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Published online by Cambridge University Press: 15 October 2020
Concerts Reviewed
(asterisk indicates premiere)
October 29, 1921
Fidelio, op. 72b, “Overture: Leonore no. 3,” Ludwig van Beethoven
Siegfried, WWV. 86c, no. 25b: “Forest Murmurs,” Richard Wagner
Pour une fête de printemps, op. 22, Albert Roussel*
“Deux Nocturnes,” Claude Debussy
Symphonie fantastique, op. 14, Hector Berlioz
Kartinki s vïstavki [Pictures at an Exhibition], Modest Moussorgsky
October 30, 1921
Tannhäuser, WWV. 70, “Overture,” Richard Wagner
Tristan und Isolde, WWV 90, Prelude to Act III, Prelude to Act I, no. 19: “Prelude und Liebestod,” Richard Wagner
Parsifal, WWV 111, Prelude, “Flowergirl scene,” “Great scene of Act II, and “No. 36: Good Friday,” Richard Wagner
Die Walküre, WWV 86b, no. 45: “Ride of the Valkyries,” Richard Wagner
November 5, 1921
Suite in D major, Johann Sebastian Bach
LIncoronazione di Poppea, Claudio Monteverdi
Schwanengesang, D. 957, no. 13: “Der Doppelganger,” Franz Schubert
Serenata notturna, K. 239, Wolfgang Amadeus Mozart
Fantaisie, Vincent d’Indy
Chansons populaires grecques
Kaprichchio na ispanskiye temï [Spanish Capriccio], op. 34, Nikolay Rimsky-Korsakov
November 12, 1921
Symphony no. 7, A major, op. 92, Ludwig van Beethoven
Sarabande, “Poème symphonique,” Jean Roger-Ducasse
Pavane, op. 50, Gabriel Fauré
La Valse, Maurice Ravel
Deux danses, “I: Danse sacrée,” “II: Danse profane,” Claude Debussy
Le Roi malgré lui, “Fête polonaise,” Emmanuel Chabrier
November 13, 1921
Rédemption, Part II, no. 5: “Morceau symphonique,” César Franck
Le Conciliabule des fleurs, Dynam-Victor Fumet
Symphony no. 6, “Pastoral,” F major, op. 68, Ludwig van Beethoven
Sarabande, “Poème symphonique,” Jean Roger-Ducasse
Pavane, op. 50, Gabriel Fauré
Concertstück, op. 39, Gabriel Pierné
Kaprichchio na ispanskiye temï [Spanish Capriccio], op. 34, Nikolay Rimsky-Korsakov
November 19, 1921
Impressions pastorales, Ernest Fanelli
Prélude à l’après-midi d’un faune, Claude Debussy
Paysages franciscains, op. 43, Gabriel Pierné
Symphony no. 6, “Pastoral,” F major, op. 68, Ludwig van Beethoven
November 20, 1921
Der Freischütz, J. 277, op. 77, “Overture,” Carl Maria von Weber
Symphony no. 2, C major, op. 61, Robert Schumann
Prélude à l’après-midi d’un faune, Claude Debussy
Les Heures dolentes, Gabriel Edouard Xavier Dupont
Le Roi malgré lui, “Fête polonaise,” Emmanuel Chabrier
What is the state of mind of people who enter a concert hall? What is their level of awareness, what is their motivation, and what is their goal?
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