Book contents
- Norman Mailer in Context
- Norman Mailer in Context
- Copyright page
- Contents
- Notes on Contributors
- A Note on References and Abbreviations
- Introduction
- Part I Literary Influences
- Part II Form and Genre
- Part III Political Contexts
- Part IV Philosophical and Cultural Contexts
- Part V Gender and Sexuality
- Chapter 23 Masculinity
- Chapter 24 The Second Wave Feminist Movement
- Chapter 25 Sex and Sexuality
- Part VI Profiles and Literary Biographies
- Part VII Mailer’s Legacy
- Primary Bibliography
- Selected Secondary Bibliography
- Index
Chapter 25 - Sex and Sexuality
from Part V - Gender and Sexuality
Published online by Cambridge University Press: 05 August 2021
- Norman Mailer in Context
- Norman Mailer in Context
- Copyright page
- Contents
- Notes on Contributors
- A Note on References and Abbreviations
- Introduction
- Part I Literary Influences
- Part II Form and Genre
- Part III Political Contexts
- Part IV Philosophical and Cultural Contexts
- Part V Gender and Sexuality
- Chapter 23 Masculinity
- Chapter 24 The Second Wave Feminist Movement
- Chapter 25 Sex and Sexuality
- Part VI Profiles and Literary Biographies
- Part VII Mailer’s Legacy
- Primary Bibliography
- Selected Secondary Bibliography
- Index
Summary
Mailer engages provocatively with themes of sexuality in a number of his novels, in a variety of ways – from the overt and somewhat shocking sex scenes in An American Dream to the exploration of sex and mysticism in Ancient Evenings to the subplot focusing in on closeted homosexuality in Harlot’s Ghost. Many of the theories of sexuality posited in these works are grounded in previous essays and nonfiction, and reflect not only the culture in which Mailer lived but provide insight into his ongoing attempt to represent sexuality in language. For example, the exploration of homosexuality in Ancient Evenings can be traced back to The Prisoner of Sex, where he was also interested in the way sex is used to enforce hierarchies of power within the prison system, and then back as early 1955, where, in “The Homosexual Villain,” Mailer was still working to flesh out “the edges of the rich theme of homosexuality,” struggling to find a place for it in his construction of contemporary masculinity.
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- Information
- Norman Mailer in Context , pp. 280 - 290Publisher: Cambridge University PressPrint publication year: 2021