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2.7 - The Censor

from History 2 - Mechanisms

Published online by Cambridge University Press:  31 December 2024

Simon Franklin
Affiliation:
University of Cambridge
Rebecca Reich
Affiliation:
University of Cambridge
Emma Widdis
Affiliation:
University of Cambridge
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Summary

This chapter first outlines the history of imperial and Soviet censorship, before analysing the complex interactions of the multiple state and Party institutions, and individuals, that characterised censorship during Stalinism and post-Stalinism. The influence of Soviet censorship was profound, but somewhat unpredictable: not all elements of the censorship worked in harmony, and lines of authority were sometimes blurred. Censorship very often simply prohibited publication: as a result, many of the most talented authors of the twentieth century were appreciated only posthumously. Censorship could also, however, shape literary texts by generating complex textual strategies for concealing and revealing hidden meanings. Moreover, it could produce multiple versions of texts, either through continued rewriting to keep up with changing official requirements, or through the unpredictable reproductions that became common within the self-publishing network of samizdat. This meant that definitive versions of many important twentieth-century texts only appeared after 1991.

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Chapter
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Publisher: Cambridge University Press
Print publication year: 2024

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References

Further Reading

Balmuth, David, Censorship in Russia, 1865–1905 (Washington, DC: University Press of America, 1979).Google Scholar
Blium, Arlen, A Self-Administered Poison: The System and Functions of Soviet Censorship (Oxford: European Humanities Research Centre, 2003).Google Scholar
Darnton, Robert, Censors at Work: How States Shaped Literature (New York: W. W. Norton, 2014).Google Scholar
Dewhirst, Martin, and Farrell, Robert (eds.), The Soviet Censorship (Metuchen, NJ: Scarecrow Press, 1973).Google Scholar
Ermolaev, Herman, Censorship in Soviet Literature, 1917–1991 (Lanham, MD: Rowman and Littlefield, 1997).Google Scholar
Ermolaev, Herman, and Choldin, Marianna Tax (eds.), The Red Pencil: Artists, Scholars and Censors in the USSR (Boston: Unwin Hyman, 1989).Google Scholar
Loseff, Lev, On the Beneficence of Censorship: Aesopian Language in Modern Russian Literature (Munich: O Sagner in kommission, 1984).CrossRefGoogle Scholar
Ruud, Charles, Fighting Words: Imperial Censorship and the Russian Press, 1804–1906 (Toronto: University of Toronto Press, 1982).Google Scholar
Sherry, Samantha, Discourses of Regulation and Resistance: Censoring Translation in the Stalin and Khrushchev Era Soviet Union (Edinburgh: Edinburgh University Press, 2015).CrossRefGoogle Scholar

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  • The Censor
  • Edited by Simon Franklin, University of Cambridge, Rebecca Reich, University of Cambridge, Emma Widdis, University of Cambridge
  • Book: The New Cambridge History of Russian Literature
  • Online publication: 31 December 2024
  • Chapter DOI: https://doi.org/10.1017/9781108655620.020
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  • The Censor
  • Edited by Simon Franklin, University of Cambridge, Rebecca Reich, University of Cambridge, Emma Widdis, University of Cambridge
  • Book: The New Cambridge History of Russian Literature
  • Online publication: 31 December 2024
  • Chapter DOI: https://doi.org/10.1017/9781108655620.020
Available formats
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Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • The Censor
  • Edited by Simon Franklin, University of Cambridge, Rebecca Reich, University of Cambridge, Emma Widdis, University of Cambridge
  • Book: The New Cambridge History of Russian Literature
  • Online publication: 31 December 2024
  • Chapter DOI: https://doi.org/10.1017/9781108655620.020
Available formats
×