Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-m6dg7 Total loading time: 0 Render date: 2024-11-13T00:10:23.242Z Has data issue: false hasContentIssue false

7 - The Significance of Tantric Sects for Drum Practice in the Central Himalayas

Published online by Cambridge University Press:  05 October 2014

Andrew Alter
Affiliation:
Department of Media, Music, Communication and Cultural Studies at Macquarie University, Sydney, Australia
Get access

Summary

Gorakhnath is a tantric figure revered by a number of Hindu Shaivite sects. These sects exist particularly in Nepal, but are also found elsewhere in, or near, the Himalayas as well as in parts of northern India including Rajasthan and Bengal. However, Gorakhnath is a particularly significant figure for many in the Himalayas. For instance, Maskarinec (1995: 7) mentions that shamans in Nepal regard Gorakhnath as the ‘highest’ spiritual authority. The suffix –nāth literally means ‘lord’ or ‘master’, and thus is used in many contexts. Most broadly, this suffix is used in association with the names of specific temples and their principal deities, such as Kedarnath, Tungnath, or Bodinath, highlighting the reverence people hold for these places of worship and their deities. In addition many people more generally refer to ‘Naths’ as those who follow the teachings of Gorakhnath. They are also referred to as Gorakhpanth – meaning the sect(s) (paṅth) of Gorakhnath.

Little is really known about Gorakhnath as an actual historical figure. He may have lived about a thousand years ago and his teachings as well as those of his guru, Matsyendranath, have shaped an esoteric philosophical tradition that is carried on today by Gorakhpanthis. Kanphata Yogis are the most well-known sect of ascetics who revere Gorakhnath as their founder and primary gurū. As Bharati (1982: 873) suggests, the sect is not only a tantric (Shaivite and Shakta) order but also has connections with the Vajrayana Buddhist tradition.

Type
Chapter
Information
Mountainous Sound Spaces
Listening to History and Music in the Uttarakhand Himalayas
, pp. 97 - 108
Publisher: Foundation Books
Print publication year: 2014

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×