Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-mlc7c Total loading time: 0 Render date: 2024-11-10T10:24:32.605Z Has data issue: false hasContentIssue false

Chapter 7 - Pound and Influence

from Part I - Pound’s Texts

Published online by Cambridge University Press:  17 October 2019

Mark Byron
Affiliation:
University of Sydney
Get access

Summary

Ezra Pound has influenced many poets in many ways, both during his lifetime and posthumously. He brought great influence to bear upon his peers about how poetry should be written, establishing and broadcasting the tenets of poetic modernism in English, offering models for how poems could be both far shorter and far longer at the same time as achieving greater focus and covering a broader range of subject than the pre-modernists imagined. Pound’s interventions around T. S. Eliot’s verse offer the most direct example of that influence. Despite acknowledging that Eliot, uniquely among American writers, ‘had actually trained himself and modernized himself on his own’ (SL 80), Pound worked extensively on Eliot’s work, perhaps most directly in the transition between Eliot’s Poems (1920) and The Waste Land (1922), which saw Eliot initially interpreting Pound’s Imagist concision in Poems, through their shared interest in Théophile Gautier, before adopting a more expansive Poundian ideogrammic method in The Waste Land.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2019

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Alta, Seda Şen, ‘Ezra Pound in Turkey: A Bibliography, 1961-2016’, Make It New 3.3 (December 2016), http://makeitnew.ezrapoundsociety.org/volume-iii/3–3-december-2016/documentary.Google Scholar
Baraka, Amiri, ‘Confessions of a Former Anti-Semite’, The Village Voice 25.50 (1723 December 1980), 1.Google Scholar
Baraka, Amiri, SOS: Poems 1961–2013 (New York: Grove Press, 2014).Google Scholar
Campbell, James, Syncopations: Beats, New Yorkers, and Writers in the Dark (Berkeley: University of California Press, 2008).CrossRefGoogle Scholar
Coyle, Michael, ‘Ezra Pound: Hugh Selwyn Mauberley’, in A Companion to Modernist Literature and Culture, ed. Bradshaw, Peter and Dettmar, Kevin J. H., 431–9 (London: John Wiley, 2008).Google Scholar
Dobran, Ryan, ‘Myth, Culture and Text: Ezra Pound’s Homer and J. H. Prynne’s Aristeas’, in News from Afar: Ezra Pound and Some Contemporary British Poetries, ed. Parker, Richard, 142–60 (Bristol: Shearsman, 2015).Google Scholar
Feldman, Matthew, Ezra Pound’s Fascist Propaganda, 1935–45 (London: Palgrave Pivot, 2013).CrossRefGoogle Scholar
Gallagher, Kristen, ‘On LeRoi Jones, “Preface to A Twenty-Volume Suicide Note”’, Jacket2, http://jacket2.org/article/leroi-jones-preface-twenty-volume-suicide-note, accessed 26 February 2018.Google Scholar
Collective, Gender Forum, ‘No Manifesto for Poetry Readings and Listservs and Magazines and “Open Versatile Spaces Where Cultural Production Flourishes”’, The Chicago Review (Fall 2014–Winter 2015), 221–32.Google Scholar
Ginsberg, Allen, Allen Verbatim: Lectures on Poetry, Politics, Consciousness, ed. Ball, Gordon (New York: McGraw Hill, 1975).Google Scholar
Goodwin, K. L., The Influence of Ezra Pound (Oxford: Oxford University Press, 1966).Google Scholar
Hampson, Robert, ‘Eric Mottram and Ezra Pound: “There is no substitute for a life-time”’, in News from Afar: Ezra Pound and Some Contemporary British Poetries, ed. Parker, Richard, 5385 (Bristol: Shearsman, 2015).Google Scholar
Harris, William J., ‘Introduction’, in The LeRoi Jones / Amiri Baraka Reader, ed. Harris, William J., xviixxx (New York: Thunder’s Mouth Press, 1991).Google Scholar
Harris, William J., The Jazz Aesthetic: The Poetry and Poetics of Amiri Baraka (Columbia: University of Missouri Press, 1985).Google Scholar
Jaruga, Rodolfo, ‘Ezra Pound’s Arrival in Brazil’, Make It New 4.1–2 (September 2017), http://makeitnew.ezrapoundsociety.org/volume-iv/4-1-2-september-2017/ezra-pound-in-the-world.Google Scholar
Jennings, Chelsea, ‘Pirating Pound: Drafts and Fragments in 1960s Mimeograph Culture’, Journal of Modern Literature 40.1 (Fall 2016), 88108.CrossRefGoogle Scholar
Kilbride, Laura, ‘“Real Games with Books”: On Anna Mendelssohn and Ezra Pound’, in News from Afar: Ezra Pound and Some Contemporary British Poetries, ed. Parker, Richard, 184–93 (Bristol: Shearsman, 2015).Google Scholar
Kindellan, Michael, The Late Cantos of Ezra Pound: Composition, Revision, Publication (London: Bloomsbury, 2017).Google Scholar
Kotin, Josh, ‘Blood-Stained Battle-Flags: Ezra Pound, J. H. Prynne and Classical Chinese Poetry’, in News from Afar: Ezra Pound and Some Contemporary British Poetries, ed. Parker, Richard, 133–41 (Bristol: Shearsman, 2015).Google Scholar
Longenbach, James, Stone Cottage: Pound, Yeats and Modernism (Oxford: Oxford University Press, 1991).Google Scholar
Marsh, Alec, John Kasper and Ezra Pound: Saving the Republic (London: Bloomsbury, 2015).Google Scholar
Matlin, Daniel, On the Corner: African American Intellectuals and the Urban Crisis (Cambridge, MA: Harvard University Press, 2013).Google Scholar
McGann, Jerome J., Black Riders: The Visible Language of Modernism (Princeton: Princeton University Press, 1993).Google Scholar
McGann, Jerome J., The Textual Condition (Princeton: Princeton University Press, 1991).Google Scholar
Mellors, Anthony, Late Modernist Poetics: From Pound to Prynne (Manchester: Manchester University Press, 2005).Google Scholar
Moody, A. David, Ezra Pound: Poet: A Portrait of the Man and His Work, Vol. 3, The Tragic Years 1939–1972 (New York: Oxford University Press, 2015).Google Scholar
Muyumba, Walton M., The Shadow and the Act: Black Intellectual Practice, Jazz Improvisation, and Philosophical Pragmatism (Chicago: University of Chicago Press, 2009).Google Scholar
Olson, Charles, and Prynne, J. H., The Collected Letters of Charles Olson and J. H. Prynne (Albuquerque: University of New Mexico Press, 2017).Google Scholar
Parker, Richard, ‘“Here’s Your Fucking Light Shithead”: Ezra Pound and Contemporary British Poetry’, in News from Afar: Ezra Pound and Some Contemporary British Poetries, ed. Parker, Richard, 920 (Bristol: Shearsman, 2015).Google Scholar
Parker, Richard, ‘On In Memory of Your Occult Convolutions’, Glossator 8 (November 2013), 317–44.Google Scholar
Pattison, Neil, Pattison, Reitha and Roberts, Luke, eds., Certain Prose of the English Intelligencer (Cambridge: Mountain Press, 2014).Google Scholar
Pound, Ezra, The [Selected] Letters of Ezra Pound, 1907–1941, ed. Paige, D. D. (1950; New York: New Directions, 1971).Google Scholar
Pound, Ezra, Literary Essays of Ezra Pound, ed. Eliot, T. S. (New York: New Directions, 1968).Google Scholar
Pound, Ezra, Poems & Translations, ed. Sieburth, Richard (New York: Library of America, 2003).Google Scholar
Pound, Ezra, and Zukofsky, Louis, Pound/Zukofsky: Selected Letters of Ezra Pound and Louis Zukofsky, ed. Ahearn, Barry (New York: New Directions, 1987).Google Scholar
Reck, Michael, Ezra Pound: A Close Up (New York: McGraw Hill, 1973).Google Scholar
Sanders, , Ed, ‘A Fuck You Position Paper: Resistance Against Goon Squads’, Fuck You / A Magazine of the Arts 5.7 (September 1964), 14.Google Scholar
Sanders, , Fug You: An Informal History of the Peace Eye Bookstore, the Fuck You Press, the Fugs, and Counterculture in the Lower East Side (New York: Da Capo, 2011).Google Scholar
Selerie, Gavin, ‘Pound and Contemporary British Poetry: The Loosening of Form’, in News from Afar: Ezra Pound and Some Contemporary British Poetries, ed. Parker, Richard, 212–28 (Bristol: Shearsman, 2015).Google Scholar
Silliman, Ron, The New Sentence (New York: Roof, 2003).Google Scholar
Stoicheff, Peter, The Hall of Mirrors: Drafts and Fragments and the End of Ezra Pound’s Cantos (Ann Arbor: University of Michigan Press, 1995).Google Scholar
Sutherland, Keston, ‘In Memory of Your Occult Convolutions’, News from Afar: Ezra Pound and Some Contemporary British Poetries, ed. Parker, Richard, 21–4 (Bristol: Shearsman, 2015).Google Scholar
Sutherland, Keston, The Odes to TL61P (London: Enitharmon, 2013).Google Scholar
Tiffany, Daniel, My Silver Planet: A Secret History of Poetry and Kitsch (Baltimore: Johns Hopkins University Press, 2014).Google Scholar
Tiffany, Daniel, Radio Corpse: Imagism and the Cryptaesthetic of Ezra Pound (Cambridge, MA: Harvard University Press, 1995).Google Scholar
Villalón, Fernando Pérez, ‘Versions, Variations, and Reverberations: Ezra Pound in Chile’, Make It New 3.4 (April 2017), http://makeitnew.ezrapoundsociety.org/volume-iii/3-4/pound-in-the-world.Google Scholar
Webb, Clive, Rousers: The American Far Right in the Civil Rights Era (Athens: University of Georgia Press, 2011).Google Scholar
Wilson, Peter, A Preface to Ezra Pound (London: Routledge, 2014).Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×