Music as Social and Cultural Practice: Essays in Honour of Reinhard Strohm

doi:10.1017/9781846155772

Music as Social and Cultural Practice

Essays in Honour of Reinhard Strohm

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Cited by 15
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This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

O'Connor, Michael 2014. The Liturgical Use of the Organ in the Sixteenth Century: the Judgments of Cajetan and the Dominican Order. Religions, Vol. 5, Issue. 3, p. 751.

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Edited by Melania Bucciarelli, Berta Joncus

Publisher:: Boydell & Brewer
Online publication date:: March 2023
Print publication year:: 2007
Online ISBN:: 9781846155772
DOI:: https://doi.org/10.1017/9781846155772

Subjects:: Ethnomusicology, Music

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Essays dealing with the controversial concept of the 'work', and how far social and cultural practices are integral to it.

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Music as Social and Cultural Practice

Essays in Honour of Reinhard Strohm

This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

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Contents

Frontmatter
pp i-iv

Contents
pp v-vii

List of Figures
pp viii-viii

List of Music Examples
pp ix-x

List of Tables
pp x-x

Preface
pp xi-xii

Contributors
pp xiii-xvii

Abbreviations
pp xviii-xviii

Laudatio
pp 1-3

Introduction
pp 4-8

I - Music in Theory and Practice
pp 9-10

1 - Anonymous Arabic Treatises on Music: Lost Legacies, Hidden Answers
pp 11-23

2 - Compositional Practices in Trecento Music: Model Books and Musical Traditions
pp 24-37

3 - Trompetta and Concordans Parts in the Early Fifteenth Century
pp 38-73

4 - Recording for Posterity: Some Reflections on the Memorialising of Early Renaissance Music
pp 74-85

5 - How to Sin in Music: Doctor Navarrus on Sixteenth-Century Singers
pp 86-102

II - Art and Social Process: Music in Court and Urban Societies
pp 103-104

6 - Traditions and Practices in Fifteenth- and Sixteenth-Century Sacred Polyphony: The Use of Solo Voices with Instrumental Accompaniment
pp 105-118

7 - ‘The City Full of Grief ’: Music for the Exequies of King Philip II
pp 119-138

8 - Giovanni Alberto Ristori and his Serenate at the Polish Court of Augustus III, 1735–1746
pp 139-158

9 - ‘Cantate, que me veux-tu?’ or: Do Handel’s Cantatas Matter?
pp 159-184

10 - Two Köchel Numbers, One Work
pp 185-196

III - Creating an Opera Industry
pp 197-198

11 - Identity and Poetic Style: The Case of Rosmene by Giuseppe Domenico de Totis
pp 199-213

12 - How Operatic is Vivaldi’s Juditha triumphans?
pp 214-231

13 - Venice and the East: Operatic Readings of Tasso’s Armida in Early Eighteenth-Century Venice
pp 232-249

14 - Literary Motifs in Metastasio’s and Jommelli’s Ciro riconosciuto
pp 250-274

15 - Producing Stars in Dramma per musica
pp 275-293

16 - The Pre-revolutionary Origins of ‘Terrorisme musical’
pp 294-311

17 - Pieces into Works: Cherubini’s Substitute Arias for the Théâtre Feydeau
pp 312-335

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Music as Social and Cultural Practice

Essays in Honour of Reinhard Strohm

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