Book contents
- Frontmatter
- Contents
- List of Figures
- Acknowledgements
- Introduction: Folk Monsters and Monstrous Media: The Im/materialties, Modalities, and Regionalities of Being(s) Monstrous
- 1 The Momo Challenge as Urban Legend: Child and Adult Digital Cultures and the Global Mediated Unconscious
- 2 “Every Imaginable Invention of the Devil”: Summoning the Monstrous in Eurocentric Conceptions of Voodoo
- 3 The Forest and the Trees: The “Woods” as Intersection between Documentary, Fairy Tale, and Internet Legend in Beware the Slenderman
- 4 Mark Duplass as Mumblegore Serial Killer: Fictional Vernacular Filmmaking in the Creep Series
- 5 Monsters in the Forest: “Little Red Riding Hood” Crimes and Ecologies of the Real and Fantastic
- 6 A Mother's Milk: Motherhood, Trauma, and Monstrous Children in Folk Horror
- 7 Documenting the Unheard: The Poetics of Listening and Empathy in The Family
- 8 Reimagining the Pontianak Myth in Malaysian Folk Horror: Flexible Tradition, Cinema, and Cultural Memory
- 9 An Uncommon Ancestor: Monstrous Emanations and Australian Tales of the Bunyip
- 10 The Folk Horror “Feeling”: Monstrous Modalities and the Critical Occult
- Works Cited
- Mediagraphy
- Index
6 - A Mother's Milk: Motherhood, Trauma, and Monstrous Children in Folk Horror
Published online by Cambridge University Press: 17 February 2024
- Frontmatter
- Contents
- List of Figures
- Acknowledgements
- Introduction: Folk Monsters and Monstrous Media: The Im/materialties, Modalities, and Regionalities of Being(s) Monstrous
- 1 The Momo Challenge as Urban Legend: Child and Adult Digital Cultures and the Global Mediated Unconscious
- 2 “Every Imaginable Invention of the Devil”: Summoning the Monstrous in Eurocentric Conceptions of Voodoo
- 3 The Forest and the Trees: The “Woods” as Intersection between Documentary, Fairy Tale, and Internet Legend in Beware the Slenderman
- 4 Mark Duplass as Mumblegore Serial Killer: Fictional Vernacular Filmmaking in the Creep Series
- 5 Monsters in the Forest: “Little Red Riding Hood” Crimes and Ecologies of the Real and Fantastic
- 6 A Mother's Milk: Motherhood, Trauma, and Monstrous Children in Folk Horror
- 7 Documenting the Unheard: The Poetics of Listening and Empathy in The Family
- 8 Reimagining the Pontianak Myth in Malaysian Folk Horror: Flexible Tradition, Cinema, and Cultural Memory
- 9 An Uncommon Ancestor: Monstrous Emanations and Australian Tales of the Bunyip
- 10 The Folk Horror “Feeling”: Monstrous Modalities and the Critical Occult
- Works Cited
- Mediagraphy
- Index
Summary
Abstract
My short story A Mother's Milk uses the folkloric supernatural figure of the changeling – a common trope of folk horror – to explore the dark psychological territory of maternal trauma. My protagonist, Pauline, suffered abuse as a child at the hands of her mentally ill mother, Leah, whose illness made her paranoid that her daughter was a changeling. Pauline was permanently removed from Leah's care by social workers. After Leah's passing, Pauline returns to the house she grew up in, an isolated cottage on the west coast of Ireland. Pauline brings her own young daughter, Shelley, with her, who is befriended by a malignant creature. In the accompanying exegetical essay, I explain how the figure of the changeling can illuminate complex relationships between motherhood, selfhood, abuse, and trauma.
Keywords: folk horror, changeling, maternal trauma, neopagan
A Mother's Milk
I am alone in the house with my daughter and we are a long way from the nearest neighbours. Outside, through the window I see the last of the dusk glowing in the sky as shadows seep into the trees and the rocks and the hilly, folded fields, submerging the landscape like a slow, black sea.
The cottage sits halfway up a hill, set a long way back from the road. Gorse bushes flush with small yellow flowers gather along the roadside. The ice wind rakes across the cragged and mottled hills, relentless. It howls through the branches of the stooping trees and down towards the stunted willows by the creek. Rocky earth out here, it is, hard and cold.
How she spent so many nights on her own out here, and at her age, I’ll never know. I pull the curtain loose from its sash and the heavy fabric falls across the pane.
I turn the huge key in the iron lock and it sends a jolt through my bones as the bolt sinks home with a clang. Shutting the spirits out, that was one of Mam's sayings. She was always muttering about the spirits, the faeries, her skirts swirling around her, hair black and curling, come loose from her braid, around her face.
Memories of her keep bobbing to the surface, like bubbles, at the moment. Things I thought I’d forgotten, snatches of her voice, stories she’d tell.
- Type
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- Information
- Monstrous Beings and Media CulturesFolk Monsters, Im/materiality, Regionality, pp. 145 - 172Publisher: Amsterdam University PressPrint publication year: 2023