Book contents
- Music, Sound and Space
- Music, Sound and Space
- Copyright page
- Contents
- Figures
- Tables
- Music examples
- Contributors
- Acknowledgements
- 1 Introduction – music, sound and space: transformations of public and private experience
- Part I The design of mediated music and sound
- 2 Sound installation art:
- 3 Music, space and subjectivity
- 4 What the mind’s ear doesn’t hear
- 5 Tuning the human race:
- Part II Space, sound and affect in everyday lifeworlds
- Part III Music, identity, alterity and the politics of space
- Part IV Music and sound: torture, healing and love
- Bibliography
- Discography
- Index
4 - What the mind’s ear doesn’t hear
from Part I - The design of mediated music and sound
Published online by Cambridge University Press: 05 February 2013
Edited by
Book contents
- Music, Sound and Space
- Music, Sound and Space
- Copyright page
- Contents
- Figures
- Tables
- Music examples
- Contributors
- Acknowledgements
- 1 Introduction – music, sound and space: transformations of public and private experience
- Part I The design of mediated music and sound
- 2 Sound installation art:
- 3 Music, space and subjectivity
- 4 What the mind’s ear doesn’t hear
- 5 Tuning the human race:
- Part II Space, sound and affect in everyday lifeworlds
- Part III Music, identity, alterity and the politics of space
- Part IV Music and sound: torture, healing and love
- Bibliography
- Discography
- Index
- Type
- Chapter
- Information
- Music, Sound and SpaceTransformations of Public and Private Experience, pp. 111 - 127Publisher: Cambridge University PressPrint publication year: 2013
- 1
- Cited by