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from Part II - Messiaen and Theology
Published online by Cambridge University Press: 09 November 2023
Messiaen distinguished himself from other interwar French Catholic composers musically and theologically; whereas their neoclassical style was Neo-Thomist, Messiaen’s aesthetic language reflected the emerging ressourcement movement. To combat the modern crisis of faith, ressourcement theologians returned to the Bible and the Church Fathers to revitalize Christianity. This chapter demonstrates Messiaen’s engagement with ressourcement thought, from Catholic Revival#–inspired song cycles to the instrumental works’ spiritual texts. In his selection, editing, and recombination of biblical and liturgical citations, Messiaen embodied the ressourcement ethos: returning to the source of faith to transform the contemporary world.
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