Book contents
- Fight the Power
- Fight the Power
- Copyright page
- Dedication
- Contents
- Contributors
- Acknowledgments
- Introduction Still Fighting the Power
- Part I Policing
- Part II Imprisonment
- Part III Genders
- 8 Roxanne Shanté’s “Independent Woman”: Making Space for Women in Hip-Hop
- 9 From the 1930s to the 2020s: What Ice Cube’s Song “Endangered Species” Meant for Four Generations of Black Males
- 10 The Master’s Tools Will Not Dismantle the Master’s House: Hip-Hop, Young M.A., and Gender Norms
- Part IV Protests
- Index
10 - The Master’s Tools Will Not Dismantle the Master’s House: Hip-Hop, Young M.A., and Gender Norms
from Part III - Genders
Published online by Cambridge University Press: 20 January 2022
- Fight the Power
- Fight the Power
- Copyright page
- Dedication
- Contents
- Contributors
- Acknowledgments
- Introduction Still Fighting the Power
- Part I Policing
- Part II Imprisonment
- Part III Genders
- 8 Roxanne Shanté’s “Independent Woman”: Making Space for Women in Hip-Hop
- 9 From the 1930s to the 2020s: What Ice Cube’s Song “Endangered Species” Meant for Four Generations of Black Males
- 10 The Master’s Tools Will Not Dismantle the Master’s House: Hip-Hop, Young M.A., and Gender Norms
- Part IV Protests
- Index
Summary
Zoey Smith-Holladay and Catherine Smith consider Young M.A.’s 2018 song, “Pettywap,” and her general gender-bending image in order to evaluate rapid social change on gender and sex orientation in light of continuing misogyny. As a self-identified, same-gender-loving Black female hip-hopper, Young M.A. offers authentic, playful, rhythmic taunts often combined with a sexually charged energy and boastful lyrics. The United States Supreme Court recently decided a trio of cases that hinge on employers’ arguments that they are justified in firing LGBT people for their failure to meet an employer’s gender expectations. As such, will analyze how one of hip-hop music’s most intriguing and up-and-coming artists pushes – and reinforces – pervasive cultural gender and sexual stereotypes, and, how courts respond to our rapidly changing gender norms.
- Type
- Chapter
- Information
- Fight the PowerLaw and Policy through Hip-Hop Songs, pp. 207 - 228Publisher: Cambridge University PressPrint publication year: 2022