Book contents
- Mediterranean Crime Fiction
- Mediterranean Crime Fiction
- Copyright page
- Contents
- Figures
- Acknowledgements
- Introduction
- Chapter 1 The Mediterranean Detective
- Chapter 2 The Mediterranean City
- Chapter 3 Food for Thought in Mediterranean Crime Fiction
- Chapter 4 Crime Fiction and the Past
- Chapter 5 Identity in Mediterranean Crime Fiction
- Chapter 6 Male Gaze and Gender Violence in the Mediterranean Crime Novel
- Conclusion
- Bibliography
- Index
Conclusion
Published online by Cambridge University Press: 09 November 2023
- Mediterranean Crime Fiction
- Mediterranean Crime Fiction
- Copyright page
- Contents
- Figures
- Acknowledgements
- Introduction
- Chapter 1 The Mediterranean Detective
- Chapter 2 The Mediterranean City
- Chapter 3 Food for Thought in Mediterranean Crime Fiction
- Chapter 4 Crime Fiction and the Past
- Chapter 5 Identity in Mediterranean Crime Fiction
- Chapter 6 Male Gaze and Gender Violence in the Mediterranean Crime Novel
- Conclusion
- Bibliography
- Index
Summary
The Conclusion highlights that there are common characteristics and trends that allow us to talk about ‘Mediterranean crime fiction’. Partially belonging to the family of European crime fiction, Mediterranean crime fiction is more exclusive, because it excludes northern and central European crime fiction. At the same time, it is more inclusive because it includes northern Africa and the Middle East. This book's approach considers southern European, northern African and eastern Mediterranean crime fiction as part of a common tradition, and more importantly gives each component equal significance. It avoids suppressing cultural diversity and contributes to a decentred crime fiction universe by creating a centreless map that does not point at specific countries or cities but at the liquid mass of the Mediterranean Sea. Finally, it shows how Mediterranean crime fiction contributes to the development of the crime genre at large with a concern for environmental issues, a complex discourse on identity and historical responsibilities, and a celebration of transculturality in a genre known for portraying conflict, violence and divisions.
- Type
- Chapter
- Information
- Mediterranean Crime FictionTranscultural Narratives in and around the ‘Great Sea', pp. 202 - 212Publisher: Cambridge University PressPrint publication year: 2023