Book contents
- Editing for Sensitivity, Diversity and Inclusion
- Acknowledgement of Country
- Editing for Sensitivity, Diversity and Inclusion
- Copyright page
- Dedication
- Contents
- About the author
- Preface
- Acknowledgements
- Part One Foundations
- Part Two Professional practice
- Chapter 5 Identifying the explanatory framework within a text
- Chapter 6 Literary worth versus literary intention
- Chapter 7 Plagiarism
- Chapter 8 Literary appropriation
- Chapter 9 Cultural appropriation
- Chapter 10 Decolonisation
- Chapter 11 Legal reading
- Chapter 12 The main types of critical appraisal
- Chapter 13 Editing for sensitivity, diversity and inclusion
- Chapter 14 Moral and ethical dimensions of editing
- Chapter 15 Developing a workplace policy and style guide
- Chapter 16 Principles for a professional practice
- Chapter 17 Care of the self
- Conclusion
- Part Three Guide
- Index
Chapter 9 - Cultural appropriation
from Part Two - Professional practice
Published online by Cambridge University Press: 24 August 2023
- Editing for Sensitivity, Diversity and Inclusion
- Acknowledgement of Country
- Editing for Sensitivity, Diversity and Inclusion
- Copyright page
- Dedication
- Contents
- About the author
- Preface
- Acknowledgements
- Part One Foundations
- Part Two Professional practice
- Chapter 5 Identifying the explanatory framework within a text
- Chapter 6 Literary worth versus literary intention
- Chapter 7 Plagiarism
- Chapter 8 Literary appropriation
- Chapter 9 Cultural appropriation
- Chapter 10 Decolonisation
- Chapter 11 Legal reading
- Chapter 12 The main types of critical appraisal
- Chapter 13 Editing for sensitivity, diversity and inclusion
- Chapter 14 Moral and ethical dimensions of editing
- Chapter 15 Developing a workplace policy and style guide
- Chapter 16 Principles for a professional practice
- Chapter 17 Care of the self
- Conclusion
- Part Three Guide
- Index
Summary
In 2016, the Australian literary world was abuzz with rage when celebrated writer Yassmin Abdel-Magied walked out of the opening keynote address to the Brisbane Writers Festival. The speech was being delivered by Orange Prize-winner Lionel Shriver, American activist and author of such works as We Need to Talk About Kevin (2003) and The Mandibles (2016).
Abdel-Magied, Queensland”s Australian of the Year in 2015, in an article for The Guardian, described the speech as “a poisoned package wrapped up in arrogance and delivered with condescension“, because Shriver”s speech, “was a monologue about the right to exploit the stories of “others”, simply because it is useful for one”s story [book].”
This, in essence, is how the topic of cultural appropriation – or, rather, misappropriation – came to mainstream attention in Australia, but of course it had been a bone of contention for many Aboriginal and Torres Strait Islander writers and writers of colour for decades.
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- Editing for Sensitivity, Diversity and InclusionA Guide for Professional Editors, pp. 71 - 77Publisher: Cambridge University PressPrint publication year: 2023