Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-j824f Total loading time: 0 Render date: 2024-11-14T23:11:27.014Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

5 - Aftershocks

Judy Simons
Affiliation:
Judy Simons is Emeritus Professor of English at De Montfort University where she was Pro Vice Chancellor.
Get access

Summary

PSYCHOLOGY AND THE NOVEL

‘Everything I think I have discovered about the jungle of the human heart has gone into it’, wrote Rosamond Lehmann to Bernard Berenson about her new novel. The Echoing Grove was completed during the period of fallout from Lehmann's long affair with the poet, Cecil Day Lewis. Throughout the 1940s, Rosamond and Cecil, handsome, gifted and successful, were the golden couple of literary London. Although their private life was frequently under strain, largely stemming from Day Lewis's refusal to divorce his long-suffering wife, Mary, it was also joyous and mutually satisfying, both intellectually and emotionally, and the pair were accepted everywhere as an established union. When in 1950 Day Lewis, without warning, went off with the actress, Jill Balcon, whom he subsequently married, Lehmann was reduced to a state of shock, insisting, until she could no longer ignore the fact, that his defection was a temporary neurotic lapse, ‘a far more acute form of the psychopathic state I've seen him in at intervals for 9 years’. She remained adamant that the break-up was too traumatic for her ever to write about but despite her denials, the lasting anguish and bitterness resulting from what she referred to as ‘the biggest disaster of my life’ inevitably shaped the predominant mood of The Echoing Grove, the final novel of her artistic maturity. ‘It is one of the most unmitigatedly painful books I have ever read’, commented John Lehmann, always her most astute reader. ‘It is terrific and terrible; because such writing could only come out of the most terrible suffering’.

Lehmann had begun work on the novel shortly after the publication of The Ballad and the Source but it had been re-drafted extensively over the years, and revised further after the break with Day Lewis, at which point Lehmann reported that ‘picking up this novel again was a spiritual torment for which there are no words’. It took her two more years to finish. Set in the present day, the book gives voice to that ‘spiritual torment’ as it delineates the destructive power of an erotic triangle over a twenty-year period. The story, told mostly in flashback and switching between the consciousnesses of the main characters, reviews the lives of two sisters, Madeleine and Dinah, and their relationship with Rickie, the husband of one and lover of the other.

Type
Chapter
Information
Rosamond Lehmann
, pp. 74 - 87
Publisher: Liverpool University Press
Print publication year: 2004

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×