Book contents
- Nazism, the Second World War and the Holocaust in Contemporary Latin American Fiction
- Nazism, the Second World War and the Holocaust in Contemporary Latin American Fiction
- Copyright page
- Dedication
- Epigraph
- Contents
- Acknowledgements
- Introduction
- Chapter 1 Nazism as Allegory in Argentine Fiction: From Dictatorship to Neoliberalism in El comienzo de la primavera by Patricio Pron and Wakolda by Lucía Puenzo
- Chapter 2 Nazism and Borges: Contemporary Re-readings by Roberto Bolaño and Marcos Peres
- Chapter 3 Myth Interrupted: Identity and the Absence of Nation in En busca de Klingsor by Jorge Volpi and Amphitryon by Ignacio Padilla
- Chapter 4 Sovereignty, Democracy and ‘Nonselfsufficiency’ through Touch in Los informantes by Juan Gabriel Vásquez and Diário da Queda by Michel Laub
- Epilogue
- Bibliography
- Index
Chapter 4 - Sovereignty, Democracy and ‘Nonselfsufficiency’ through Touch in Los informantes by Juan Gabriel Vásquez and Diário da Queda by Michel Laub
Published online by Cambridge University Press: 09 June 2022
- Nazism, the Second World War and the Holocaust in Contemporary Latin American Fiction
- Nazism, the Second World War and the Holocaust in Contemporary Latin American Fiction
- Copyright page
- Dedication
- Epigraph
- Contents
- Acknowledgements
- Introduction
- Chapter 1 Nazism as Allegory in Argentine Fiction: From Dictatorship to Neoliberalism in El comienzo de la primavera by Patricio Pron and Wakolda by Lucía Puenzo
- Chapter 2 Nazism and Borges: Contemporary Re-readings by Roberto Bolaño and Marcos Peres
- Chapter 3 Myth Interrupted: Identity and the Absence of Nation in En busca de Klingsor by Jorge Volpi and Amphitryon by Ignacio Padilla
- Chapter 4 Sovereignty, Democracy and ‘Nonselfsufficiency’ through Touch in Los informantes by Juan Gabriel Vásquez and Diário da Queda by Michel Laub
- Epilogue
- Bibliography
- Index
Summary
Los informantes by Juan Gabriel Vásquez and Diário da Queda by Michel Laub both use family narratives to explore ontological and political relationships. In Los informantes, this chapter demonstrates that the father and son embody Nancy’s notions of ‘sovereignty’ and ‘democracy’ respectively. Their weaknesses reveal weaknesses of such systems of governance, which Vásquez examines in relation to the historic and contemporary Colombian political context. It is through tactile associations and ‘sharing’ emblematized in the character of a physiotherapist, that the possibility of a ‘horizontal’ politics of ‘interdependence’ is explored. Likewise, in Diário da Queda, a lack of touch and familial intimacy frustrates the happiness of a father and son who are the second and third generation, born to a Holocaust survivor who moved to Brazil. This chapter tackles the novel’s radical critique of Holocaust memory used to bind together a Jewish ‘operative’ community, and to justify violence in the present.
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- Nazism, the Second World War and the Holocaust in Contemporary Latin American Fiction , pp. 125 - 159Publisher: Cambridge University PressPrint publication year: 2022