Book contents
- Music and Musicians in Late Mughal India
- Music and Musicians in Late Mughal India
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Boxes
- Examples
- Acknowledgements
- Notes on the Text
- Additional material
- Ruling Dynasties*
- Genealogies of Principal Musicians and Music Treatises
- Additional material
- 1 Chasing Eurydice
- 2 The Mughal Orpheus: Remembering Khushhal Khan Gunasamudra in Eighteenth-Century Delhi
- 3 The Rivals: Anjha Baras, Adarang and the Scattering of Shahjahanabad
- 4 The Courtesan and the Memsahib: Khanum Jan and Sophia Plowden at the Court of Lucknow
- 5 Eclipsed by the Moon: Mahlaqa Bai and Khushhal Khan Anup in Nizami Hyderabad
- 6 Faithful to the Salt: Mayalee Dancing Girl versus the East India Company in Rajasthan
- 7 Keeper of the Flame: Miyan Himmat Khan and the Last of the Mughal Emperors
- 8 Orphans of the Uprising: Late Mughal Echoes and 1857
- Glossary
- Bibliography
- Tazkira: List of Names
- Index
3 - The Rivals: Anjha Baras, Adarang and the Scattering of Shahjahanabad
Tazkiras and Genealogies
Published online by Cambridge University Press: 09 November 2023
- Music and Musicians in Late Mughal India
- Music and Musicians in Late Mughal India
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Boxes
- Examples
- Acknowledgements
- Notes on the Text
- Additional material
- Ruling Dynasties*
- Genealogies of Principal Musicians and Music Treatises
- Additional material
- 1 Chasing Eurydice
- 2 The Mughal Orpheus: Remembering Khushhal Khan Gunasamudra in Eighteenth-Century Delhi
- 3 The Rivals: Anjha Baras, Adarang and the Scattering of Shahjahanabad
- 4 The Courtesan and the Memsahib: Khanum Jan and Sophia Plowden at the Court of Lucknow
- 5 Eclipsed by the Moon: Mahlaqa Bai and Khushhal Khan Anup in Nizami Hyderabad
- 6 Faithful to the Salt: Mayalee Dancing Girl versus the East India Company in Rajasthan
- 7 Keeper of the Flame: Miyan Himmat Khan and the Last of the Mughal Emperors
- 8 Orphans of the Uprising: Late Mughal Echoes and 1857
- Glossary
- Bibliography
- Tazkira: List of Names
- Index
Summary
The reign of Emperor Muhammad Shah (r. 1720−48) ushered in a significant revival of Mughal courtly arts. Right at the centre of this vibrant milieu was the Emperor’s singing teacher and master of his atelier, Khushhal’s grandson Anjha Baras Khan. But posterity has forgotten him—it is his rivals Ni‘mat Khan “Sadarang” and Firoz Khan “Adarang” whom we remember as the greatest musicians of the eighteenth century. Why? As Delhi was repeatedly invaded and sacked 1739−61, Mughal court musicians scattered all over India, and had to seek new strategies to survive. What happened to Delhi’s musicians and their music is documented in a genre new to writing on music at this time: the tazkira (roughly, biographical collection). In this chapter I show that the proliferation of musicians’ biographies and genealogies were both a product of upheaval, dispersal, and enforced diversification; and a record of these things, particularly in anecdotes of rivalry.
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- Music and Musicians in Late Mughal IndiaHistories of the Ephemeral, 1748–1858, pp. 49 - 78Publisher: Cambridge University PressPrint publication year: 2023