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Ten - Crests and Familial Identity in Medieval Japan

from Part II - Legible Signs

Published online by Cambridge University Press:  23 August 2021

John Bodel
Affiliation:
Brown University, Rhode Island
Stephen Houston
Affiliation:
Brown University, Rhode Island
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Summary

Monograms originated in the classical world as producers’ marks, but their use became much more widespread in late antiquity, when they not only appeared in various new material media but also developed into more sophisticated and aesthetically appealing visual devices, encoding personal names and titles as well as various ritualistic phrases. This chapter surveys these newly acquired functions, turning them into liminal graphic devices and visual tokens of social power, as well as various messages conveyed by such monogrammatic devices. Since late antique and early medieval monograms communicated their linguistic and symbolic messages by means of a dual-coding system, they should be viewed in the context of this volume as phenomena situated in between hidden writing and semasiography.

Type
Chapter
Information
The Hidden Language of Graphic Signs
Cryptic Writing and Meaningful Marks
, pp. 214 - 232
Publisher: Cambridge University Press
Print publication year: 2021

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