Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-r5fsc Total loading time: 0 Render date: 2024-11-20T17:33:54.519Z Has data issue: false hasContentIssue false

Conclusion: The Festial and Popular Piety in Late Medieval England

Published online by Cambridge University Press:  11 May 2017

Get access

Summary

A close reading of Mirk's sermons indicates that his writing of the Festial was motivated by a desire to dissuade the masses from Lollardy and revolt by providing an avenue of vernacularity, lay agency, and participatory ecclesiology within the orthodox church. The Festial does not attempt to persuade its audience through the means of direct, didactic instruction grounded upon the presumed authority of the clergy who speak its words. Instead, Mirk adopts a more subtle approach: his sermons use narrative to convey their message. He appeals to a popular audience by speaking their language, not only literally – by using the English vernacular – but also metaphorically – by relying on exempla, on story-telling. Moreover, he appeals to the laity by vesting the lay characters in his stories with agency and a degree of spiritual autonomy.

The notion that Mirk's Festial was composed as an anti-Lollard work is not new, but it has been dismissed by scholars. In 1987 Alan Fletcher speculated that Mirk's motivation in writing the Festial was, in part, a desire to counteract the popularity of Wyclif, writing:

There may be nothing quite so effective as the scent of heresy to precipitate the orthodox establishment into motion, and perhaps we should suggest, without at all denying the more straightforward ‘defaute of bokus,’ that he was also conscious of a need to help arm the Church against a spiritual threat.

Upon finding only two direct references to the Lollards in the entire collection, Fletcher concluded that there was not sufficient evidence to support his speculation. He retreated to the much weaker conclusion that at ‘the very least, the Festial should be regarded as the product of the same decade as saw the public condemnation of Wycliffe and the growing unease of the orthodox establishment with the content and implications of Wycliffite thought.’ Two years later A. I. Doyle also claimed that the Festial was intended to counter Lollardy because its area of heaviest distribution corresponded with that of the Wycliffite sermon cycle. The notion was discounted by Susan Powell in 1998 in her short book on the Festial:

… if it were the case, it seems to me that the Festial would incorporate more explicit references to Lollardy and greater insistence on orthodox theology than it does.

Type
Chapter
Information
John Mirk's Festial
Orthodoxy, Lollardy and the Common People in Fourteenth-Century England
, pp. 143 - 150
Publisher: Boydell & Brewer
Print publication year: 2006

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×