh H., ‘The De rithmis of Alberic of Monte Cassino: A Critical Edition’, Mediaeval Studies 28 (1966) 198–227Google Scholar
Deeming, Helen, ‘Music in English Miscellanies of the Twelfth and Thirteenth Centuries’, 2 vols. (PhD diss., University of Cambridge, 2004)Google Scholar
Delisle, Léopold, ‘Discours’, Annuaire-bulletin de la Société de l'Histoire de France 22 (1885) 82–139Google Scholar
Dillon, Emma, ‘Unwriting Medieval Song’, New Literary History 46 (2015) 595–622Google Scholar
Dreves, Guido Maria (ed.), Lieder und Motetten des Mittelalters, 2 vols., Analecta hymnica medii aevi 20–21 (Leipzig: O.R. Reisland, 1895)Google Scholar
Dronke, Peter (ed.), Bernardus Sylvestris: Cosmographia, Textus minores 53 (Leiden: Brill, 1978)Google Scholar
Dronke, Peter ‘The Lyrical Compositions of Philip the Chancellor’, Studi medievali, Third Series 28 (1987) 563–592Google Scholar
Dronke, Peter ‘Peter of Blois and Poetry at the Court of Henry II’, Medieval Studies 28 (1976) 185–235; R in The Medieval Poet and his World, Storia e letteratura: raccolta di Studi e Testi 164 (Rome: Storia e Letteratura, 1984)Google Scholar
Dronke, Peter Verse with Prose from Petronius to Dante: The Art and Scope of the Mixed Form (Cambridge, MA: Harvard University Press, 1994)CrossRefGoogle Scholar
Dugdale, William, History of St. Paul's Cathedral in London, from Its Foundation: Extracted out of Original Charters, Records, Leiger-Books, and Other Manuscripts, 3rd edn. with additions by Henry Ellis (London: Heath, 1818)Google Scholar
Ellinwood, Leonard, ‘The Conductus’, The Musical Quarterly 27 (1941) 165–204Google Scholar
Ellinwood, Leonard, Review of Knapp, Janet (ed.), Thirty-Five Conductus for Two and Three Voices, Collegium Musicum 6 ([New Haven]: Yale University Department of Music Graduate School, 1965), Notes 23 (1966) 327–328Google Scholar
Everist, Mark, ‘A Reconstructed Source for the Thirteenth- Century Conductus’, Gordon Athol Anderson (1929–1981): In memoriam von seinen Studenten, Freunden und Kollegen, 2 vols., ed. Dittmer, Luther, Musicological Studies 49 (Henryville, Ottawa and Binningen: Institute of Mediaeval Music, 1984) 1:97–108Google Scholar
Everist, Mark, ‘Le conduit à nombre de voix variable (1150–1250)’, Les noces de philologie et musicologie: texte et musique au moyen âge, ed. Cazeaux-Kowalski, Christelle, Chaillou-Amadieu, Christelle, Rillon-Marne, Anne-Zoë and Zinelli, Fabio, Rencontres-Civilisation médiévale (Paris: Classiques Garnier, 2018) 329–344Google Scholar
Everist, Mark, French Motets in the Thirteenth-Century: Music, Poetry and Genre, Cambridge Studies in Medieval and Renaissance Music (Cambridge: Cambridge University Press, 1994; R 2005)Google Scholar
Everist, Mark, (ed.), French 13th-Century Polyphony in the British Library: A Facsimile Edition of the Manuscripts Additional 30091 and Egerton 2615 (folios 79–94v) (London: Plainsong and Mediæval Music Society, 1988)Google Scholar
Everist, Mark, ‘From Paris to St. Andrews: The Origins of W1’, Journal of the American Musicological Society 43 (1990) 1–42Google Scholar
Everist, Mark, (ed.), Les Organa à deux voix pour la messe (Noël jusqu’à la fête des Saints Pierre et Paul) du manuscrit de Florence, Biblioteca Medicea-Laurenziana, Plut. 29.1, Le Magnus liber organi de Notre Dame de Paris 3 (Monaco: Éditions de l'Oiseau Lyre, 2001)Google Scholar
Everist, Mark, (ed.), Les Organa à deux voix pour la messe (Assomption jusqu'au commun des saints) du manuscrit de Florence, Biblioteca Medicea-Laurenziana, Plut. 29.1, Le Magnus liber organi de Notre Dame de Paris 4 (Monaco: Éditions de l'Oiseau Lyre, 2002)Google Scholar
Everist, Mark, (ed.), Les Organa à deux voix pour l'office du manuscrit de Florence, Biblioteca Medicea-Laurenziana, Plut. 29.1, Le Magnus liber organi de Notre Dame de Paris 2 (Monaco: Éditions de l'Oiseau Lyre, 2003)Google Scholar
Everist, Mark, ‘Montpellier 8: Anatomy of …’, The Montpellier Codex: The Final Fascicle, ed. Bradley, Catherine and Desmond, Karen (Woodbridge: Boydell and Brewer, 2018) 13–31CrossRefGoogle Scholar
Everist, Mark, ‘Polyphonic Music in Thirteenth-Century France: Aspects of Sources and Distribution’, 2 vols. (DPhil diss., University of Oxford, 1985), R as Polyphonic Music in Thirteenth-Century France: Aspects of Sources and Distribution (New York and London: Garland, 1989)Google Scholar
Everist, Mark, ‘Reception and Recomposition in the Polyphonic Conductus cum cauda: The Metz Fragment’, Journal of the Royal Musical Association 125 (2000) 135–163Google Scholar
Everist, Mark and Bevilacqua, Gregorio, ‘Cantum pulcriorem invenire: Latin Poetry and Song, 1160–1330’, 2012, consulted 10 October 2016; http://catalogue.conductus.ac.ukGoogle Scholar
Everist, Mark and Bevilacqua, Gregorio, ‘Medieval Music, Big Data, and the Research Blend’, forthcomingGoogle Scholar
Falck, Robert, ‘New Light on the Polyphonic Conductus Repertory in the St. Victor Manuscript’, Journal of the American Musicological Society 23 (1970) 315–326Google Scholar
Falck, Robert, ‘The Structure of the Polyphonic and Monophonic Conductus Repertories: A Study of Source Concordances and their Relation to the Chronology and Provenance of Musical Styles’ (PhD diss., Brandeis University, 1970) published as The Notre Dame Conductus: A Study of the Repertory, Musicological Studies 33 (Henryville, Ottawa and Binningen: Institute of Mediaeval Music, 1981)Google Scholar
Fassler, Margot, ‘Accent, Meter, and Rhythm in Medieval Treatises ‘De rhythmis’’, Journal of Musicology 5 (1987) 164–190Google Scholar
Fiori, Alessandra, ‘Le manuscrit I-Bc Q11’, paper read at conference ‘Iberian Polyphony in the Middle Ages: New Sources, New Hypotheses’, Schola Cantorum Basel, 8–9 May 2015Google Scholar
Flindell, Frederick E., ‘Puncta equivoca and Rhythmic Poetry: A Reply to G. Anderson’, Acta musicologica 42 (1970) 238–248Google Scholar
Flotzinger, Rudolf, ‘Reduzierte Notre-Dame-Conductus im sogennaten Codex Buranus?’ Muzikoloski Zbornik 17 (1981) 97–103Google Scholar
Fowler, Alistair, ‘‘To Shepherd's Ear’: The Form of Milton's Lycidas’, Silent Poetry: Essays in Numerological Analysis, ed. Fowler, Alistair (London: Routledge and Kegan Paul, 1970) 170–184Google Scholar
Fowler, Alistair and Brooks, Douglas, ‘The Structure of Dryden's Song for St Cecilia's Day, 1687’, Silent Poetry: Essays in Numerological Analysis, ed. Fowler, Alistair (London: Routledge and Kegan Paul, 1970) 185–200Google Scholar
Friedlein, Gottfried (ed.), Anicii Manlii Torquati Severini Boetii De institutione arithmetica libri duo, Bibliotheca Scriptorum Graecorum et Romanorum Teubneriana (Leipzig: Teubner, 1867)Google Scholar
Fry, Timothy (ed.), The Rule of St Benedict in Latin and English with Notes (Collegeville, MN: Liturgical Press, 1981; R New York: Vintage, 1988)Google Scholar
Fuller, Sarah, ‘Aquitanian Polyphony of the Eleventh and Twelfth Centuries,’ 3 vols. (PhD diss., University of California at Berkeley, 1969)Google Scholar
Geertz, Clifford, ‘Art as a Cultural System,’ Modern Language Notes 91 (1976) 1473–1499Google Scholar
Gennrich, Friedrich, ‘Internationale mittelalterliche Melodien’, Zeitschrift für Musikwissenschaft 11 (1928–9) 259–296 and 321–348Google Scholar
Gennrich, Friedrich, ‘Zu den Liedern des Conon de Béthune’, Zeitschrift für romanische Philologie 42 (1922) 231–241Google Scholar
Gillingham, Brian, ‘A New Etymology and Etiology for the Conductus’, Beyond the Moon: Festschrift Luther Dittmer, ed. Gillingham, Bryan and Merkley, Paul, Musicological Studies 53 (Ottawa: Institute of Mediaeval Music, 1990) 100–117; repr. in The Musical Quarterly 75 (1991) 59–73Google Scholar
Godt, Irving and Rivera, Benito, ‘The Vatican Organum Treatise: A Colour Reproduction, Transcription and Translation,’ Gordon Athol Anderson (1929–1981): In memoriam von seinen Studenten, Freunden und Kollegen, 2 vols., ed. Dittmer, Luther, Musicological Studies 49 (Henryville, Ottawa and Binningen: Institute of Mediaeval Music, 1984) 2:264–345Google Scholar
Göllner, Theodor, Review of Knapp, Janet (ed.), Thirty-Five Conductus for Two and Three Voices, Collegium Musicum 6 ([New Haven]: Yale University Department of Music Graduate School, 1965), Die Musikforschung 23 (1970) 118–119Google Scholar
Green, Dennis, Medieval Listening and Reading: The Primary Reception of German Literature, 800–1300 (Cambridge: Cambridge University Press, 1994)Google Scholar
Gröninger, Eduard, Repertoire-Untersuchungen zum mehrstimmigen Notre-Dame Conductus, Kölner Beiträge zur Musikforschung 2 (Regensburg: Gustav Bosse Verlag, 1939)Google Scholar
Gruber, Joachim, Kommentar zu Boethius De consolatione philosophiae, Texte und Kommentare; eine altertumswissenschaftliche Reihe 9 (Berlin and New York: De Gruyter, 1978)Google Scholar
Guérard, Benjamin, Cartulaire de l'Eglise Notre-Dame de Paris, 4 vols., Collection des cartulaires de France 4–7 (Paris: L'Imprimerie de Crapelet, 1850)Google Scholar
Haines, John, ‘The Footnote Quarrels of the Modal Theory: A Remarkable Episode in the Reception of Medieval Music’, Early Music History 20 (2001) 87–120Google Scholar
Haines, John, ‘The ‘Modal Theory’, Fencing, and the Death of Aubry’, Plainsong and Medieval Music 6 (1997) 143–150Google Scholar
Hamilton, Elina, ‘Walter of Evesham and De speculatione musicae: Authority of Music Theory in Medieval England’, Proceedings of Conference: The Gothic Revolution in Music, 1100–1300, Musica disciplina 58 (2013) 153–166Google Scholar
Hammond, Frederick F. (ed.), Walteri Odington Summa de speculatione musicae, Corpus scriptorum de musica 14 (Rome: American Institute of Musicology, 1970)Google Scholar
Handschin, Jacques, ‘Conductus’, Die Musik in Geschichte und Gegenwart: allgemeine Enzyklopädie der Musik, 16 vols. (Kassel etc.: Barenreiter-Verlag, 1949–79) 2:1615–1626Google Scholar
Handschin, Jacques, ‘Conductus Spicilegien’, Archiv für Musikwissenschaft 9 (1952) 101–119CrossRefGoogle Scholar
Handschin, Jacques, ‘Eine wenig beachtete Stilrichtung innerhalb der mittelalterlichen Mehrstimmigkeit’, Schweizerisches Jahrbuch für Musikwissenschaft 1 (1924) 56–75Google Scholar
Handschin, Jacques, ‘Erfordensia I’, Acta musicologica 6 (1934)Google Scholar
Handschin, Jacques, ‘The Summer Canon and Its Background’, Musica disciplina 3 (1949) 55–94 and 5 (1951) 65–113Google Scholar
Handschin, Jacques, ‘Zur Frage der Conductus-Rhythmik’, Acta musicologica 24 (1952) 113–130Google Scholar
Handschin, Jacques, ‘Zur Frage der melodischen Paraphrasierung im Mittelalter’, Zeitschrift für Musikwissenschaft 10 (1928) 513–559Google Scholar
Handschin, Jacques, ‘Zur Geschichte von Notre Dame’, Acta musicologica 4 (1932) 5–17, 49–55, 104–105Google Scholar
Harbinson, Denis, Review of Knapp, Janet (ed.), Thirty-Five Conductus for Two and Three Voices, Collegium Musicum 6 ([New Haven]: Yale University Department of Music Graduate School, 1965), Music & Letters 47 (1966) 176–178Google Scholar
Häring, Nikolaus M., ‘Alan of Lille: De planctu naturae’, Studi medievali 19 (1978) 797–879Google Scholar
Harris, Max, Sacred Folly: A New History of the Fest of Fools (Ithaca, NY: Cornell University Press, 2011)Google Scholar
Harrison, Frank Ll., ‘Benedicamus, Conductus, Carol’, Acta Musicologica 37 (1965) 35–48Google Scholar
Harrison, Frank Ll., Music in Medieval Britain (London: Routledge and Kegan Paul, 1958; 4th edn. Buren: Frits Knuf, 1980)Google Scholar
Harrison, Gregory Alexander, ‘The Monophonic Music in the Roman de Fauvel’ (PhD diss., Stanford University, 1963)Google Scholar
Hauréau, Barthelémy, ‘Notice sur le numéro 15131 des manuscrits latins de la bibliothèque nationale’, Notices et extraits des manuscrits de la Bibliothèque nationale 33 (1890) 127–139Google Scholar
Hauréau, Barthelémy, Notice sur les œuvres authentiques ou supposées de Jean de Garlande (Paris: Imprimerie Nationale, 1878)Google Scholar
Hawkins, John, A General History of the Science and Practice of Music, 5 vols. (London: Payne, 1776)Google Scholar
Henze, Marianne, Studien zu den Messenkompositionen Johannes Ockeghem, Berliner Studien zur Musikwissenschaft 12 (Berlin: Merseberger, 1968)Google Scholar
Hiley, David, ‘The Chant of Norman Sicily: Interaction between the Norman and Italian traditions’, Studia musicologica Academiae Scientiarum Hungaricae 30 (1988) 379–391Google Scholar
Hiley, David, (ed.), Das Repertoire der normanno-sizilischen Tropare. I: Die Sequenzen, Monumenta monodica medii aevi 13 (Kassel: Bärenreiter, 2001)Google Scholar
Hiley, David, ‘The Liturgical Music of Norman Sicily: a Study Centred on Manuscripts 288, 289, 19421 and Vitrina 20–4 of the Biblioteca Nacional, Madrid’ (PhD diss., University of London, 1981Google Scholar
Hiley, David, (ed.), Moosburger Graduale, München, Universitätsbibliothek, 2° Cod. ms. 156: Faksimile mit einer Einleitung und Registern, Veröffentlichungen der Gesellschaft für Bayerische Musikgeschichte (Tutzing: Schneider, 1996)Google Scholar
Hiley, David, ‘Quanto c'e di normanno nei tropari sicilo-normanni?’ Rivista italiana di musicologia 18 (1983) 3–28Google Scholar
Holsinger, Bruce, Music, Body, and Desire in Medieval Culture: Hildegard of Bingen to Chaucer, Figurae: Reading Medieval Culture (Stanford: Stanford University Press, 2001)Google Scholar
Holsinger, Bruce and Townshend, David, ‘The Ovidian Verse Epistles of Master Leoninus (ca. 1135–1201)’, The Journal of Medieval Latin 10 (2000) 239–254Google Scholar
Hopper, Vincent Foster, Medieval Number Symbolism: Its Sources, Meaning, and Influence on Thought and Expression, Columbia University Studies in English and Comparative Literature 132 (New York: Columbia University Press, 1938; R Mineola, NY: Dover, 2000)Google Scholar
Hourlier, Jacques, and Chailley, Jacques, ‘Cantionale Cathalaunense’, Mémoires de la Société d'Agriculture, Commerce, Sciences, et Arts du Département de la Marne 71 [2e série 30] (1956) 141–159Google Scholar
Hudson, John (ed.), Historia ecclesie Abbendonensis / The History of the Church of Abingdon, 2 vols., Oxford Medieval Texts (Oxford: Clarendon, 2002–2007)Google Scholar
Hughes, Andrew, Medieval Music: The Sixth Liberal Art, rev. edn. (London: Benn; Toronto: University of Toronto Press and Centre for Medieval Studies, 1980)Google Scholar
Hughes, Andrew, The Versified Office: Sources, Poetry, and Chants, 2 vols., Musicological Studies, 97 (Lions Bay, BC: Institute of Mediæval Music, 2011)Google Scholar
Hughes, Dom Anselm, ‘Music in Fixed Rhythm’, New Oxford History of Music Volume II: Early Medieval Music up to 1300, ed. Hughes, Dom Anselm (Oxford: Oxford University Press, 1976) 311–352Google Scholar
Hunt, Richard, ‘The Collections of a Monk of Bardney: A Dismembered Rawlinson Manuscript’, Medieval and Renaissance Studies 5 (1961) 28–42Google Scholar
Husmann, Heinrich, ‘Das System der modalen Rhythmik’, Archiv für Musikwissenschaft 11 (1954) 1–38Google Scholar
Husmann, Heinrich, Die drei- und vierstimmigen Notre-Dame-Organa: kritische Gesamtausgabe, Publikationen älterer Musik 11 (Wiesbaden: Breitkopf and Härtel, 1940; R Hildesheim: Georg Olms Verlag, 1967)Google Scholar
Husmann, Heinrich, ‘Ein Faszikel Notre-Dame-Kompositionen auf Texte des Pariser Kanzlers Philipp in einer Dominikanerhandschrift (Rome, Santa Sabina XIV L3)’, Archiv für Musikwissenschaft 24 (1967) 1–23Google Scholar
Husmann, Heinrich, ‘Zur Grundlegnung der musikalischen Rhythmik des mittelalterlichen Liedes’, Archiv für Musikwissenschaft 9 (1952) 3–26Google Scholar
Hutzel, Matthias, ‘Die Heidelberger Conductus-Fragmente (Heidelberg, Universitätsbibliothek, Hs 2588)’ (PhD diss., Christian-Albrechts-Universität Kiel, 1990)Google Scholar
Illyricus, Matthias Flacius, Pia quaedam vetustissimaque poemata, partim Antichristum eiusque spirituales filiolos insectantia, partim etiam Christum, eiusque beneficium mira spiritus alacritate celebrantia (Magdeburg: Lottherus, 1552)Google Scholar
Karp, Theodore, ‘Blondel de Nesle’, Grove Music Online, Oxford Music Online, Oxford University Press, consulted 10 October 2016; www.oxfordmusiconline.com/subscriber/article/grove/music/03303Google Scholar
Karp, Theodore, ‘Conon de Béthune’, Grove Music Online. Oxford Music Online, Oxford University Press, consulted 10 October 2016; www.oxfordmusiconline.com/subscriber/article/grove/music/06298Google Scholar
Karp, Theodore, (ed.), The Polyphony of Saint Martial and Santiago de Compostela, 2 vols. (Oxford: Clarendon, 1992)Google Scholar
Ker, Neil, ‘Books at St. Paul's Cathedral before 1313’, Studies in London History Presented to Philip Edmund Jones, ed. Hollaender, A. E. J. and Kellaway, William (London: Hodder and Staughton, 1969) 43–72Google Scholar
Ker, Neil, ‘From ‘Above Top Line’ to ‘Below Top Line’: A Change in Scribal Practice’, Richard Irvine Best Memorial Volume, ed. Myles Dillon, Celtica 5 (Dublin: Dublin Institute for Advanced Studies, 1960) 13–16Google Scholar
Klingner, Friedrich, De Boethii consolatione philosophiae, Philologische Untersuchungen 27 (Berlin: Weidmann, 1921)Google Scholar
Knapp, Janet, ‘Conductus’, Grove Music Online. Oxford Music Online, Oxford University Press, consulted 10 October 2016; www.oxfordmusiconline.com/subscriber/article/grove/music/06268Google Scholar
Knapp, Janet, ‘Musical Declamation and Poetic Rhythm in an Early Layer of Notre-Dame Conductus’, Journal of the American Musicological Society 32 (1979) 383–407Google Scholar
Knapp, Janet, ‘Quid tu vides, Jeremia: Two Conductus in One’, Journal of the American Musicological Society 16 (1963) 212–220Google Scholar
Knapp, Janet, (ed.), Thirty-Five Conductus for Two and Three Voices, Collegium Musicum 6 ([New Haven]: Yale University Department of Music Graduate School, 1965)Google Scholar
Knapp, Janet, ‘Two XIII Century Treatises on Modal Rhythm and the Discant: Discantus positio vulgaris and De musica libellus (Anonymous VII)’, Journal of Music Theory 6 (1962) 201–215Google Scholar
Knapp, Janet, ‘Which Came First, the Chicken or the Egg? Some Reflections on the Relationship between Conductus and Trope’, Essays in Musicology: A Tribute to Alvin Johnson, ed. Lockwood, Lewis and Roesner, Edward (NP: American Musicological Society, 1990) 16–25Google Scholar
Koehler, Laurie, Pythagoreisch-platonische Proportionen in Werken der ars nova und ars subtilior, 2 vols. Göttinger musikwissenschaftliche Arbeiten 12 (Kassel, etc.: Bärenreiter, 1990)Google Scholar
Kwakkel, Erik, ‘Towards a Terminology for the Analysis of Composite Manuscripts’, Gazette du livre médiéval 41 (2002) 12–19Google Scholar
La Bigne, Marguerin de, Maxima bibliotheca veterum patrum, et antiquorum scriptorum ecclesiasticorum primo quidem a Margarino de La Bigne, in academia Parisiensi doctore Sorbonico, in lucem edita, 28 vols. (Lyon: Anisson; Geneva: Scionicus, 1677–1707)Google Scholar
Lawler, Traugott, The Parisiana poetria of John of Garland, Yale Studies in English 182 (New Haven and London: Yale University Press, 1974)Google Scholar
Lipphardt, Walter, ‘Das Moosburger Cantionale’, Jahrbuch für Liturgie und Hymnologie 3 (1957) 113–117Google Scholar
Ludwig, Friedrich, ‘Die geistliche nichtliturgische und weltliche einstimmige und die mehrstimmige Musik des Mittelalters bis zum Anfang des 15. Jahrhunderts’, Handbuch der Musikgeschichte, 2 vols., ed. Adler, Guido (Frankfurt am Main: Anstalt, 1924)Google Scholar
Ludwig, Friedrich, Repertorium organorum recentioris et motetorum vetustissimi stili, 2 vols. (1 (1) – Halle: Verlag von Max Niemeyer, 1910; R [ed. Luther A. Dittmer, Musicological Studies 7] Brooklyn, NY: Institute of Mediaeval Music; Hildesheim: Georg Olms Verlagsbuchhandlung, 1964); (1 (2) – [345–456 ed. Friedrich Gennrich including R of ‘Die Quellen der Motetten altesten Stils’, Archiv für Musikwissenschaft 5 (1923) 185–222 and 273–315, Summa musicae medii aevi 7] Langen bei Frankfürt: n.p., 1961; R [345–456], [457–783, ed. Luther A. Dittmer, Musicological Studies 26] [Binningen]: Institute of Mediaeval Music,1978); (2 – [1–71 ed. Friedrich Gennrich, Summa musicae medii aevi 8 – 65–71 in page proof only] Langen bei Frankfürt: n.p., 1962; R [1–64, 65–71 corrected], [72–155 ed. Luther A. Dittmer (Musicological Studies 17)] Brooklyn, NY: Institute of Mediaeval Music, n.d.; Hildesheim: Georg Olms Verlag, 1972) 1/1: 100. Ludwig had earlier described the work as ‘eine 3st. Motette singulären Stils’ (ibidem, 1/1:96)Google Scholar
Mabillon, Jean (ed.), S Bernardi, Claræ-vallensis abbatis primi opera omnia, vol. 3, Patrolgiæ cursus completus 184 (Paris: Garnier and Migne, 1879)Google Scholar
Mari, Giovanni, I trattati medievali di ritmica latina, Memorie del reale istituto lomabardo di scienze e lettere: classe di lettere 20 (Milan: Hoepli, 1899) R Bibliotheca musica bononiensis 5/1 (Bologna: Forni, 1971)Google Scholar
Martinez, Marie Louise, Die Musik des frühen Trecento, Münchner Veröffentlichungen zur Musikgeschichte 9 (Tutzing: Schneider, 1963)Google Scholar
Maschke, Eva, ‘Notre-Dame Manuscripts and their History: Case Studies on Reception and Reuse’ (PhD diss., University of Southampton, 2015)Google Scholar
Maschke, Eva, ‘Porta salutis ave: Manuscript Culture, Material Culture, and Music’, Proceedings of Conference: The Gothic Revolution in Music, 1100–1300, Musica disciplina 58 (2013) 167–229Google Scholar
Masi, Michael, Boethian Number Theory: A Translation of the De institutione arithmetica, Studies in Classical Antiquity 6 (Amsterdam: Rodopi, 1983)Google Scholar
Mazzeo, Jacopo, ‘The Two-Part Conductus: Morphology, Dating and Authorship’ (PhD diss., University of Southampton, 2015)Google Scholar
Meyer, Christian (ed.), Desmond, Karen and Haggh-Huglo, Barbara (trans.), The ‘Ars musica’ Attributed to Magister Lambertus/Aristoteles, Royal Musical Association Monographs 27 (Farnham: Ashgate, 2015)Google Scholar
Meyer, Wilhelm, ‘Der Ursprung des Motett's: vorläufige Bemerkungen’, Nachrichten von der königliche Gesellschaft der Wissenschaften zu Göttingen: Philologisch-historische Klasse, 1898, 4 vols. [paginated consecutively] (Göttingen: Luder Horstmann, 1898) 2:113–145; R in Gesammelte Abhandlungen zur mittellateinischen Rhythmik, 3 vols. (Berlin: Weidmannsche Buchhandlung, 1905–36; R Hildesheim: Georg Olms, 1970) 2:303–341Google Scholar
Migne, John-Paul (ed.), Alani de Insulis doctoris universalis opera omnia, Patrologiae cursus completus 210 (Paris: J.-P. Migne Editor, 1855)Google Scholar
Migne, John-Paul (ed.), Hugonis de S. Victore canonici regularis S. Victoris Parisiensis tum pietate, tum doctrina insignis opera omnia, 3 vols., Patrologiae cursus completus 175–177 (Paris: Garnier and Migne, 1879–1880)Google Scholar
Migne, John-Paul (ed.), Walafradi Strabi fuldensis monachi opera omnia, 2 vols., Patrologiae cursus completus 113–114 (Paris: Garnier and Migne, 1879)Google Scholar
Molinier, Auguste, Obituaires de la province de Sens I (Diocèces de Sens et de Paris), Receuil des historiens de France: Obituaires 1 (Paris: Imprimerie Nationale, 1902)Google Scholar
Morin, Joseph Charles, ‘The Genesis of Manuscript Paris, Bibliothèque Nationale, fonds français 146, with Particular Emphasis on the Roman de Fauvel’ (PhD diss., New York University, 1992)Google Scholar
O'Daly, Gerard, The Poetry of Boethius (London: Duckworth, 1991)Google Scholar
Oldfield, Paul, ‘Otto IV and Southern Italy’, Archivio Normanno-Svevo 1 (2009) 9–30Google Scholar
Olson, Oliver K., Matthias Flacius and the Survival of Luther's Reform (Wiesbaden: Harrassowitz, 2002)Google Scholar
Orth, Peter (ed.), Hildeberts Prosimetrum De querimonia und die Gedichte eines Anonymus; Untersuchungen und kritische Editionen, Arbeiten zur mittel- und neulateinischen Philologie 6; Wiener Studien: Beiheft 26 (Vienna: Österreichischen Akademie der Wissenschaften, 2000)Google Scholar
Pabst, Bernhard, Prosimetrum: Tradition und Wandel einer Literaturform zwischen Spätantike und Spätmittlealter, Ordo – Studien zur Literatur und Gesellschaft des Mittelalters und der frühen Neuzeit 4 (Cologne etc.: Bohlau, 1994)Google Scholar
Paetow, Louis John, The ‘Morale scolarium’ of John of Garland, a Professor in the Universities of Paris and Toulouse in the XIIIth Century, Memoirs of the University of California 4/2 (Berkeley: University of California Press, 1927)Google Scholar
Page, Christopher, ‘Angelus ad virginem: A New Work by Philip the Chancellor?’ Early Music 11 (1983) 69–70Google Scholar
Page, Christopher, ‘The Boethian Metrum ‘Bella bis quinis’: a New Song from Saxon Canterbury’, Boethius: His Life, Thought and Influence, ed. Gibson, Margaret (Oxford: Blackwell, 1981) 306–312Google Scholar
Page, Christopher, Latin Poetry and Conductus Rhythm in Medieval France, Royal Musical Association Monographs 8 (London: Royal Musical Association, 1997)Google Scholar
Parkes, Malcolm B., The Influence of the Concepts of Ordinatio and Compilatio on the Development of the Book’, Medieval Learning and Literature: Essays Presented to Richard William Hunt, ed. Alexander, Jonathan J.G. and Gibson, Margaret T. (Oxford: Clarendon Press, 1976) 115–141Google Scholar
Payne, Thomas B., ‘Associa tecum in patria: A Newly Identified Organum Trope by Philip the Chancellor’, Journal of the American Musicological Society 39 (1986) 233–254Google Scholar
Payne, Thomas B., ‘Chancellor versus Bishop: the Conflict Between Philip the Chancellor and Guillaume d'Auvergne in Poetry and Music, Philippe le Chancelier: prédicateur, théologien et poète, parisien du début du XIIIe siècle, ed. Dahan, Gilbert and Rillon-Marne, Anne-Zoé, Bibliothèque d'histoire culturelle du Moyen Âge (Turnhout: Brepols, 2017) 265–306Google Scholar
Payne, Thomas B., ‘Datable ‘Notre Dame’ Conductus: New Historical Observations on Style and Technique’, Current Musicology 64 (2001) 104–51Google Scholar
Payne, Thomas B., ‘Insider Trading: Syllabic and Melismatic Identity in the Notre Dame Conductus’, paper read at conference ‘Ars Antiqua 2013’, Southampton, September 2013Google Scholar
Payne, Thomas B., (ed.), Les Organa à deux voix du manuscrit de Wolfenbüttel, Hertzog [sic] August Bibliothek, Cod. Guelf. 1099 Helmst., Le Magnus liber organi de Notre-Dame de Paris 6A-6B (Monaco: Éditions de l'Oiseau-Lyre, 1996)Google Scholar
Payne, Thomas B., ‘Peter of Blois’, Grove Music Online. Oxford Music Online, Oxford University Press, consulted 10 October 2016; www.oxfordmusiconline.com/subscriber/article/grove/music/40524Google Scholar
Payne, Thomas B., ‘Philippe le Chancelier’, Die Musk in Geschichte und Gegenwart: allgemeine Enzyklopädie der Musik, 2nd edn., ed. Finscher, Ludwig, 26 vols. (Kassel, etc.: Bärenreiter, 1994–2007) 13:509–511Google Scholar
Payne, Thomas B., (ed.), Philip the Chancellor: Motets and Prosulas, Recent Researches in the Music of the Middle Ages and Early Renaissance 41 (Middleton, WI: A-R Editions, 2011)Google Scholar
Payne, Thomas B., ‘Poetry, Politics, and Polyphony: Philip the Chancellor's Contribution to the Music of the Notre Dame School’, 2 vols. (PhD diss., University of Chicago, 1991)Google Scholar
Payne, Thomas B., ‘Walter von Châtillon’, Die Musik in Geschichte und Gegenwart: allgemeine Enzyklopädie der Musik, 2nd edn., ed. Finscher, Ludwig, 26 vols. (Kassel, etc.: Bärenreiter, 1994–2007) 17:428–430Google Scholar
Petersen-Dyggve, Holger, Onomastique des trouvères, Annales academiæ scientiarum fennicæ B30 (Helsinki: Imprimerie de la Société de Littérature Finnoise, 1934)Google Scholar
Petri, Theodoricus, Piæ Cantiones Ecclesiasticæ et Scholasticæ Veterum Episcoporum, in inclyto regno Sueciæ passim vsurpatæ (Greifswald: Ferber, 1582)Google Scholar
Pinegar, Sandra, ‘Anonymous: Discantus positio vulgaris, Paris Bibliothèque nationale, lat. 16663, ff. 65v-66v’, Thesaurus musicarum latinarum, consulted 10 October 2016; http://boethius.music.indiana.edu/tml/13th/DISPOSI_MPBN1666Google Scholar
Plumley, Yolanda, The Art of Grafted Song: Citation and Allusion in the Age of Machaut (New York: Oxford University Press, 2013)Google Scholar
Potter, John, O'Gorman, Christopher and Covey-Crump, Rogers, ‘Conductus 1: Music and Poetry of Thirteenth-Century France’. Hyperion, CDA67949, 2012Google Scholar
Potter, John, O'Gorman, Christopher and Covey-Crump, Rogers, ‘Conductus 2: Music and Poetry of Thirteenth-Century France’. Hyperion, CDA67998, 2013Google Scholar
Potter, John, O'Gorman, Christopher and Covey-Crump, Rogers, ‘Conductus 3: Music and Poetry of Thirteenth-Century France’. Hyperion, CDA68115, 2016Google Scholar
Preger, Wilhelm, Matthias Flacius Illyricus und seine Zeit, 2 vols. (Erlangen: Blaessing, 1859–1861; R Hildesheim: Olms & Neukoop, 1964)Google Scholar
Raby, F. J. E. (ed.), Poems of John of Hoveden, The Publications of the Surtees Society 154 (Durham: Andrews; London: Quaritch, 1939)Google Scholar
Rand, Edward Kennard, ‘On the Composition of Boethius’ Consolatio philosophiae’, Harvard Studies in Classical Philology 15 (1904) 1–28CrossRefGoogle Scholar
Rand, Edward Kennard and Stewart, Hugh Fraser (eds.), Boethius: The Theological Tractates … The Consolation of Philosophy, Loeb Classical Library (London: Heinemann; New York: Putnam, 1918)Google Scholar
Rankin, Susan, ‘Close Readings: Some Medieval Songs’, Early Music 31 (2003) 327–44Google Scholar
Rankin, Susan, ‘Taking the Rough with the Smooth: Melodic Versions and Manuscript Status’, The Divine Office in the Latin Middle Ages, ed. Fassler, Margot and Baltzer, Rebecca (Oxford, etc.: Oxford University Press, 2000) 213–233Google Scholar
Reaney, Gilbert, Manuscripts of Polyphonic Music (11th – Early 14th Century), Répertoire International des Sources Musicales BIV1 (Munich and Duisberg: G. Henle Verlag, 1966)Google Scholar
Reaney, Gilbert, Manuscripts of Polyphonic Music (c. 1320–1400), Répertoire International des Sources Musicales BIV2 (Munich and Duisberg: G. Henle Verlag, 1969)Google Scholar
Reaney, Gilbert and Gilles, André (eds), Franconis de Colonia Ars cantus mensurabilis, Corpus scriptorum de musica 18 (n.p.: American Institute of Musicology, 1974)Google Scholar
Reckow, Fritz, ‘Conductus’, Handwörterbuch der musikalischen Terminologie, ed. Eggebrecht, Hans Heinrich and Reckow, Fritz (Wiesbaden: Franz Steiner Verlag, 1973) 1–10Google Scholar
Reckow, Fritz, ‘Das Organum’, Gattungen der Musik in Einzeldarstellungen: Gedenkschift Leo Schrade, ed. Arlt, Wulf et al. (Berne: Francke Verlag, 1973) 434–496Google Scholar
Reckow, Fritz, (ed.), Der Musiktraktat des Anonymus 4, 2 vols., Beihefte zum Archiv für Musikwissenschaft 4–5 (Wiesbaden: Franz Steiner Verlag, 1967)Google Scholar
Reckow, Fritz, ‘Die Copula: Über einige Zusammenhänge zwischen Setzweise, Formbildung, Rhythmus und Vortragstill in der Mehrstimmigkeit von Notre-Dame’, Akademie der Wissenschaften und der Literatur: Abhandlungen der Geistes- und Sozialwissenschaftlichen Klasse, Jahrgang 1972 13:609–670Google Scholar
Reckow, Fritz, ‘Processus und Structura: über Gattungstradition und Formverständnis im Mittelalter,’ Musiktheorie 1 (1986) 5–29Google Scholar
Reckow, Fritz, ‘Proprietas und Perfectio: zur Geschichte des Rhythmus, seiner Aufzeichnung und Terminologie im 13. Jahrhundert’, Acta musicologica 39 (1967) 115–143Google Scholar
Reimer, Erich (ed.), Johannes de Garlandia: De mensurabili musica: kritische Edition mit Kommentar und Interpretation der Notationslehre, 2 vols., Beihefte zum Archiv für Musikwissenschaft 10–11 (Wiesbaden: Franz Steiner Verlag, 1972)Google Scholar
Riemann, Carl Wilhelm Julius Hugo, Studien zur Geschichte der Notenschrift (Leipzig: Breitkopf und Härtel, 1878)Google Scholar
Répertoire international des sources musicales: Online Catalogue of RISM Library Sigla, consulted 10 October 2016; www.rism.info/en/sigla.htmlGoogle Scholar
Ricci, Massimo Masani, Codice Pluteo 29.1 della Biblioteca Laurenziana di Firenze: storia e catalogo comparato, Studi musicali toscani 8 (Pisa: ETS, 2002)Google Scholar
Rillon-Marne, Anne-Zoé, ‘Homo considera’: la pastorale lyrique de Philippe le Chancelier – une étude des conduits monodiques, Studia artistarum: études sur la Faculté des Arts dans les universités médiévales 34 (Turnhout: Brepols, 2012)Google Scholar
Rillon-Marne, Anne-Zoé, ‘Text, Music and Image in a Manuscript from St-Jacob of Liege (Da 2777): a Tool for Monastic Meditation at the End of the Gothic Era’, paper read at conference ‘Ars Antiqua 2013’, Southampton, September 2013Google Scholar
Robinson, David M., The Cistercians in Wales: Architecture and Archaeology 1130–1540 (London: Society of Antiquaries of London, 2006)Google Scholar
Rodenberg, Carl (ed.), Epistolae saeculi xiii e regestis pontificum romanorum selectae, 3 vols., Monumenta Germaniae historica (Berlin: Weidmann, 1883–1894)Google Scholar
Roesner, Edward H., (ed.), Les Organa et les clausules à deux voix du manuscrit de Wolfenbüttel, Herzog August Bibliothek, Cod. Guelf. 628 Helmst, Le Magnus liber organi de Notre Dame de Paris 7 (Monaco: Éditions de l'Oiseau Lyre, 2009)Google Scholar
Roesner, Edward H., ‘The Manuscript Wolfenbüttel, Herzog-August-Bibliothek, 628 Helmstadtiensis: A Study of Its Origins and of Its Eleventh Fascicle’, 2 vols. (PhD diss., New York University, 1974)Google Scholar
Roesner, Edward H., ‘Rhythmic modes’, Grove Music Online. Oxford Music Online. Oxford University Press, consulted 10 October 2016; www.oxfordmusiconline.com/subscriber/article/grove/music/23337Google Scholar
Rohloff, Ernst (ed.), Der Musiktraktat des Johannes de Grocheo nach dem Quellen neu herausgegeben mit Übersetzung ins Deutsche und Revisionsbericht, Media latinitas musica 2 (Leipzig: Komissionsverlag Gebruder Reinecke, 1943)Google Scholar
Rokseth, Yvonne, ‘Le counterpoint double vers 1248’, Mélanges de musicologie offerts à M. Lionel de la Laurencie, no ed., Publications de la Société Française de Musicologie 2:3–4 (Paris: Librairie E. Droz, 1933) 5–13Google Scholar
Rokseth, Yvonne, (ed.), Polyphonies du treizième siècle, 4 vols. (Paris: Éditions de l'Oiseau Lyre, 1935–1939)Google Scholar
Rouse, Richard and Rouse, Mary, Manuscripts and their Makers: Commercial Book Producers in Medieval Paris 1200–1500 ([London]: H. Miller, 2000)Google Scholar
Saenger, Paul, Space between Words: The Origins of Silent Reading, Figurae: Reading Medieval Culture (Stanford: Stanford University Press, 1997; R 2000)Google Scholar
Sanders, Ernest H., ‘Conductus and Modal Rhythm’, Journal of the American Musicological Society 38 (1985) 439–469Google Scholar
Sanders, Ernest H., (ed.), English Music of the Thirteenth and Early Fourteenth Centuries, Polyphonic Music of the Fourteenth Century 14 (Monaco: Oiseau-Lyre, 1979)Google Scholar
Sanders, Ernest H., ‘The Medieval Motet’, Gattungen der Musik in Einzeldarstellungen: Gedenkschift Leo Schrade, ed. Arlt, Wulf et al. (Berne: Francke Verlag, 1973) 497–573Google Scholar
Sanders, Ernest H., ‘Polyphony and Secular Monophony: Ninth Century – c.1300’, Music from the Middle Ages to the Renaissance, ed. Sternfeld, Frederick W., A History of Western Music (London: Weidenfeld and Nicolson, 1973) 89–143Google Scholar
Sanders, Ernest H., ‘Sine littera and Cum littera in Medieval Polyphony’, Music and Civilisation: Essays in Honor of Paul Henry Lang, ed. Strainchamps, Edmond, Maniates, Maria Rika and Hatch, Christopher (New York and London: W. W. Norton, 1984) 215–231Google Scholar
Scarry, Elaine, ‘The Well-Rounded Sphere: The Metaphysical Structure of the Consolation of Philosophy’, Essays in the Numerical Criticism of Medieval Literature, ed. Eckhardt, Caroline D. (Lewisburg: Bucknell University Press, 1980) 91–140Google Scholar
Scheible, Helga, Die Gedichte in der ‘Consolatio philosophiae’ des Boethius, Bibliothek der klassische Altertumswissenschaften, neue Folge 46 (Heidelberg: Winter, 1972)Google Scholar
Schmierer, Elizabeth, ‘Relegentur ab area: zur Formbildung mehrstrophig durchkomponierter Conducti,’ Musiktheorie 8 (1993) 195–209Google Scholar
Schrade, Leo, Commentary to The ‘Roman de Fauvel’, The Works of Philippe de Vitry, French Cycles of the ‘Ordinarium missae’, Polyphonic Music of the Fourteenth Century 1 (Monaco: Oiseau-Lyre, 1956)Google Scholar
Schrade, Leo, ‘Political Compositions in French Music of the Twelfth and Thirteenth Centuries’, Annales musicologiques 1 (1953) 9–63Google Scholar
Schrade, Leo, (ed.), The ‘Roman de Fauvel’, The Works of Philippe de Vitry, French Cycles of the ‘Ordinarium missae’, Polyphonic Music of the Fourteenth Century 1 (Monaco: Oiseau-Lyre, 1956)Google Scholar
Schrade, Leo, ‘Unknown Motets in a Recovered Thirteenth-Century Manuscript’, Speculum 30 (1955) 393–412Google Scholar
Schumann, Otto, ‘Die Jüngere Cambridger Liedersammlung’, Studi medievali 16 (1943–50) 45–85Google Scholar
Scott, Darwin, ‘The Three- and Four-Voice Monotextual Motets of the Notre-Dame School’ (PhD diss., University of California at Los Angeles, 1988)Google Scholar
Seay, Albert, ‘An Anonymous Treatise from St. Martial,’ Annales musicologiques 5 (1957) 7–42Google Scholar
Seay, Albert, ‘Le manuscrit 695 de la Bibliothèque Communale d'Assise’, Revue de musicologie 39 (1957) 10–35Google Scholar
Sepet, Marius, ‘Cantique latin du déluge publié d'après le manuscrit français 25408 à la Bibliothèque Nationale’, Bibliothèque de l’École des Chartes 36 (1875) 139–146Google Scholar
Sheridan, James J., Alain of Lille, The Plaint of Nature: Translation and Commentary, Mediaeval Sources in Translation 26 (Toronto: Pontifical Institute of Mediaeval Studies, 1980)Google Scholar
Slocum, Kay Brainerd, Liturgies in Honour of Thomas Becket (Toronto: University of Toronto Press, 2004)Google Scholar
Smith, William (ed.), A Dictionary of Greek and Roman biography and mythology, by various writers, 3 vols. (London: Taylor, 1844–49)Google Scholar
Southern, R. W., ‘The Necessity for Two Peters of Blois’, Intellectual Life in the Middle Ages: Essays Presented to Margaret Gibson, ed. Smith, Lesley Janette (London: Continuum, 1992) 103–118Google Scholar
Spanke, Hans, Beziehungen zwischen romanischer und mittellateinischer Lyrik, mit besonderer Berücksichtigung der Metrik und Musik, Abhandlungen der Gesellschaft der Wissenschaften zu Göttingen: Philologisch-historische Klasse 3:18 (Göttingen: Vandenhoeck and Ruprecht, 1936)Google Scholar
Spanke, Hans, ‘Das Moosburger Graduale’, Zeitschrift für romanische Philologie 50 (1930) 582–595Google Scholar
Spanke, Hans, ‘Die Stuttgarter Handschrift H. B. I. Ascet. 95’, Zeitschrift für deutsches Altertum und deutsche Literatur 68 (1931) 79–88Google Scholar
Spanke, Hans, G. Raynauds Bibliographie des altfranzösischen Liedes, Musicologica 1 (Leiden: E.J. Brill, 1955)Google Scholar
Stein, Franz Albert, ‘Das Moosburger Graduale’ (PhD diss., Universität Freiburg im Breisgau, 1956)Google Scholar
Stein, Franz Albert, ‘Das Moosburger Graduale (1354–1360) als Quelle geistlicher Volkslieder’ Jahrbuch für Liturgie und Hymnologie 2 (1956) 93–97Google Scholar
Steiner, Katherine Kennedy, ‘Polyphony and Liturgy for the Céli Dé at Medieval St Andrews’, paper read at Annual Meeting of the American Musicological Society, Pittsburgh, November 2013Google Scholar
Steiner, Katherine Kennedy, ‘The Scribe of W1’, paper read at conference ‘Ars Antiqua 2013’, Southampton, September 2013Google Scholar
Stelzle, Roswitha, ‘Der musikalische Satz der Notre Dame-Conductus’ (PhD diss., Ludwig-Maximilans-Universität München, 1978), published under the same title as Münchner Veröffentlichungen zur Musikgeschichte 36 (Tützing: Schneider, 1988)Google Scholar
Stenzl, Jürg, ‘Experimentalstudio Notre-Dame-Conductus’, Musikwissenschaft-Musikpraxis: Festschrift für Horst-Peter Hesse, ed. Bachmann, Kai and Thies, Wolfgang, Salzburger Akademische Beiträge 43 (Anif: Müller-Speiser, 2000) 158–172Google Scholar
Stenzl, Jürg, ‘Zu den Conducten in StV (fast eine Liebesgeschichte)’, Miscellanea musicae: Rudolf Flotzinger zum 70 Geburtstag, ed., Jauk, Werner et al., Musicologica austriaca 18 (Vienna: Musikwissenschafltlicher Verlag, 1999) 315–331Google Scholar
Stevens, Denis, ‘Music in Honor of St. Thomas of Canterbury’, The Musical Quarterly 56 (1970) 311–348Google Scholar
Stevens, John (ed.), The Later Cambridge Songs: An English Song Collection of the Twelfth Century (Oxford: Oxford University Press, 2005)Google Scholar
Stevens, John Words and Music in the Middle Ages: Song, Narrative, Dance and Drama, 1050–1350, Cambridge Studies in Music (Cambridge: Cambridge University Press, 1986)Google Scholar
Strecker, Karl (ed.), Die Lieder Walters von Châtillon in der Handschrift 351 von St. Omer, Die Gedichte Walters von Châtillon 1 (Berlin: Weidmann, 1925)Google Scholar
Strecker, Karl (ed.), Moralisch-Satirische Gedichte Walters von Châtillon aus deutschen, englischen, französischen und italienischen Handschriften, Die Gedichte Walters von Châtillon [2](Heidelberg: Carl Winter, 1929)Google Scholar
Strunk, Oliver, Source Readings in Music History, rev. ed. Treitler, Leo (New York and London: Norton, 1998)Google Scholar
Strunk, Oliver, Source Readings in Music History from Antiquity through the Romantic Era (New York: Norton, 1950)Google Scholar
Szövérffy, Joseph, Lateinische Conductus-Texte des Mittelalters / Medieval Latin Conductus Texts, Wissenschaftliche Abhandlungen/Musicological studies 74 (Ottawa: Institute of Mediaeval Music, 2000)Google Scholar
Taruskin, Richard, ‘Antoine Busnois and the L'Homme armé Tradition’, Journal of the American Musicological Society 39 (1986) 255–293Google Scholar
Thornton, Lyndsey Michelle, ‘Musical Characteristics of the Songs Attributed to Peter of Blois (c. 1135–1211)’ (MMus diss., State University of Florida, 2007)Google Scholar
Thurston, Ethel (ed.), The Conductus Collections of MS Wolfenbüttel 1099, 3 vols., Recent Researches in the Music of the Middle Ages and Early Renaissance 11–13 (Madison, WI: A-R Editions, 1980)Google Scholar
Thurston, Ethel (ed.), The Music in the St. Victor Manuscript, Paris lat.15139: Polyphony of the Thirteenth Century, Pontifical Institute of Mediaeval Studies: Studies and Texts 5 (Toronto: Pontifical Institute of Mediaeval Studies, 1959)Google Scholar
Tischler, Hans, Conductus and Contrafacta, Musicological Studies 75 (Ottawa: Institute of Mediaeval Music, 2001)Google Scholar
Tischler, Hans, (ed.), The Earliest Polyphonic Art Music: the 150 Two-Part Conductus in the Notre-Dame Manuscripts, [Institute of Mediaeval Music] Collected Works 24 (Ottawa: Institute of Mediaeval Music, 2005)Google Scholar
Tischler, Hans, ‘Gordon Athol Anderson's Conductus Edition and the Rhythm of Conductus’, Gordon Athol Anderson (1929–1981) In memoriam von seinen Studenten, Freunden und Kollegen, 2 vols., ed. Dittmer, Luther, Musicological Studies 49 (Henryville, Ottawa and Binningen: Institute of Mediaeval Music, 1984) 2:561–573Google Scholar
Tischler, Hans, ‘The Two-Part Motets of the Roman de Fauvel: A Document of Transition’, Music Review 42 (1981) 1–8Google Scholar
Tischler, Hans and Rosenberg, Samuel (eds.), The Monophonic Songs in the Roman de Fauvel (Lincoln and London: University of Nebraska Press, 1991)Google Scholar
Traill, David A., ‘A Cluster of Poems by Philip the Chancellor in Carmina Burana 21–36’, Studi medievali, ser. 3, 47 (2006) 267–286Google Scholar
Traill, David A., ‘More Poems by Philip the Chancellor’, The Journal of Medieval Latin 16 (2006) 164–181Google Scholar
Traill, David A., ‘Philip the Chancellor and F10: Expanding the Canon’, Filologia mediolatina 10 (2003) 219–248Google Scholar
Traill, David A., (ed.), Walter of Châtillon: The Shorter Poems: Christmas Hymns, Love Lyrics, and Moral-Satirical Verse, Oxford Medieval Texts (Oxford: Clarendon, 2013)Google Scholar
Trowell, Brian, ‘Proportion in the Music of Dunstable’, Proceedings of the Royal Musical Association 105 (1978–79) 100–141Google Scholar
van Crevel, Marcus (ed.), Jacob Obrecht: Missae VI – Sub tuum presidium, Jacob Obrecht opera omnia 6 (Amsterdam: Nederlandse Muziekgeschiednis, 1969)Google Scholar
van Crevel, Marcus (ed.), Jacob Obrecht: Missae VII – Maria zart, Jacob Obrecht opera omnia 7 (Amsterdam: Nederlandse Muziekgeschiednis, 1964)Google Scholar
van der Werf, Hendrik, The Chansons of the Troubadours and Trouvères: A Study of the Melodies and their Relation to the Poems (Utrecht: Oosthoek, 1972)Google Scholar
van der Werf, Hendrik, ‘Concerning the Measurability of Medieval Music’, Current Musicology 10 (1970) 69–73Google Scholar
van der Werf, Hendrik, (ed.), The Extant Troubadour Melodies: Transcriptions and Essays for Performers and Scholars (Rochester, NY: Author, 1984)Google Scholar
van der Werf, Hendrik, ‘The Trouvère Chansons as Creations of a Notationless Musical Culture’, Current Musicology 1 (1965) 61–68Google Scholar
van der Werf, Hendrik, (ed.), Trouvères – Melodien 1, Monumenta monodica medii aevi 11 (Kassel etc.: Bärenreiter, 1977)Google Scholar
van der Werf, Hendrik, (ed.), Trouvères – Melodien 2, Monumenta monodica medii aevi 12 (Kassel etc.: Bärenreiter, 1979)Google Scholar
van Deusen, Nancy, ‘Ductus, Tractus, Conductus: The Intellectual Context of a Musical Genre’, Theology and Music at the Early University: The Case of Robert Grosseteste and Anonymous IV, Brill Studies in Intellectual History 57 (Leiden etc.: Brill, 1995) 37–53Google Scholar
Villetard, Henri (ed.), Office de Pierre de Corbeil (Office de la Circoncision) improprement appelé ‘Office des Fous’: texte et chant publiés d'après le manuscrit de Sens (xiiie siècle) avec introduction et notes, Bibliothèque musicologue 4 (Paris: Librairie Alphonse Picard, 1907)Google Scholar
von Fischer, Kurt, and Lutolf, Max, Handschriften mit mehrstimmiger Musik des 14., 15., und 16. Jahrhunderts, 2 vols., Répertoire International des Sources Musicales BIV3–4 (Munich and Duisberg: G. Henle Verlag, 1972)Google Scholar
von Simson, Otto, The Gothic Cathedral: The Origins of Gothic Architecture and the Medieval Concept of Order (London: Routledge and Kegan Paul, 1956)Google Scholar
Wahlgren-Smith, Lena, ‘The Medieval Conductus: Performance and Space’, paper read at the Centre for Medieval and Renaissance Culture, University of Southampton, January 2014Google Scholar
Waite, William G., ‘Discantus, Copula, Organum’, Journal of the American Musicological Society 5 (1952) 77–87Google Scholar
Waite, William G., (ed.), The Rhythm of Twelfth-Century Polyphony: Its Theory and Practice, Yale Studies in the History of Music 2 (New Haven: Yale University Press: London: Geoffrey Cumberledge and Oxford University Press, 1954)Google Scholar
Walters Robertson, Anne, ‘Benedicamus domino: The Unwritten Tradition’, Journal of the American Musicological Society 41 (1988) 1–62Google Scholar
Walters Robertson, Anne, Guillaume de Machaut and Reims: Context and Meaning in his Musical Works (Cambridge: Cambridge University Press, 2002)Google Scholar
Walters Robertson, Anne, The Service-Books of the Royal Abbey of Saint-Denis: Images of Ritual and Music in the Middle Ages, Oxford Monographs on Music (Oxford: Clarendon, 1991)Google Scholar
Webber, Teresa, ‘Monastic Space and the Use of Books in the Anglo-Norman Period’, Proceedings of the Battle Conference 2013, Anglo Norman Studies 36 (2013) 221–240Google Scholar
Webber, Teresa, ‘Talking Books: Reading Aloud in the Middle Ages’, University of Southampton, Tim Reuter Memorial Lecture 2014Google Scholar
Webber, Teresa, ‘Reading in the Refectory: Monastic Practice in England, c.1000-c.1300’, John Coffin Memorial Palaeography Lecture 2010Google Scholar
Wegman, Rob, ‘[Letter from Rob C. Wegman]’, Journal of the American Musicological Society 42 (1989) 437–443Google Scholar
Wegman, Rob, (ed.), ‘Music as Heard: Listeners and Listening in Late-medieval and Early Modern Europe (1300–1600): A Symposium at Princeton University, 27–28 September 1997’, The Musical Quarterly 82 (1998) 427–691Google Scholar
Welker, Lorenz ‘Polyphonic Reworkings of Notre-Dame Conductûs [sic] in BN fr. 146; Mundus a mundicia and Quare fremuerunt’, Fauvel Studies: Allegory, Chronicle, Music, and Image in Paris, Bibliothèque Nationale de France, MS français 146, ed. Bent, Margaret and Wathey, Andrew (Oxford: Clarendon, 1998; R 2004) 615–636Google Scholar
White, Robert, A Bibliography of Old French Lyrics, Romance Monographs 31 (University, MS: Romance Monographs, 1979)Google Scholar
Willner, Hans (ed.), Des Adelard von Bath Traktat ‘De eodem et diverso’, Beiträge zur Geschichte der Philosophie des Mittelalters 4 (Münster: Aschendorff, 1903)Google Scholar
Wilmart, André, ‘Poèmes de Gautier de Châtillon dans un manuscrit de Charleville’, Revue bénédictine 49 (1937) 121–169 and 322–365Google Scholar
Wolodarski, Anna, ‘Gdy pozostały tylko fragmenty … Membra disiecta w zbiorach Riksarkivet w Sztokholmie’, Muzyka 48 (2003) 31–48Google Scholar
Wright, Craig, ‘Leoninus, Poet and Musician’, Journal of the American Musicological Society 39 (1986) 1–35Google Scholar
Wright, Craig, Music and Ceremony at Notre Dame of Paris 500–1550 (Cambridge: Cambridge University Press, 1989)Google Scholar
Yudkin, Jeremy (trans.), The Music Treatise of Anonymous IV: A New Translation, Musicological Studies and Documents 41 (Neuhausen-Stuttgart: American Institute of Musicology, 1985)Google Scholar
Yudkin, Jeremy (ed.), De Musica mensurata: The Anonymous of St Emmeram, Complete Critical Edition, Translation and Commentary (Bloomington Ind.: Indiana University Press, 1990)Google Scholar
Yudkin, Jeremy ‘The Rhythm of Organum Purum’, Journal of Musicology 2 (1983) 355–376Google Scholar
Zaminer, Frieder, Der Vatikanischer Organum-Traktat (Ottob. Lat. 3025): Organum-Praxis der frühen Notre-Dame-Schule und ihrer Vorstufen, Münchner Veröffentlichungen zur Musikgeschichte 2 (Tützing: Schneider, 1959)Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Mark Everist, University of Southampton
  • Book: Discovering Medieval Song
  • Online publication: 10 August 2018
  • Chapter DOI: https://doi.org/10.1017/9780511852138.017
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Mark Everist, University of Southampton
  • Book: Discovering Medieval Song
  • Online publication: 10 August 2018
  • Chapter DOI: https://doi.org/10.1017/9780511852138.017
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Mark Everist, University of Southampton
  • Book: Discovering Medieval Song
  • Online publication: 10 August 2018
  • Chapter DOI: https://doi.org/10.1017/9780511852138.017
Available formats
×