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Chapter 28 - Modern Poetry and Haiku

from Part III - Literary and Intellectual Contexts

Published online by Cambridge University Press:  08 July 2021

By
Anita Patterson
Edited by
Michael Nowlin
Michael Nowlin
Affiliation:
University of Victoria, British Columbia
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Summary

Wright wrote and published poetry throughout his career, culminating in the remarkable collection of “projections in the haiku manner” which he composed in the last years of his life. This analysis contextualizes Wright’s late turn to haiku in relation to his larger body of work; his reading of scholarship on haiku and Japanese Buddhism; his involvement with the Partisan Review during the 1930s; his revisionary engagement with modernist poetry, including Ezra Pound’s haiku-inspired imagism as well as T. S. Eliot’s The Waste Land; and his affirmation of Emersonian pragmatism. I conclude by exploring the transmission of Wright’s legacy to contemporary African American poets such as Sonia Sanchez, whose liberating experiments with haiku have resulted in new expressive possibilities.

Keywords

imagismtransnationalismtranspacificmodernismpragmatismhaikuBuddhism
Type
Chapter
Information
Richard Wright in Context , pp. 293 - 304
Publisher: Cambridge University Press
Print publication year: 2021

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