from Part III - Composers, Performers, and Critics
Published online by Cambridge University Press: 09 November 2023
This chapter examines Messiaen’s pianistic techniques and virtuosity in Vingt Regards sur l’enfant-Jésus (1944). In particular, it focusses on Yvonne Loriod, who gave the first performance of the work at the Salle Gaveau in March 1945 at the age of only twenty-one, and whose phenomenal virtuosity enabled Messiaen to explore new complexities of musical thought and pianistic expression. It demonstrates how Messiaen’s pianistic style can be understood as part of a tradition reaching back to Chopin, Liszt, and Mussorgsky, while also exploring its parallels in Albéniz and Ravel.
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