Book contents
- Frontmatter
- Contents
- Dedication
- Editorial Note
- Acknowledgements
- Abbreviations
- Introduction
- Chapter 1 Southwark Gower: Augustinian Agencies in Gower’s Manuscripts and Texts – Some Prolegomena
- Chapter 2 The Place of Egypt in Gower’s Confessio Amantis
- Chapter 3 Topical and Tropological Gower: Invoking Armenia in the Confessio Amantis
- Chapter 4 Saving History: Gower’s Apocalyptic and the New Arion
- Chapter 5 Gower’s Poetics of the Literal
- Chapter 6 Romance, Popular Style and the Confessio Amantis: Conflict or Evasion?
- Chapter 7 John Gower: Prophet or Turncoat?
- Chapter 8 The Parliamentary Source of Gower’s Cronica Tripertita and Incommensurable Styles
- Chapter 9 John Gower’s Legal Advocacy and ‘In Praise of Peace’
- Chapter 10 Se-duction and Sovereign Power in Gower’s Confessio Amantis Book V
- Chapter 11 The Fifteen Stars, Stones and Herbs: Book VII of the Confessio Amantis and its Afterlife
- Chapter 12 ‘Of the parfite medicine’: Merita Perpetuata in Gower’s Vernacular Alchemy
- Chapter 13 Inside Out in Gower’s Republic of Letters
- Chapter 14 Gower’s Business: Artistic Production of Cultural Capital and the Tale of Florent
- Chapter 15 Genius and Sensual Reading in the Vox Clamantis
- Chapter 16 Irony v. Paradox in the Confessio Amantis
- Chapter 17 Sinning Against Love in Confessio Amantis
- Chapter 18 The Woman’s Response in John Gower’s Cinkante Balades
- Chapter 19 Rich Words: Gower’s Rime Riche in Dramatic Action
- Chapter 20 Florent’s Mariage sous la potence
- Chapter 21 Why did Gower Write the Traitié?
- Chapter 22 Rival Poets: Gower’s Confessio and Chaucer’s Legend of Good Women
- Chapter 23 Reassessing Gower’s Dream-Visions
- Chapter 24 John Gower’s French and His Readers
- Chapter 25 Conjuring Gower in Pericles
- Bibliography
- Index
Chapter 9 - John Gower’s Legal Advocacy and ‘In Praise of Peace’
Published online by Cambridge University Press: 02 March 2023
- Frontmatter
- Contents
- Dedication
- Editorial Note
- Acknowledgements
- Abbreviations
- Introduction
- Chapter 1 Southwark Gower: Augustinian Agencies in Gower’s Manuscripts and Texts – Some Prolegomena
- Chapter 2 The Place of Egypt in Gower’s Confessio Amantis
- Chapter 3 Topical and Tropological Gower: Invoking Armenia in the Confessio Amantis
- Chapter 4 Saving History: Gower’s Apocalyptic and the New Arion
- Chapter 5 Gower’s Poetics of the Literal
- Chapter 6 Romance, Popular Style and the Confessio Amantis: Conflict or Evasion?
- Chapter 7 John Gower: Prophet or Turncoat?
- Chapter 8 The Parliamentary Source of Gower’s Cronica Tripertita and Incommensurable Styles
- Chapter 9 John Gower’s Legal Advocacy and ‘In Praise of Peace’
- Chapter 10 Se-duction and Sovereign Power in Gower’s Confessio Amantis Book V
- Chapter 11 The Fifteen Stars, Stones and Herbs: Book VII of the Confessio Amantis and its Afterlife
- Chapter 12 ‘Of the parfite medicine’: Merita Perpetuata in Gower’s Vernacular Alchemy
- Chapter 13 Inside Out in Gower’s Republic of Letters
- Chapter 14 Gower’s Business: Artistic Production of Cultural Capital and the Tale of Florent
- Chapter 15 Genius and Sensual Reading in the Vox Clamantis
- Chapter 16 Irony v. Paradox in the Confessio Amantis
- Chapter 17 Sinning Against Love in Confessio Amantis
- Chapter 18 The Woman’s Response in John Gower’s Cinkante Balades
- Chapter 19 Rich Words: Gower’s Rime Riche in Dramatic Action
- Chapter 20 Florent’s Mariage sous la potence
- Chapter 21 Why did Gower Write the Traitié?
- Chapter 22 Rival Poets: Gower’s Confessio and Chaucer’s Legend of Good Women
- Chapter 23 Reassessing Gower’s Dream-Visions
- Chapter 24 John Gower’s French and His Readers
- Chapter 25 Conjuring Gower in Pericles
- Bibliography
- Index
Summary
In his second and final English poem, known to us as ‘In Praise of Peace’, John Gower declares to King Henry IV, ‘Mi liege lord, tak hiede of that Y seie’ (‘Praise’, line 82); he thereby presents himself as the king's adviser, a role in all of Gower's poems identified as the ‘most significant’ by George Coffman. Subsequent essays by Paul Strohm, Frank Grady and Michael Livingston have shown how ‘In Praise of Peace’ confirms this advisory role by presenting Gower as an insider able to repeat the official Lancastrian argument justifying Henry's claim to the English throne but also able to demonstrate an uncomfortable awareness of internal contradictions in the Lancastrian claims, especially the problem inherent in claiming that military conquest justified removing a legitimate king from power. Gower's English verses sidestep this problematic justification, instead crediting Henry's ascent to his noble blood, God's choice and the desire of the English people, echoing an argument devised by Henry's propagandists. Once the first stanzas establish his bona fides as a loyal Lancastrian, Gower then makes ‘his voice all the more essential’, as Michael Livingston argues, by helping Henry ‘better understand and implement God's will’: that ‘the best rule is that which leads to peace’, a direction contrary to the new king's policy. That is, Gower attempts to combine in the poem both the Lancastrian propaganda and a criticism of the regime. As these readings show, the poem demonstrates the delicacy of finding ‘a place from which, and the voice in which, to speak’. What role, the poem asks, allows the poet to be heard by those he would scold? Because the voice of royal adviser so pervades ‘In Praise of Peace’, Gower's readers have generally not looked beyond that role. In doing so, readers have encountered textual self-contradictions seemingly explained only by authorial waffling, a characteristic not generally associated with the poet's voice.
- Type
- Chapter
- Information
- John Gower, Trilingual PoetLanguage, Translation, and Tradition, pp. 112 - 125Publisher: Boydell & BrewerPrint publication year: 2010
- 1
- Cited by