Book contents
- Frontmatter
- Dedication
- Contents
- Acknowledgments
- Introduction
- 1 Robert Granjon and Music during the Golden Age of Typography
- 2 Publishing Music Theory in Early Cinquecento Venice and Bologna: Friends and Foes
- 3 Preaching to the Choir: Arts of Persuasion in the Converts of Italy
- 4 Music Distribution in London during Handel's Lifetime: Manuscript Copies versus Prints
- 5 Beethoven's Miniatures
- 6 “The Beautiful and the Ugly”: Travel Literature, Racial Theory, and a Schumann Song
- 7 Verdi's “Music of the Future”
- 8 The Suspended Voice of Amália Rodrigues
- 9 More than Mostly Mozart: Teddy Wilson's “China Boy”
- 10 Wanted Dead and Alive: Historical Performance Practice and Electro-Acoustic Music from IRCAM to Abbey Road
- 11 Lowinsky's Secrets
- 12 The Unknown Hildegard: Editing, Performance, and Reception (An Ordo Virtutum in Five Acts)
- List of Contributors
- Index
Acknowledgments
Published online by Cambridge University Press: 05 March 2014
- Frontmatter
- Dedication
- Contents
- Acknowledgments
- Introduction
- 1 Robert Granjon and Music during the Golden Age of Typography
- 2 Publishing Music Theory in Early Cinquecento Venice and Bologna: Friends and Foes
- 3 Preaching to the Choir: Arts of Persuasion in the Converts of Italy
- 4 Music Distribution in London during Handel's Lifetime: Manuscript Copies versus Prints
- 5 Beethoven's Miniatures
- 6 “The Beautiful and the Ugly”: Travel Literature, Racial Theory, and a Schumann Song
- 7 Verdi's “Music of the Future”
- 8 The Suspended Voice of Amália Rodrigues
- 9 More than Mostly Mozart: Teddy Wilson's “China Boy”
- 10 Wanted Dead and Alive: Historical Performance Practice and Electro-Acoustic Music from IRCAM to Abbey Road
- 11 Lowinsky's Secrets
- 12 The Unknown Hildegard: Editing, Performance, and Reception (An Ordo Virtutum in Five Acts)
- List of Contributors
- Index
- Type
- Chapter
- Information
- Music in Print and BeyondHildegard von Bingen to The Beatles, pp. ix - xPublisher: Boydell & BrewerPrint publication year: 2013