Book contents
- Reception in the Greco-Roman World
- Cambridge Classical Studies
- Reception in the Greco-Roman World
- Copyright page
- Dedication
- Contents
- Figures
- Notes on Contributors
- Acknowledgements
- Abbreviations
- Altered States: Cultural Pluralism and Psychosis in Ancient Literary Receptions
- Part I Archaic and Classical Poetics
- Part II Classical Philosophy and Rhetoric, and Their Reception
- Part III Hellenistic and Roman Poetics
- Part IV Multimedia and Intercultural Receptions in the Second Sophistic and Beyond
- Chapter 12 Received into Dance? Parthenius’ Erōtika Pathēmata in the Pantomime Idiom
- Chapter 13 Sappho in Pieces
- Chapter 14 Hesiodic Rhapsody: The Sibylline Oracles
- Chapter 15 Homer and the Precarity of Tradition: Can Jesus Be Achilles?
- References
- Index
Chapter 15 - Homer and the Precarity of Tradition: Can Jesus Be Achilles?
from Part IV - Multimedia and Intercultural Receptions in the Second Sophistic and Beyond
Published online by Cambridge University Press: 05 June 2021
- Reception in the Greco-Roman World
- Cambridge Classical Studies
- Reception in the Greco-Roman World
- Copyright page
- Dedication
- Contents
- Figures
- Notes on Contributors
- Acknowledgements
- Abbreviations
- Altered States: Cultural Pluralism and Psychosis in Ancient Literary Receptions
- Part I Archaic and Classical Poetics
- Part II Classical Philosophy and Rhetoric, and Their Reception
- Part III Hellenistic and Roman Poetics
- Part IV Multimedia and Intercultural Receptions in the Second Sophistic and Beyond
- Chapter 12 Received into Dance? Parthenius’ Erōtika Pathēmata in the Pantomime Idiom
- Chapter 13 Sappho in Pieces
- Chapter 14 Hesiodic Rhapsody: The Sibylline Oracles
- Chapter 15 Homer and the Precarity of Tradition: Can Jesus Be Achilles?
- References
- Index
Summary
Beginning with a striking passage in which the Sibylline narrator asserts her intellectual ownership of Homer’s work, I point out its Theogonic framing, before surveying other thematic and stylistic invocations of Hesiod across the Sibylline corpus. I argue that Hesiod, without being named, is given programmatic importance as a Classicizing alternative to Homeric authority and wisdom. I then distinguish three strategies of Sibylline transformation of Biblical material in Homeric colouring into apocalyptic visions: amplification of scenes of destruction, cosmic revision of individual action, and the countering of heroic epic values with monotheistic principles. In each of these, ideas of ‘the Hesiodic’ generated by its ancient reception provide a cipher for the critique of the Homeric cosmos implied by Sibylline rewriting of Jewish and Christian scriptures in the direction of universal history. I conclude by offering comparanda for future studies.
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- Reception in the Greco-Roman WorldLiterary Studies in Theory and Practice, pp. 371 - 398Publisher: Cambridge University PressPrint publication year: 2021