Book contents
- Essays on Ancient Greek Literature and Culture
- Essays on Ancient Greek Literature and Culture
- Copyright page
- Contents
- Illustration and Tables
- Places of Original Publication
- Preface
- Editions and Abbreviations
- Introduction to Volume II: Comedy, Herodotus, Hellenistic and Imperial Greek Poetry, the Novels
- 1 Who is Dicaeopolis? (1988)
- 2 Marginalia Obsceniora: Some Problems in Aristophanes’ Wasps (1990)
- 3 Wine in Old Comedy (1995)
- 4 Ionian Iambus and Attic Komoidia: Father and Daughter, or Just Cousins? (2002)
- 5 Socrates in Aristophanes’ Clouds and the Audience of Attic Comedy (2007)
- 6 Aristophanes’ Clouds: An Agonistic Note (2015)
- 7 The Lesson of Book 2 (2018)
- 8 Theocritus’ Seventh Idyll, Philetas and Longus (1985)
- 9 Frame and Framed in Theocritus Poems 6 and 7 (1996)
- 10 The Reception of Apollonius Rhodius in Imperial Greek Literature (2000)
- 11 Time and Place, Narrative and Speech in Philicus, Philodamus and Limenius (2015)
- 12 Greek Sophists and Greek Poetry in the Second Sophistic (1989)
- 13 Poetry and Poets in Asia and Achaea (1989)
- 14 Greek Poetry in the Antonine Age (1990)
- 15 Hadrian and Greek Poetry (2002)
- 16 Dionysius of Alexandria: A Greek Poet in the Roman Empire (2004)
- 17 Luxury Cruisers? Philip’s Epigrammatists between Greece and Rome (2012)
- 18 Doing Doric (2016)
- 19 The Novels and the Real World (1977)
- 20 The Readership of Greek Novels in the Ancient World (1994)
- 21 Philostratus: Writer of Fiction (1994)
- 22 Names and a Gem: Aspects of Allusion in the Aethiopica of Heliodorus (1995)
- 23 The Ancient Readers of the Greek Novels (1996)
- 24 Phoenician Games in Heliodorus’ Aethiopica (1998)
- 25 The Chronology of the Earlier Greek Novels since B. E. Perry: Revisions and Precisions (2002)
- 26 The Function of Mythology in Longus’ Daphnis and Chloe (2003)
- 27 Metaphor in Daphnis and Chloe (2005)
- 28 The Construction of the Classical Past in the Ancient Greek Novels (2006)
- 29 Viewing and Listening on the Novelist’s Page (2006)
- 30 Direct Speech in Longus’ Daphnis and Chloe (2006)
- 31 Pulling the Other? Longus on Tragedy (2007)
- 32 Links between Antonius Diogenes and Petronius (2007)
- 33 Literary Milieux (2008)
- 34 The Uses of Bookishness (2009)
- 35 Country Virtues, City Vices in Longus, Daphnis and Chloe? (2009)
- 36 Socrates’ Cock and Daphnis’ Goats: The Rarity of Vows in the Religious Practice of the Greek Novels (2012)
- 37 Caging Grasshoppers: Longus’ Materials for Weaving ‘Reality’ (2013)
- 38 ‘Milesian Tales’ (2013)
- 39 A Land without Priests? Religious Authority in Longus, Daphnis and Chloe (2015)
- 40 Poetic Elements in the Greek Novelists’ Prose (2017)
- 41 Captured Moments: Illustrating Longus’ Prose (2018)
- 42 Λέξεις Λόγγου (2019)
- 43 Animals, Slaves and Masters in Longus’ Daphnis and Chloe (2019)
- 44 The Demotion of the Literary Cowherd (2019)
- 45 Callimachus and Longus (2019)
- 46 Silence in Chariton, Xenophon, Achilles Tatius and Longus (2020)
- Bibliography
- Index Locorum
- Index of Greek Terms
- General Index
22 - Names and a Gem: Aspects of Allusion in the Aethiopica of Heliodorus (1995)
Published online by Cambridge University Press: 10 October 2023
- Essays on Ancient Greek Literature and Culture
- Essays on Ancient Greek Literature and Culture
- Copyright page
- Contents
- Illustration and Tables
- Places of Original Publication
- Preface
- Editions and Abbreviations
- Introduction to Volume II: Comedy, Herodotus, Hellenistic and Imperial Greek Poetry, the Novels
- 1 Who is Dicaeopolis? (1988)
- 2 Marginalia Obsceniora: Some Problems in Aristophanes’ Wasps (1990)
- 3 Wine in Old Comedy (1995)
- 4 Ionian Iambus and Attic Komoidia: Father and Daughter, or Just Cousins? (2002)
- 5 Socrates in Aristophanes’ Clouds and the Audience of Attic Comedy (2007)
- 6 Aristophanes’ Clouds: An Agonistic Note (2015)
- 7 The Lesson of Book 2 (2018)
- 8 Theocritus’ Seventh Idyll, Philetas and Longus (1985)
- 9 Frame and Framed in Theocritus Poems 6 and 7 (1996)
- 10 The Reception of Apollonius Rhodius in Imperial Greek Literature (2000)
- 11 Time and Place, Narrative and Speech in Philicus, Philodamus and Limenius (2015)
- 12 Greek Sophists and Greek Poetry in the Second Sophistic (1989)
- 13 Poetry and Poets in Asia and Achaea (1989)
- 14 Greek Poetry in the Antonine Age (1990)
- 15 Hadrian and Greek Poetry (2002)
- 16 Dionysius of Alexandria: A Greek Poet in the Roman Empire (2004)
- 17 Luxury Cruisers? Philip’s Epigrammatists between Greece and Rome (2012)
- 18 Doing Doric (2016)
- 19 The Novels and the Real World (1977)
- 20 The Readership of Greek Novels in the Ancient World (1994)
- 21 Philostratus: Writer of Fiction (1994)
- 22 Names and a Gem: Aspects of Allusion in the Aethiopica of Heliodorus (1995)
- 23 The Ancient Readers of the Greek Novels (1996)
- 24 Phoenician Games in Heliodorus’ Aethiopica (1998)
- 25 The Chronology of the Earlier Greek Novels since B. E. Perry: Revisions and Precisions (2002)
- 26 The Function of Mythology in Longus’ Daphnis and Chloe (2003)
- 27 Metaphor in Daphnis and Chloe (2005)
- 28 The Construction of the Classical Past in the Ancient Greek Novels (2006)
- 29 Viewing and Listening on the Novelist’s Page (2006)
- 30 Direct Speech in Longus’ Daphnis and Chloe (2006)
- 31 Pulling the Other? Longus on Tragedy (2007)
- 32 Links between Antonius Diogenes and Petronius (2007)
- 33 Literary Milieux (2008)
- 34 The Uses of Bookishness (2009)
- 35 Country Virtues, City Vices in Longus, Daphnis and Chloe? (2009)
- 36 Socrates’ Cock and Daphnis’ Goats: The Rarity of Vows in the Religious Practice of the Greek Novels (2012)
- 37 Caging Grasshoppers: Longus’ Materials for Weaving ‘Reality’ (2013)
- 38 ‘Milesian Tales’ (2013)
- 39 A Land without Priests? Religious Authority in Longus, Daphnis and Chloe (2015)
- 40 Poetic Elements in the Greek Novelists’ Prose (2017)
- 41 Captured Moments: Illustrating Longus’ Prose (2018)
- 42 Λέξεις Λόγγου (2019)
- 43 Animals, Slaves and Masters in Longus’ Daphnis and Chloe (2019)
- 44 The Demotion of the Literary Cowherd (2019)
- 45 Callimachus and Longus (2019)
- 46 Silence in Chariton, Xenophon, Achilles Tatius and Longus (2020)
- Bibliography
- Index Locorum
- Index of Greek Terms
- General Index
Summary
The first part of this chapter explores the effects achieved by Heliodorus in his naming of his characters – among them the unusual name Cnemon from Menander’s Dyscolus chosen to underline the features of his story that related closely to New Comedy, and the philosophically resonant name Aristippus for his pleasure-seeking father. The second part argues that Heliodorus’ detailed description (5.14) of the pastoral ‘theatre’ represented on the amethyst given to the merchant Nausicles in exchange for Charicleia was calculated to remind readers of Longus, in particular of the scene where Dionysophanes, Cleariste and their retinue seated ‘as a theatre’ spectate Daphnis’ goats responding obediently to his panpipe’s commands (4.15.2–4). Heliodorus invites his readers to contrast the miniature and rustic world of Longus with his own vast and densely populated canvas – and incidentally offers an argument for putting his novel later than that of Longus.
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- Essays on Ancient Greek Literature and Culture , pp. 461 - 472Publisher: Cambridge University PressPrint publication year: 2023