Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-s2hrs Total loading time: 0 Render date: 2024-11-18T12:16:45.175Z Has data issue: false hasContentIssue false

5 - Langland's Last Words

from II - Revisions and Re-visioning of Alliterative Poetry

Published online by Cambridge University Press:  25 October 2017

Michael Calabrese
Affiliation:
Professor of English at California State University, Los Angeles.
Get access

Summary

Dream is the mirror in which the soul sees itself, and in itself sees the image of God.

(A. C. Spearing, Medieval Dream-Poetry)

After having spent much of his waking life composing and revising Piers Plowman (though he may also have dreamed a verse or two as well, one imagines), William Langland offers, in Passus 20 of the C-text, lines 350 to 358, the final revised speech of Will in the final revised passus of the final version of his poem. Perhaps it is better to call such revisions “intrusions” into the poem, and Will's words in C.20 do indeed have an intrusive feel, for Will is more than aware here that he has become over-excited in his commentary and that he needs to rein himself in. I want to read this dramatic intrusion in relation to two other significant intrusions in the C-text, Conscience's speech on clerical corruption in C.Prol.95–124 and Will's exposition on the clergy in the Pardon Scene in C.9.255–79 – altogether three instances where, I believe, we come as close as possible to hearing the voice of the poet himself. These are not the only intrusions, large or small, in the complexly revised C-text, all of which repay study, but they do reflect a coherence of attitude and an authorial disposition displayed by the poet in his final moments of creation, composition, and contemplation, however murky the archeological status of the poem's textual history may remain. Seeing these passages as a series of linked and intentional elaborations and as integral parts of Langland's C-text work has a number of implications, and thus my essay has several aims. First, the argument for coherence supports the contention of many scholars that Langland in the C-text increases the intensity and the frequency of direct speech in propria persona. This critical awareness of Langland's voice relates to a productive critical tendency to see Langland as a deeply autobiographical poet, concerned with his own vocation and the nagging question of how he could be at once a poet and also worthy of God's grace, free from a sinful idleness that was ever more targeted as dangerous and associated, in the post-plague labor crisis, with idle “lollers” and wanderers, as Anne Middleton has noted.

Type
Chapter
Information
Readings in Medieval Textuality
Essays in Honour of A.C. Spearing
, pp. 65 - 82
Publisher: Boydell & Brewer
Print publication year: 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×