Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-g7gxr Total loading time: 0 Render date: 2024-11-15T04:09:08.526Z Has data issue: false hasContentIssue false

Judith Weir

Published online by Cambridge University Press:  15 February 2024

Get access

Summary

‘Composition isn't about a person; it's about sound and music, whose magic is ephemeral in its effect on us.’

In July 2014 it was announced that Judith Weir was to succeed Sir Peter Maxwell Davies as Master of the Queen's Music. Like him, she was to be appointed for a term of ten years, and much was made of the fact that she was to be the first female Master in the 388-year history of the role. An unassuming one, too: she told Tom Service

The palace asked a lot of people who it should be, and I said Jonathan Dove would be the best person. But they took no notice of me, and a few weeks ago they told me they had had the most suggestions that it ought to be me – so ‘well done’.

Naturally, when I interviewed her for this book in November 2011 I had no idea that I was talking to the next Master (the role has no female title but at the time of the appointment a friend of hers suggested ‘Mastress’, which I imagine she liked). It was just one more encounter – an important but in some ways unremarkable one.

After walking for a few minutes from the local Underground station I found her house, a large end-of-terrace on a street corner close to an arterial road in south London, with plenty of time to spare, and so walked around the grey, damp streets for a quarter of an hour before knocking at her door at the agreed time. She welcomed me in, introduced me to her partner and their dog, who then went out for a walk, made us some tea and took me upstairs to the first-floor living room for the interview.

We sat around the coffee table to talk, and she leaned forward conscientiously while answering my questions, rather like a professor giving a one-to-one tutorial. She spoke softly and rather earnestly but not without humour, and I couldn't help noticing that her emphasis on the importance of clarity in her music was echoed in her speech, which was precise and succinct. Afterwards, as the light was fading, she stood by one of the windows for a hasty photo session.

In short, this was a straightforward, businesslike encounter with a straightforward, businesslike person who nevertheless put me at my ease and engaged in discussion with gratifying seriousness.

Type
Chapter
Information
Publisher: Boydell & Brewer
Print publication year: 2015

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Judith Weir
  • Andrew Palmer
  • Book: Encounters with British Composers
  • Online publication: 15 February 2024
  • Chapter DOI: https://doi.org/10.1017/9781782046417.038
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Judith Weir
  • Andrew Palmer
  • Book: Encounters with British Composers
  • Online publication: 15 February 2024
  • Chapter DOI: https://doi.org/10.1017/9781782046417.038
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Judith Weir
  • Andrew Palmer
  • Book: Encounters with British Composers
  • Online publication: 15 February 2024
  • Chapter DOI: https://doi.org/10.1017/9781782046417.038
Available formats
×