Book contents
- Representation in Western Music
- Representation in Western Music
- Copyright page
- Dedication
- Contents
- Illustrations
- Contributors
- Acknowledgements
- Introduction
- Part I Representation and the interpretation of musical meaning
- Part II Sound and visual representations: music, painting, and dance
- Part III Musical representations in opera and cinema
- 9 Allusive representations: homoerotics in Wagner’sTristan
- 10 Der Dichter spricht: self-representation inParsifal
- 11 Memory and the leitmotif in cinema
- 12 Self-representation in music: the case of Hindemith’s meta-operaCardillac
- Part IV Music, representation, and the concepts of East and West
- Index
12 - Self-representation in music: the case of Hindemith’s meta-operaCardillac
from Part III - Musical representations in opera and cinema
Published online by Cambridge University Press: 05 April 2013
- Representation in Western Music
- Representation in Western Music
- Copyright page
- Dedication
- Contents
- Illustrations
- Contributors
- Acknowledgements
- Introduction
- Part I Representation and the interpretation of musical meaning
- Part II Sound and visual representations: music, painting, and dance
- Part III Musical representations in opera and cinema
- 9 Allusive representations: homoerotics in Wagner’sTristan
- 10 Der Dichter spricht: self-representation inParsifal
- 11 Memory and the leitmotif in cinema
- 12 Self-representation in music: the case of Hindemith’s meta-operaCardillac
- Part IV Music, representation, and the concepts of East and West
- Index
Summary
- Type
- Chapter
- Information
- Representation in Western Music , pp. 224 - 246Publisher: Cambridge University PressPrint publication year: 2013