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2.8 - The Voice

from History 2 - Mechanisms

Published online by Cambridge University Press:  31 December 2024

Simon Franklin
Affiliation:
University of Cambridge
Rebecca Reich
Affiliation:
University of Cambridge
Emma Widdis
Affiliation:
University of Cambridge
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Summary

This chapter argues that the spoken word had special significance in the Russian literary tradition due to censorship and other constraints on the printed word, and also because of the cultural chasm between a small, educated elite and a weakly literate majority. It begins with Baroque rhetoric in the eighteenth century before examining the role of oral performance and rhetoric in the Romantic era. It then shows a reinvigoration of literature’s oral dimension from the reform era of the 1860s through to the early twentieth century, as writers became public readers of their work and the educated elite sought to render a popular ‘voice’ in literary form. Following a repressive hiatus in the Stalin period, the spoken word had its heyday in the postwar era: guitar poetry, a popular form of urban folklore, entered the field of literature, while poets achieved national fame as performers as well as published authors.

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Chapter
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Publisher: Cambridge University Press
Print publication year: 2024

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References

Further Reading

Brang, Peter, Zvuchashchee slovo: Zametki po teorii i istorii deklamatsionnogo iskusstva v Rossii [The sounding word: Notes on the theory and history of the art of declamation in Russia] (Moscow: Iazyki slavianskoi kul'tury, 2010).Google Scholar
Bulgakova, Oksana, Golos kak kul'turnyi fenomen [The voice as a cultural phenomenon] (Moscow: Novoe literaturnoe obozrenie, 2015).Google Scholar
Gorham, Michael S., Speaking in Soviet Tongues: Language Culture and the Politics of Voice in Revolutionary Russia (DeKalb: Northern Illinois University Press, 2003).Google Scholar
Lygo, Emily, Leningrad Poetry 1953–1975: The Thaw Generation (Oxford: Peter Lang, 2010).CrossRefGoogle Scholar
Smith, Gerald Stanton, Songs to Seven Strings: Russian Guitar Poetry and Soviet ‘Mass Song’ (Bloomington: Indiana University Press, 1984).Google Scholar
Stites, Richard (ed.), Culture and Entertainment in Wartime Russia (Bloomington: Indiana University Press, 1995).Google Scholar

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